eBooks „Comedy“
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Q. Wang
Spirit
The Paintings of Q. Wang
- Kunst
- Englisch
- 15 Wörter
- Keine Altersempfehlung
- 341
Spirit: The Paintings of Q. Wang is a collection of contemporary paintings by Q. Wang, a current resident of Southern California. In this “Coffee table” style of high-quality art-book of 44 selected works of artist Q. Wang created during the period from 2006 through 2010, are displayed with only title and date of origin; leaving the viewer to “feel the art”, or as stated in the Preface, “hear the music” without the distraction of a narrative.
Working with acrylic over conventional sized canvases, Q. Wang’s work is easily categorized as being modern art, abstract, using color and lines in very unique and impressive ways. Although, admittedly Q. Wang openly discusses his attraction to the art of Maurice Utrillo, I sense some subliminal influence by other renowned artists. I feel the American legend Alexander Calder aligned with his floating shapes; along with aspects reminiscent of Andy Warhol in his Hillary Clinton portrait; Pablo Picasso and Vincent Van Gough with some cubism. This said, the originality of Q. Wang stands on his own merit with a fundamental Asian influence. Just as it is obvious to a viewer if a picture on a wall is hung at an angle, not being straight, it is amazingly impressive how parallel, perpendicular, round and exact the geometric shapes are within Q. Wang’s work. He definitely has a highly advanced mathematical spatial relation aspect to his art, resulting in hypnotizing introspection and, in my case, a highly emotional impact. His core talent brings simplicity in shape and form. One of, if not my true favorite, is titled, Woman. In it, Q. Wang takes a red circle, two red domes and a red triangle placed over horizontal colored backgrounds bringing to mind a “nude” like some Hermann Rorschach inkblot test revealing my own thoughts. Other favorites of mine are titled Kiss and Lovers, where two “stick figures” embrace each other, one yellow and one red, over a green background. Just as universal highway and building signage uses stick figures to represent men and women with respect to safety or even a restroom, these figures are international and global in its representation of the love within humanity.
I could go on and talk about Q. Wang’s use of dimensional relations in his landscapes, or his obvious sense of passion for a lady he painted, or even the comedy within his work; but to understand his work you simply need to see it. This book is beyond excellent as a showcase for his talent. Next to having the opportunity to visit a gallery with his work, this book can be easily bought and will truly embellish the library of any art-loving collector. As the famous French film producer Jean-Luc Godard said, “It’s not where you take things from – it’s where you take them to.” Q. Wang has taken me further into the appreciation of my surroundings, people, and love. That is what art is all about.
-- By Pacific Book Review [mehr]
Stichwörter: Arts, Paintings, Chinese Cultrue, Abstraction
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Charles Dickens
A Child's History Of England
- Historisches
- Englisch
- 162700 Wörter
- Ab 18 Jahren
- 4
- 3
Charles John Huffam Dickens (/ˈtʃɑrlz ˈdɪkɪnz/; 7 February 1812 – 9 June 1870) was an English writer and social critic. He created some of the world's most well-known fictional characters and is generally regarded as the greatest novelist of the Victorian period.[1] During his life, his works enjoyed unprecedented popularity, and by the twentieth century he was widely seen as a literary genius by critics and scholars. His novels and short stories continue to be widely popular.[2][3]
Born in Portsmouth, England, Dickens was forced to leave school to work in a factory when his father was thrown into debtors' prison. Although he had little formal education, his early impoverishment drove him to succeed. Over his career he edited a weekly journal for 20 years, wrote 15 novels, five novellas and hundreds of short stories and non-fiction articles, lectured and performed extensively, was an indefatigable letter writer, and campaigned vigorously for children's rights, education, and other social reforms.
Dickens sprang to fame with the 1836 serial publication of The Pickwick Papers. Within a few years he had become an international literary celebrity, famous for his humour, satire, and keen observation of character and society. His novels, most published in monthly or weekly instalments, pioneered the serial publication of narrative fiction, which became the dominant Victorian mode for novel publication.[4][5] The instalment format allowed Dickens to evaluate his audience's reaction, and he often modified his plot and character development based on such feedback.[5] For example, when his wife's chiropodist expressed distress at the way Miss Mowcher in David Copperfield seemed to reflect her disabilities, Dickens went on to improve the character with positive features.[6] His plots were carefully constructed, and Dickens often wove in elements from topical events into his narratives.[7] Masses of the illiterate poor chipped in ha'pennies to have each new monthly episode read to them, opening up and inspiring a new class of readers.[8]
Dickens was regarded as the literary colossus of his age.[9] His 1843 novella, A Christmas Carol, is one of the most influential works ever written, and it remains popular and continues to inspire adaptations in every artistic genre. Set in London and Paris, his 1859 novel, A Tale of Two Cities, is the best selling novel of all time.[10] His creative genius has been praised by fellow writers—from Leo Tolstoy to George Orwell and G. K. Chesterton—for its realism, comedy, prose style, unique characterisations, and social criticism. On the other hand Oscar Wilde, Henry James and Virginia Woolf complained of a lack of psychological depth, loose writing, and a vein of saccharine sentimentalism. The term Dickensian is used to describe something that is reminiscent of Dickens and his writings, such as poor social conditions or comically repulsive characters.[11] [mehr]
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ABBIE FARWELL BROWN
THE BOOK OF SAINTS AND FRIENDLY BEASTS
- Religion
- Englisch
- 40144 Wörter
- Ab 18 Jahren
- 2
- 1
Abbie Farwell Brown (August 21, 1871 – March 5, 1927)[1][2] was an American author.
Brown was born in Boston, Massachusetts, the first of two daughters of Benjamin F. Brown, a descendant of Isaac Allerton, and Clara Neal Brown, who contributed to The Youth's Companion. Her sister Ethel became an author and illustrator under the name Ann Underhill. Her family, for ten generations, had only resided in New England, and Brown herself spent her entire life in her family's Beacon Hill home.[2]
Brown was valedictorian of the Bowdoin School in 1886.[2][3] She then attended the Girls' Latin School, where she was friends with Josephine Preston Peabody. She was the driving force behind the newly created school newspaper, The Jabberwock, named by Brown after the poem by Lewis Carroll. They wrote to Carroll for permission to use the name and Carroll wrote back, wishing them "all success to the forthcoming magazine".[4][5] The school, now Boston Latin Academy, still publishes The Jabberwock. After graduating in 1891, she attended Radcliffe College, graduating in 1894.[1][2]
While at Girls' Latin School, she was contributing pieces to St. Nicholas Magazine, some illustrated by her sister. Starting in 1898, under the pen name Jean Neal she wrote articles for the St. Louis Globe-Democrat. She also wrote a one-act comedy called Quits (1896) set at a women's college.[1][2]
The miracles of Saint Werburgh, including her resurrection of a goose, from the Chester Cathedral
Her first children's book, The Book of Saints and Friendly Beasts (1900) was inspired by her first trip abroad, specifically by the carved choir stalls in Chester Cathedral depicting the life of Saint Werburgh. The book retells Christian stories of the animal encounters of various saints. Brown would write other collections retelling old tales for a contemporary child audience. Her In the Days of Giants (1902) featured stories from Norse mythology and remained a standard text in libraries for several generations. Tales of the Red Children (1909), co-written with James MacIntosh Bell, featured Canadian Indian folklore.[1][2]
Original stories by Brown include The Lonesomest Doll (1901), The Flower Princess (1904), John of the Woods (1909), and The Lucky Stone (1914). She wrote several volumes of children's poetry, including A Pocketful of Posies (1901) and Fresh Posies (1908). Her books of adult poetry, including Heart of New England (1920) and The Silver Stair (1926), were less successful.[1][2]
Brown wrote song lyrics for the Progressive Music Series by Silver, Burdett and Co. She and composer Mabel Wheeler Daniels wrote the song "On the Trail", which became the official song of the Girl Scouts of the USA. Daniels set Brown's war poem "Peace with a Sword" to music and it was performed by the Handel and Haydn Society in 1917. Brown's only juvenile biography was of a composer, The Boyhood of Edward MacDowell (1924).[2]
Brown was active in New England literary life. She edited the 20-volume Youn [mehr]
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