Thanks for inviting me to stop by. I found it humorous - call me a sadist. "Just dance like no one's watching... I felt a thousand faceless eyes focus on me." Now THAT's delicious irony.
Now - about 'that.' Early on in the story you're using some fussy language when immediacy would be more effective. 'That' as subordinating conjunctive makes the following sentence convoluted and like an unnecessary pause in the... mehr anzeigen
Thanks for inviting me to stop by. I found it humorous - call me a sadist. "Just dance like no one's watching... I felt a thousand faceless eyes focus on me." Now THAT's delicious irony.
Now - about 'that.' Early on in the story you're using some fussy language when immediacy would be more effective. 'That' as subordinating conjunctive makes the following sentence convoluted and like an unnecessary pause in the adrenaline-induced internal action:
Instead of "I reached up to feel THAT my long, brown hair HAD BEEN pinned UP IN a tightly braided bun, my body adorned...and my face..." (whew!)
Maybe something more like "The tightly braided bun tugged at my scalp. I nervously fiddled with it - everything still in place. My sparkling jewelry shook like leaves on the nervous tree that was me. Makeup? It... And the gown - oh, it was so..."
Just remember that nervousness has a pace. Getting the reader to feel it by thinking the dancer's thoughts at her nervous thought cadence - with her sweating upper lip... it will prime them for the resolution - desiring it.
I appreciated the ambivalence of the last line. We're left with the mystery of the dance, itself. Good or bad? Glorious or disastrous? Planned or unplanned? Vindicating or condemning?
So - there ya go - my 2cents.