Cover

prologue

THE MISSING LINK

A Novel by Erica Pensini

Contact: erica.pensini@gmail.com


If we knew what it was we were doing, it wouldn't be called 'research,' would it?

“They’re only missing, and sooner or later a person will come along who accidentally opens the door of the room where Alma hid them, and the story will start all over again. I live with that hope” – P. Auster


Disclaimer: This novel is a work of phantasy. All references to institutions, people and places are purely coincidental.



Chapter 1

The heat of this torrid summer is drenching the old bricks and stones which have seen the joy and the struggles of the best generations of students, the cream of our nation. Young people like me, privileged and clever and envied. Now that the graduation ceremony has ended and even the last proud parents and their kids are gone, the place is oddly immobile and silent. It feels like a calming spot, one where I could sit in quiet loneliness with an engrossing novel. Very soon I will not see this place - and this whole city as a matter of fact - for a fair amount of time. There’s a big environmental project going on in Spain and I will be part of an international team based out in Barcelona for one year at least. Chances are that the project will last much longer, but for now the details are still blurry and I am not concerned with planning so much ahead anyways. For now what I want is simply to step out of the academia and buy myself some buffer time before getting organized for real life, whatever real life is. This city has started to fit too tight on my skin, and I am relieved at the idea of taking off to a different continent, to a city that inspires me based on pictures pulled off the internet and on some travel guides.

Tonight I should be happy. I just earned a degree from a top-notch university with top marks. I have a job already, it’s temporary but that’s no matter, so many of my class mates would pay to be in my place now.

But I am not happy. I am not sad in a proper sense either though. It’s a sort of emptiness I feel within me all the time, in the background, and that – paradoxically – haunts me most intensely in those moments when I should feel most accomplished. I start wandering in the empty hallways, making my way to the cafeteria where I have been so many times. I want to know if I can recollect the emotions I’ve lived here, remember the moments, and it is so very odd that I feel absolutely nothing, as if this was my first time seeing this place. I move on, inspecting the classrooms, and for each one I visit a hollow echo reverberates within me. At last I give up, but right when I’ve decided to get out of here my eye gets captured by a flier. It is black and white and very plain, but I read, in capital letters, EXPERIMENTAL DREAM STUDY. I get closer to the board on which it is affixed, and this is what it says:

EXPERIMENTAL DREAM STUDY

Volunteers wanted for an experimental psychology and medical study in which dreams are analyzed, reproduced and used to trigger buried memories.

Duration of the study: 1 month minimum

Call the number below if interested!



I have a month and a half ahead of me before flying out to Barcelona. Why not call? I have enough time. Why call is perhaps a better question though. I am curious, that’s all there is to it, or maybe there are more profound reasons that I choose not to investigate.

There’s probably nobody to pick up the phone, it’s late, but I pull out my cell and call anyways. The phone rings free for a while, and I am relieved, because I have already changed my mind and I don’t really want to be part of the study anymore. I am about to hang up when a voice talks to me from the other end.

“Why don’t you drop by tomorrow morning at 8 am, does this work?”, asks the girl who introduced herself as Stephanie, and so I’m stuck.

I jump on the streetcar with fragmented images buzzing in my mind as inconsistent flies, thoughts of what tomorrow’s dream session will be like, of Barcelona, of the last day of school and of other things forgotten as fast as they are remembered, things that are now buried memories.



Chapter 2

It’s 8 am and I am sitting in a zone of the hospital labelled as “experimental psychiatry and psychology”. I’ve spent the last half hour filling forms with my personal information and subscribing a number of clauses I haven’t read too carefully. I suspect that this whole psychology business is a complete waste of time, and yet I am curious to see what will come next. I am swaying between these bipolar moods when Stephanie greets me flamboyantly.

“You must be Iris!”, she says with a broad smile, ready to shake hands even before I get up from my chair, arching her brows just a bit instead of placing a question mark to her statement

Something in my face tells her that she is not mistaken, and before I have the time to reply she introduces herself, “Stephanie, good to meet you”.

She takes the forms I filled out and leafs through them quickly before bringing me to another room. The room is bright, small, cozy, familiar with many personal objects, something very different from what I expected. I thought shrinks used rooms that were dimly lit and neutral, deprived of any reference to the doctor’s personality to prevent the patient from analyzing the doctor. Instead I look around and note, “You like cats”.

“Yes! I do”, Stephanie replies enthusiastically

“So do I”, I tell her, my eyes still inspecting the place

My defensive wall is creaking just slightly. This woman does not seem to want to play games or hide, or maybe she is such a good player that she plays and wins seamlessly. Let’s wait and see.

She starts explaining what this is all about, and although each of her sentences is clear when she stops talking I am still not sure about what I am getting into. All I understand is that her research team wants to exhume memories that have been lost, especially traumatic memories. They somehow intend to use fragments of dreams to trigger other dreams until the lost episodes are reconstructed in their entirety and relived in a full length dream, following which the person becomes fully conscious of his or her past.

Have they done this with somebody already, I ask. They are recruiting volunteers now, I am the first one who showed up. Promising!, I think, and smirk.

Stephanie sees my skepticism. She becomes defensive – it’s only for a flashing second, but I still notice.

“Well, if this is an experiment one has to start somewhere”, I say, because for some reason all of a sudden I don’t want to let Stephanie down.

Stephanie nods and smiles, amicable again, and continues her explanation. I will have to write down my dreams as soon as I wake up, recording as many details as I can. We’ll meet every other day – if this is not too much for me – for sessions approximately three hours long.

”The ideal strategy is to keep a fast pace. Does this work for you?”, Stephanie asks and I say it does.

“During each session we will induce controlled sleep, and we will monitor a number of parameters to try and understand your mental state during the sleep. We will also impart signals to your brain while you are sleeping to mimic part of the dreams you had the previous nights. We will pick whatever seems significant to you or whatever appears to us as a hint, something that is perhaps blurry but that we somehow perceive as a window to remembering a problematic memory that you chose to forget”, Stephanie tells me

“What makes you believe that I choose to forget things?”, I ask, with a tone sharper than intended

“What are your expectations?”, Stephanie asks in return to my question, looking at me intensely

“My expectations with regard to what?”, I say, taking time, because I don’t have a real answer

“With regard to what you will be getting out of these sessions”, she replies calmly, her eyes still transfixed into mine

Now the question is too well defined for me to elude it.

“I came here for no reason, out of curiosity or perhaps boredom. But if you need some motivation and want me to give you a better reason I’ve got one for you. Sometimes there is a face that resembles mine, I know it does but I can’t see it. I want to reach towards it but I can’t, ever. I’ve dreamed this since I can remember”, I say – and there’s challenge in my voice

The words have come out before I knew it, and I am suddenly feeling disarmed in the middle of an open battle field. I regret having given my dream away, while realizing for the first time that it has been haunting me for years. I wonder if I really want to know what it is about and if this dream has really been my reason to call Stephanie.

“Do you want to start a full session tomorrow at 8?”, Stephanie asks, and I shrug

“Why not”, I say



Chapter 3

I’m sitting on a streetcar heading home, and I think about what I told Stephanie. If I keep seeing a face in my dreams, and if that face resembles mine, could it be that I have a cousin or an aunt or someone I met once upon a time and then never again? I have a very large family, and we don’t really see each other very often. Perhaps one day there was a family gathering and I found a remote relative that looked like me and from whom I had a hard time separating? Perhaps the explanation for the dream that haunts me is as simple as this.

Family pictures, that’s where I should look.

The idea occurs to me suddenly, and I wonder why I didn’t have it before. I still live with my parents, and all the family pictures are in the attic. I am sure they are there, even though I am not sure where this certainty comes from since I haven’t taken the time to go through them in ages, if ever.

I realize that I have reached my stop just in time before the doors close, and it surprises me that time has gone by so fast.

As I exit the streetcar, as I cross the iron gates securing our estate and walk the path embraced by old trees shading away the summer heat, as I unlock the door and step in the luxury in which I grew up, at every step I take I perceive an uneven note in me. The idea of going through those pictures puts me ill at ease, as if I am about to disobey to some untold rule. But why?

The scene flashes back to my mind. I was a kid, I can’t remember my age but I was still in elementary school and I had sneaked up in the attic. At the time I had liked to go there because it was a hidden private spot, from which I could see whatever happened outside while making myself barely noticeable. I was there, sitting on the floor with a photo album open on my legs, when my mother walked up. She started as she saw me. “You startled me, I didn’t expect to find you here”, she had said. It took my mother a few seconds to realize what I was doing, and when she did she bent and closed the album. “Why don’t you go out and play, it’s such a nice day!”, she had told me with a high pitch in her tone and a nervous giggle. From that day my mother decided that I should stop spending time in the attic, and I never opened the album again. “Why would you want to spend time in the attic when there are so many better places in the house?”, had been her argument. I had gone back only once, when she wasn’t there, and I had noticed that she had boxed up the albums and placed them in a corner where she probably thought they’d be less noticeable. The episode had disturbed me, but I had pushed it in some remote corner of my mind and stopped thinking about it till now.

Are the pictures still in the attic?

As I head to the attic time rewinds and I become the tense kid disobeying mom’s rules. I know there’s nobody at home, but I landscape the rooms before climbing the stairs, my heart beating fast. The attic’s door squeaks as I push it, and I curse the unoiled hinges. I realize that things haven’t changed much there, and the space has the odd flavour of spots where time has stopped. The box with the pictures is still there, but it has been taped close. I’m cooked, there’s no way I can go through the pictures without leaving traces, but I am not willing to give up now. After all there’s no label on the box, nothing that can identify it unmistakably. Perhaps I can buy an identical box somewhere else? The risk is worth the candle, and I start to peel the tape off the box.

I take out the albums, making sure I don’t get their order mixed. There are about twenty albums, I arrange them by columns and start to look at them one by one, suddenly focused, calm.

Column one. There are my parents, young, smiling, holding hands on a beach, on the porch of a villa, in a number of cities. I keep going, and I find shots of my relatives, people I hardly remember now. And then there’s me, my father is holding me in his arms with a satisfied expression on his face. I pull out the picture from the album and check the date. 1983. I was two years old then. I move on, and find more bits of me: me at 3, 4 and 5, all the way to elementary school. My high school pictures are not here, they are downstairs, receiving for some reason a different treatment from these.

I move to a second column, and there are my parents again, somewhat different, young but not as cheerful. I can’t get myself to place them in time, was this before me or after I was born? I flip some photos and start reading the dates. December 1980, February 1981, June 1981, October 1982, June – August 1982. Strange that I am not in any of these pictures.

Wait.

My head feels empty for a moment. Wait. I am not in these pictures and my mother is NEVER pregnant. Never. I was born on May 16, 1981. That’s what they told me, that’s what all the documents say. So why did my mother not have a huge belly on December 1980? Why not in February 1981?

Impressum

Verlag: BookRix GmbH & Co. KG

Texte: Erica Pensini
Bildmaterialien: Erica Pensini
Lektorat: Erica Pensini
Tag der Veröffentlichung: 01.05.2016
ISBN: 978-3-7396-5154-5

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