I: Translator's Preface

I: About This Translation

It was with considerable reluctance that I abandoned in favour of the present undertaking what had long been a favourite project: that of a new edition of Shelton's "Don Quixote," which has now become a somewhat scarce book. There are some--and I confess myself to be one--for whom Shelton's racy old version, with all its defects, has a charm that no modern translation, however skilful or correct, could possess. Shelton had the inestimable advantage of belonging to the same generation as Cervantes; "Don Quixote" had to him a vitality that only a contemporary could feel; it cost him no dramatic effort to see things as Cervantes saw them; there is no anachronism in his language; he put the Spanish of Cervantes into the English of Shakespeare. Shakespeare himself most likely knew the book; he may have carried it home with him in his saddle-bags to Stratford on one of his last journeys, and under the mulberry tree at New Place joined hands with a kindred genius in its pages.

But it was soon made plain to me that to hope for even a moderate popularity for Shelton was vain. His fine old crusted English would, no doubt, be relished by a minority, but it would be only by a minority. His warmest admirers must admit that he is not a satisfactory representative of Cervantes. His translation of the First Part was very hastily made and was never revised by him. It has all the freshness and vigour, but also a full measure of the faults, of a hasty production. It is often very literal--barbarously literal frequently--but just as often very loose. He had evidently a good colloquial knowledge of Spanish, but apparently not much more. It never seems to occur to him that the same translation of a word will not suit in every case.

It is often said that we have no satisfactory translation of "Don Quixote." To those who are familiar with the original, it savours of truism or platitude to say so, for in truth there can be no thoroughly satisfactory translation of "Don Quixote" into English or any other language. It is not that the Spanish idioms are so utterly unmanageable, or that the untranslatable words, numerous enough no doubt, are so superabundant, but rather that the sententious terseness to which the humour of the book owes its flavour is peculiar to Spanish, and can at best be only distantly imitated in any other tongue.

The history of our English translations of "Don Quixote" is instructive. Shelton's, the first in any language, was made, apparently, about 1608, but not published till 1612. This of course was only the First Part. It has been asserted that the Second, published in 1620, is not the work of Shelton, but there is nothing to support the assertion save the fact that it has less spirit, less of what we generally understand by "go," about it than the first, which would be only natural if the first were the work of a young man writing currente calamo, and the second that of a middle-aged man writing for a bookseller. On the other hand, it is closer and more literal, the style is the same, the very same translations, or mistranslations, occur in it, and it is extremely unlikely that a new translator would, by suppressing his name, have allowed Shelton to carry off the credit.

In 1687 John Phillips, Milton's nephew, produced a "Don Quixote" "made English," he says, "according to the humour of our modern language." His "Quixote" is not so much a translation as a travesty, and a travesty that for coarseness, vulgarity, and buffoonery is almost unexampled even in the literature of that day.

Ned Ward's "Life and Notable Adventures of Don Quixote, merrily translated into Hudibrastic Verse" (1700), can scarcely be reckoned a translation, but it serves to show the light in which "Don Quixote" was regarded at the time.

A further illustration may be found in the version published in 1712 by Peter Motteux, who had then recently combined tea-dealing with literature. It is described as "translated from the original by several hands," but if so all Spanish flavour has entirely evaporated under the manipulation of the several hands. The flavour that it has, on the other hand, is distinctly Franco-cockney. Anyone who compares it carefully with the original will have little doubt that it is a concoction from Shelton and the French of Filleau de Saint Martin, eked out by borrowings from Phillips, whose mode of treatment it adopts. It is, to be sure, more decent and decorous, but it treats "Don Quixote" in the same fashion as a comic book that cannot be made too comic.

To attempt to improve the humour of "Don Quixote" by an infusion of cockney flippancy and facetiousness, as Motteux's operators did, is not merely an impertinence like larding a sirloin of prize beef, but an absolute falsification of the spirit of the book, and it is a proof of the uncritical way in which "Don Quixote" is generally read that this worse than worthless translation--worthless as failing to represent, worse than worthless as misrepresenting--should have been favoured as it has been.

It had the effect, however, of bringing out a translation undertaken and executed in a very different spirit, that of Charles Jervas, the portrait painter, and friend of Pope, Swift, Arbuthnot, and Gay. Jervas has been allowed little credit for his work, indeed it may be said none, for it is known to the world in general as Jarvis's. It was not published until after his death, and the printers gave the name according to the current pronunciation of the day. It has been the most freely used and the most freely abused of all the translations. It has seen far more editions than any other, it is admitted on all hands to be by far the most faithful, and yet nobody seems to have a good word to say for it or for its author. Jervas no doubt prejudiced readers against himself in his preface, where among many true words about Shelton, Stevens, and Motteux, he rashly and unjustly charges Shelton with having translated not from the Spanish, but from the Italian version of Franciosini, which did not appear until ten years after Shelton's first volume. A suspicion of incompetence, too, seems to have attached to him because he was by profession a painter and a mediocre one (though he has given us the best portrait we have of Swift), and this may have been strengthened by Pope's remark that he "translated 'Don Quixote' without understanding Spanish." He has been also charged with borrowing from Shelton, whom he disparaged. It is true that in a few difficult or obscure passages he has followed Shelton, and gone astray with him; but for one case of this sort, there are fifty where he is right and Shelton wrong. As for Pope's dictum, anyone who examines Jervas's version carefully, side by side with the original, will see that he was a sound Spanish scholar, incomparably a better one than Shelton, except perhaps in mere colloquial Spanish. He was, in fact, an honest, faithful, and painstaking translator, and he has left a version which, whatever its shortcomings may be, is singularly free from errors and mistranslations.

The charge against it is that it is stiff, dry--"wooden" in a word,-and no one can deny that there is a foundation for it. But it may be pleaded for Jervas that a good deal of this rigidity is due to his abhorrence of the light, flippant, jocose style of his predecessors. He was one of the few, very few, translators that have shown any apprehension of the unsmiling gravity which is the essence of Quixotic humour; it seemed to him a crime to bring Cervantes forward smirking and grinning at his own good things, and to this may be attributed in a great measure the ascetic abstinence from everything savouring of liveliness which is the characteristic of his translation. In most modern editions, it should be observed, his style has been smoothed and smartened, but without any reference to the original Spanish, so that if he has been made to read more agreeably he has also been robbed of his chief merit of fidelity.

Smollett's version, published in 1755, may be almost counted as one of these. At any rate it is plain that in its construction Jervas's translation was very freely drawn upon, and very little or probably no heed given to the original Spanish.

The later translations may be dismissed in a few words. George Kelly's, which appeared in 1769, "printed for the Translator," was an impudent imposture, being nothing more than Motteux's version with a few of the words, here and there, artfully transposed; Charles Wilmot's (1774) was only an abridgment like Florian's, but not so skilfully executed; and the version published by Miss Smirke in 1818, to accompany her brother's plates, was merely a patchwork production made out of former translations. On the latest, Mr. A. J. Duffield's, it would be in every sense of the word impertinent in me to offer an opinion here. I had not even seen it when the present undertaking was proposed to me, and since then I may say vidi tantum, having for obvious reasons resisted the temptation which Mr. Duffield's reputation and comely volumes hold out to every lover of Cervantes.

From the foregoing history of our translations of "Don Quixote," it will be seen that there are a good many people who, provided they get the mere narrative with its full complement of facts, incidents, and adventures served up to them in a form that amuses them, care very little whether that form is the one in which Cervantes originally shaped his ideas. On the other hand, it is clear that there are many who desire to have not merely the story he tells, but the story as he tells it, so far at least as differences of idiom and circumstances permit, and who will give a preference to the conscientious translator, even though he may have acquitted himself somewhat awkwardly.

But after all there is no real antagonism between the two classes; there is no reason why what pleases the one should not please the other, or why a translator who makes it his aim to treat "Don Quixote" with the respect due to a great classic, should not be as acceptable even to the careless reader as the one who treats it as a famous old jest-book. It is not a question of caviare to the general, or, if it is, the fault rests with him who makes so. The method by which Cervantes won the ear of the Spanish people ought, mutatis mutandis, to be equally effective with the great majority of English readers. At any rate, even if there are readers to whom it is a matter of indifference, fidelity to the method is as much a part of the translator's duty as fidelity to the matter. If he can please all parties, so much the better; but his first duty is to those who look to him for as faithful a representation of his author as it is in his power to give them, faithful to the letter so long as fidelity is practicable, faithful to the spirit so far as he can make it.

My purpose here is not to dogmatise on the rules of translation, but to indicate those I have followed, or at least tried to the best of my ability to follow, in the present instance. One which, it seems to me, cannot be too rigidly followed in translating "Don Quixote," is to avoid everything that savours of affectation. The book itself is, indeed, in one sense a protest against it, and no man abhorred it more than Cervantes. For this reason, I think, any temptation to use antiquated or obsolete language should be resisted. It is after all an affectation, and one for which there is no warrant or excuse. Spanish has probably undergone less change since the seventeenth century than any language in Europe, and by far the greater and certainly the best part of "Don Quixote" differs but little in language from the colloquial Spanish of the present day. Except in the tales and Don Quixote's speeches, the translator who uses the simplest and plainest everyday language will almost always be the one who approaches nearest to the original.

Seeing that the story of "Don Quixote" and all its characters and incidents have now been for more than two centuries and a half familiar as household words in English mouths, it seems to me that the old familiar names and phrases should not be changed without good reason. Of course a translator who holds that "Don Quixote" should receive the treatment a great classic deserves, will feel himself bound by the injunction laid upon the Morisco in Chap. IX not to omit or add anything.

II: ABOUT CERVANTES AND DON QUIXOTE

Four generations had laughed over "Don Quixote" before it occurred to anyone to ask, who and what manner of man was this Miguel de Cervantes Saavedra whose name is on the title-page; and it was too late for a satisfactory answer to the question when it was proposed to add a life of the author to the London edition published at Lord Carteret's instance in 1738. All traces of the personality of Cervantes had by that time disappeared. Any floating traditions that may once have existed, transmitted from men who had known him, had long since died out, and of other record there was none; for the sixteenth and seventeenth centuries were incurious as to "the men of the time," a reproach against which the nineteenth has, at any rate, secured itself, if it has produced no Shakespeare or Cervantes. All that Mayans y Siscar, to whom the task was entrusted, or any of those who followed him, Rios, Pellicer, or Navarrete, could do was to eke out the few allusions Cervantes makes to himself in his various prefaces with such pieces of documentary evidence bearing upon his life as they could find.

This, however, has been done by the last-named biographer to such good purpose that he has superseded all predecessors. Thoroughness is the chief characteristic of Navarrete's work. Besides sifting, testing, and methodising with rare patience and judgment what had been previously brought to light, he left, as the saying is, no stone unturned under which anything to illustrate his subject might possibly be found. Navarrete has done all that industry and acumen could do, and it is no fault of his if he has not given us what we want. What Hallam says of Shakespeare may be applied to the almost parallel case of Cervantes: "It is not the register of his baptism, or the draft of his will, or the orthography of his name that we seek; no letter of his writing, no record of his conversation, no character of him drawn ... by a contemporary has been produced."

It is only natural, therefore, that the biographers of Cervantes, forced to make brick without straw, should have recourse largely to conjecture, and that conjecture should in some instances come by degrees to take the place of established fact. All that I propose to do here is to separate what is matter of fact from what is matter of conjecture, and leave it to the reader's judgment to decide whether the data justify the inference or not.

The men whose names by common consent stand in the front rank of Spanish literature, Cervantes, Lope de Vega, Quevedo, Calderon, Garcilaso de la Vega, the Mendozas, Gongora, were all men of ancient families, and, curiously, all, except the last, of families that traced their origin to the same mountain district in the North of Spain. The family of Cervantes is commonly said to have been of Galician origin, and unquestionably it was in possession of lands in Galicia at a very early date; but I think the balance of the evidence tends to show that the "solar," the original site of the family, was at Cervatos in the north-west corner of Old Castile, close to the junction of Castile, Leon, and the Asturias. As it happens, there is a complete history of the Cervantes family from the tenth century down to the seventeenth extant under the title of "Illustrious Ancestry, Glorious Deeds, and Noble Posterity of the Famous Nuno Alfonso, Alcaide of Toledo," written in 1648 by the industrious genealogist Rodrigo Mendez Silva, who availed himself of a manuscript genealogy by Juan de Mena, the poet laureate and historiographer of John II.

The origin of the name Cervantes is curious. Nuno Alfonso was almost as distinguished in the struggle against the Moors in the reign of Alfonso VII as the Cid had been half a century before in that of Alfonso VI, and was rewarded by divers grants of land in the neighbourhood of Toledo. On one of his acquisitions, about two leagues from the city, he built himself a castle which he called Cervatos, because "he was lord of the solar of Cervatos in the Montana," as the mountain region extending from the Basque Provinces to Leon was always called. At his death in battle in 1143, the castle passed by his will to his son Alfonso Munio, who, as territorial or local surnames were then coming into vogue in place of the simple patronymic, took the additional name of Cervatos. His eldest son Pedro succeeded him in the possession of the castle, and followed his example in adopting the name, an assumption at which the younger son, Gonzalo, seems to have taken umbrage.

Everyone who has paid even a flying visit to Toledo will remember the ruined castle that crowns the hill above the spot where the bridge of Alcantara spans the gorge of the Tagus, and with its broken outline and crumbling walls makes such an admirable pendant to the square solid Alcazar towering over the city roofs on the opposite side. It was built, or as some say restored, by Alfonso VI shortly after his occupation of Toledo in 1085, and called by him San Servando after a Spanish martyr, a name subsequently modified into San Servan (in which form it appears in the "Poem of the Cid"), San Servantes, and San Cervantes: with regard to which last the "Handbook for Spain" warns its readers against the supposition that it has anything to do with the author of "Don Quixote." Ford, as all know who have taken him for a companion and counsellor on the roads of Spain, is seldom wrong in matters of literature or history. In this instance, however, he is in error. It has everything to do with the author of "Don Quixote," for it is in fact these old walls that have given to Spain the name she is proudest of to-day. Gonzalo, above mentioned, it may be readily conceived, did not relish the appropriation by his brother of a name to which he himself had an equal right, for though nominally taken from the castle, it was in reality derived from the ancient territorial possession of the family, and as a set-off, and to distinguish himself (diferenciarse) from his brother, he took as a surname the name of the castle on the bank of the Tagus, in the building of which, according to a family tradition, his great-grandfather had a share.

Both brothers founded families. The Cervantes branch had more tenacity; it sent offshoots in various directions, Andalusia, Estremadura, Galicia, and Portugal, and produced a goodly line of men distinguished in the service of Church and State. Gonzalo himself, and apparently a son of his, followed Ferdinand III in the great campaign of 1236-48 that gave Cordova and Seville to Christian Spain and penned up the Moors in the kingdom of Granada, and his descendants intermarried with some of the noblest families of the Peninsula and numbered among them soldiers, magistrates, and Church dignitaries, including at least two cardinal-archbishops.

Of the line that settled in Andalusia, Deigo de Cervantes, Commander of the Order of Santiago, married Juana Avellaneda, daughter of Juan Arias de Saavedra, and had several sons, of whom one was Gonzalo Gomez, Corregidor of Jerez and ancestor of the Mexican and Columbian branches of the family; and another, Juan, whose son Rodrigo married Dona Leonor de Cortinas, and by her had four children, Rodrigo, Andrea, Luisa, and Miguel, our author.

The pedigree of Cervantes is not without its bearing on "Don Quixote." A man who could look back upon an ancestry of genuine knights-errant extending from well-nigh the time of Pelayo to the siege of Granada was likely to have a strong feeling on the subject of the sham chivalry of the romances. It gives a point, too, to what he says in more than one place about families that have once been great and have tapered away until they have come to nothing, like a pyramid. It was the case of his own.

He was born at Alcala de Henares and baptised in the church of Santa Maria Mayor on the 9th of October, 1547. Of his boyhood and youth we know nothing, unless it be from the glimpse he gives us in the preface to his "Comedies" of himself as a boy looking on with delight while Lope de Rueda and his company set up their rude plank stage in the plaza and acted the rustic farces which he himself afterwards took as the model of his interludes. This first glimpse, however, is a significant one, for it shows the early development of that love of the drama which exercised such an influence on his life and seems to have grown stronger as he grew older, and of which this very preface, written only a few months before his death, is such a striking proof. He gives us to understand, too, that he was a great reader in his youth; but of this no assurance was needed, for the First Part of "Don Quixote" alone proves a vast amount of miscellaneous reading, romances of chivalry, ballads, popular poetry, chronicles, for which he had no time or opportunity except in the first twenty years of his life; and his misquotations and mistakes in matters of detail are always, it may be noticed, those of a man recalling the reading of his boyhood.

Other things besides the drama were in their infancy when Cervantes was a boy. The period of his boyhood was in every way a transition period for Spain. The old chivalrous Spain had passed away. The new Spain was the mightiest power the world had seen since the Roman Empire and it had not yet been called upon to pay the price of its greatness. By the policy of Ferdinand and Ximenez the sovereign had been made absolute, and the Church and Inquisition adroitly adjusted to keep him so. The nobles, who had always resisted absolutism as strenuously as they had fought the Moors, had been divested of all political power, a like fate had befallen the cities, the free constitutions of Castile and Aragon had been swept away, and the only function that remained to the Cortes was that of granting money at the King's dictation.

The transition extended to literature. Men who, like Garcilaso de la Vega and Diego Hurtado de Mendoza, followed the Italian wars, had brought back from Italy the products of the post-Renaissance literature, which took root and flourished and even threatened to extinguish the native growths. Damon and Thyrsis, Phyllis and Chloe had been fairly naturalised in Spain, together with all the devices of pastoral poetry for investing with an air of novelty the idea of a dispairing shepherd and inflexible shepherdess. As a set-off against this, the old historical and traditional ballads, and the true pastorals, the songs and ballads of peasant life, were being collected assiduously and printed in the cancioneros that succeeded one another with increasing rapidity. But the most notable consequence, perhaps, of the spread of printing was the flood of romances of chivalry that had continued to pour from the press ever since Garci Ordonez de Montalvo had resuscitated "Amadis of Gaul" at the beginning of the century.

For a youth fond of reading, solid or light, there could have been no better spot in Spain than Alcala de Henares in the middle of the sixteenth century. It was then a busy, populous university town, something more than the enterprising rival of Salamanca, and altogether a very different place from the melancholy, silent, deserted Alcala the traveller sees now as he goes from Madrid to Saragossa. Theology and medicine may have been the strong points of the university, but the town itself seems to have inclined rather to the humanities and light literature, and as a producer of books Alcala was already beginning to compete with the older presses of Toledo, Burgos, Salamanca and Seville.

A pendant to the picture Cervantes has given us of his first playgoings might, no doubt, have been often seen in the streets of Alcala at that time; a bright, eager, tawny-haired boy peering into a book-shop where the latest volumes lay open to tempt the public, wondering, it may be, what that little book with the woodcut of the blind beggar and his boy, that called itself "Vida de Lazarillo de Tormes, segunda impresion," could be about; or with eyes brimming over with merriment gazing at one of those preposterous portraits of a knight-errant in outrageous panoply and plumes with which the publishers of chivalry romances loved to embellish the title-pages of their folios. If the boy was the father of the man, the sense of the incongruous that was strong at fifty was lively at ten, and some such reflections as these may have been the true genesis of "Don Quixote."

For his more solid education, we are told, he went to Salamanca. But why Rodrigo de Cervantes, who was very poor, should have sent his son to a university a hundred and fifty miles away when he had one at his own door, would be a puzzle, if we had any reason for supposing that he did so. The only evidence is a vague statement by Professor Tomas Gonzalez, that he once saw an old entry of the matriculation of a Miguel de Cervantes. This does not appear to have been ever seen again; but even if it had, and if the date corresponded, it would prove nothing, as there were at least two other Miguels born about the middle of the century; one of them, moreover, a Cervantes Saavedra, a cousin, no doubt, who was a source of great embarrassment to the biographers.

That he was a student neither at Salamanca nor at Alcala is best proved by his own works. No man drew more largely upon experience than he did, and he has nowhere left a single reminiscence of student life-for the "Tia Fingida," if it be his, is not one--nothing, not even "a college joke," to show that he remembered days that most men remember best. All that we know positively about his education is that Juan Lopez de Hoyos, a professor of humanities and belles-lettres of some eminence, calls him his "dear and beloved pupil." This was in a little collection of verses by different hands on the death of Isabel de Valois, second queen of Philip II, published by the professor in 1569, to which Cervantes contributed four pieces, including an elegy, and an epitaph in the form of a sonnet. It is only by a rare chance that a "Lycidas" finds its way into a volume of this sort, and Cervantes was no Milton. His verses are no worse than such things usually are; so much, at least, may be said for them.

By the time the book appeared he had left Spain, and, as fate ordered it, for twelve years, the most eventful ones of his life. Giulio, afterwards Cardinal, Acquaviva had been sent at the end of 1568 to Philip II by the Pope on a mission, partly of condolence, partly political, and on his return to Rome, which was somewhat brusquely expedited by the King, he took Cervantes with him as his camarero (chamberlain), the office he himself held in the Pope's household. The post would no doubt have led to advancement at the Papal Court had Cervantes retained it, but in the summer of 1570 he resigned it and enlisted as a private soldier in Captain Diego Urbina's company, belonging to Don Miguel de Moncada's regiment, but at that time forming a part of the command of Marc Antony Colonna. What impelled him to this step we know not, whether it was distaste for the career before him, or purely military enthusiasm. It may well have been the latter, for it was a stirring time; the events, however, which led to the alliance between Spain, Venice, and the Pope, against the common enemy, the Porte, and to the victory of the combined fleets at Lepanto, belong rather to the history of Europe than to the life of Cervantes. He was one of those that sailed from Messina, in September 1571, under the command of Don John of Austria; but on the morning of the 7th of October, when the Turkish fleet was sighted, he was lying below ill with fever. At the news that the enemy was in sight he rose, and, in spite of the remonstrances of his comrades and superiors, insisted on taking his post, saying he preferred death in the service of God and the King to health. His galley, the Marquesa, was in the thick of the fight, and before it was over he had received three gunshot wounds, two in the breast and one in the left hand or arm. On the morning after the battle, according to Navarrete, he had an interview with the commander-in-chief, Don John, who was making a personal inspection of the wounded, one result of which was an addition of three crowns to his pay, and another, apparently, the friendship of his general.

How severely Cervantes was wounded may be inferred from the fact, that with youth, a vigorous frame, and as cheerful and buoyant a temperament as ever invalid had, he was seven months in hospital at Messina before he was discharged. He came out with his left hand permanently disabled; he had lost the use of it, as Mercury told him in the "Viaje del Parnaso" for the greater glory of the right. This, however, did not absolutely unfit him for service, and in April 1572 he joined Manuel Ponce de Leon's company of Lope de Figueroa's regiment, in which, it seems probable, his brother Rodrigo was serving, and shared in the operations of the next three years, including the capture of the Goletta and Tunis. Taking advantage of the lull which followed the recapture of these places by the Turks, he obtained leave to return to Spain, and sailed from Naples in September 1575 on board the Sun galley, in company with his brother Rodrigo, Pedro Carrillo de Quesada, late Governor of the Goletta, and some others, and furnished with letters from Don John of Austria and the Duke of Sesa, the Viceroy of Sicily, recommending him to the King for the command of a company, on account of his services; a dono infelice as events proved. On the 26th they fell in with a squadron of Algerine galleys, and after a stout resistance were overpowered and carried into Algiers.

By means of a ransomed fellow-captive the brothers contrived to inform their family of their condition, and the poor people at Alcala at once strove to raise the ransom money, the father disposing of all he possessed, and the two sisters giving up their marriage portions. But Dali Mami had found on Cervantes the letters addressed to the King by Don John and the Duke of Sesa, and, concluding that his prize must be a person of great consequence, when the money came he refused it scornfully as being altogether insufficient. The owner of Rodrigo, however, was more easily satisfied; ransom was accepted in his case, and it was arranged between the brothers that he should return to Spain and procure a vessel in which he was to come back to Algiers and take off Miguel and as many of their comrades as possible. This was not the first attempt to escape that Cervantes had made. Soon after the commencement of his captivity he induced several of his companions to join him in trying to reach Oran, then a Spanish post, on foot; but after the first day's journey, the Moor who had agreed to act as their guide deserted them, and they had no choice but to return. The second attempt was more disastrous. In a garden outside the city on the sea-shore, he constructed, with the help of the gardener, a Spaniard, a hiding-place, to which he brought, one by one, fourteen of his fellow-captives, keeping them there in secrecy for several months, and supplying them with food through a renegade known as El Dorador, "the Gilder." How he, a captive himself, contrived to do all this, is one of the mysteries of the story. Wild as the project may appear, it was very nearly successful. The vessel procured by Rodrigo made its appearance off the coast, and under cover of night was proceeding to take off the refugees, when the crew were alarmed by a passing fishing boat, and beat a hasty retreat. On renewing the attempt shortly afterwards, they, or a portion of them at least, were taken prisoners, and just as the poor fellows in the garden were exulting in the thought that in a few moments more freedom would be within their grasp, they found themselves surrounded by Turkish troops, horse and foot. The Dorador had revealed the whole scheme to the Dey Hassan.

When Cervantes saw what had befallen them, he charged his companions to lay all the blame upon him, and as they were being bound he declared aloud that the whole plot was of his contriving, and that nobody else had any share in it. Brought before the Dey, he said the same. He was threatened with impalement and with torture; and as cutting off ears and noses were playful freaks with the Algerines, it may be conceived what their tortures were like; but nothing could make him swerve from his original statement that he and he alone was responsible. The upshot was that the unhappy gardener was hanged by his master, and the prisoners taken possession of by the Dey, who, however, afterwards restored most of them to their masters, but kept Cervantes, paying Dali Mami 500 crowns for him. He felt, no doubt, that a man of such resource, energy, and daring, was too dangerous a piece of property to be left in private hands; and he had him heavily ironed and lodged in his own prison. If he thought that by these means he could break the spirit or shake the resolution of his prisoner, he was soon undeceived, for Cervantes contrived before long to despatch a letter to the Governor of Oran, entreating him to send him some one that could be trusted, to enable him and three other gentlemen, fellow-captives of his, to make their escape; intending evidently to renew his first attempt with a more trustworthy guide. Unfortunately the Moor who carried the letter was stopped just outside Oran, and the letter being found upon him, he was sent back to Algiers, where by the order of the Dey he was promptly impaled as a warning to others, while Cervantes was condemned to receive two thousand blows of the stick, a number which most likely would have deprived the world of "Don Quixote," had not some persons, who they were we know not, interceded on his behalf.

After this he seems to have been kept in still closer confinement than before, for nearly two years passed before he made another attempt. This time his plan was to purchase, by the aid of a Spanish renegade and two Valencian merchants resident in Algiers, an armed vessel in which he and about sixty of the leading captives were to make their escape; but just as they were about to put it into execution one Doctor Juan Blanco de Paz, an ecclesiastic and a compatriot, informed the Dey of the plot. Cervantes by force of character, by his self-devotion, by his untiring energy and his exertions to lighten the lot of his companions in misery, had endeared himself to all, and become the leading spirit in the captive colony, and, incredible as it may seem, jealousy of his influence and the esteem in which he was held, moved this man to compass his destruction by a cruel death. The merchants finding that the Dey knew all, and fearing that Cervantes under torture might make disclosures that would imperil their own lives, tried to persuade him to slip away on board a vessel that was on the point of sailing for Spain; but he told them they had nothing to fear, for no tortures would make him compromise anybody, and he went at once and gave himself up to the Dey.

As before, the Dey tried to force him to name his accomplices. Everything was made ready for his immediate execution; the halter was put round his neck and his hands tied behind him, but all that could be got from him was that he himself, with the help of four gentlemen who had since left Algiers, had arranged the whole, and that the sixty who were to accompany him were not to know anything of it until the last moment. Finding he could make nothing of him, the Dey sent him back to prison more heavily ironed than before.

The poverty-stricken Cervantes family had been all this time trying once more to raise the ransom money, and at last a sum of three hundred ducats was got together and entrusted to the Redemptorist Father Juan Gil, who was about to sail for Algiers. The Dey, however, demanded more than double the sum offered, and as his term of office had expired and he was about to sail for Constantinople, taking all his slaves with him, the case of Cervantes was critical. He was already on board heavily ironed, when the Dey at length agreed to reduce his demand by one-half, and Father Gil by borrowing was able to make up the amount, and on September 19, 1580, after a captivity of five years all but a week, Cervantes was at last set free. Before long he discovered that Blanco de Paz, who claimed to be an officer of the Inquisition, was now concocting on false evidence a charge of misconduct to be brought against him on his return to Spain. To checkmate him Cervantes drew up a series of twenty-five questions, covering the whole period of his captivity, upon which he requested Father Gil to take the depositions of credible witnesses before a notary. Eleven witnesses taken from among the principal captives in Algiers deposed to all the facts above stated and to a great deal more besides. There is something touching in the admiration, love, and gratitude we see struggling to find expression in the formal language of the notary, as they testify one after another to the good deeds of Cervantes, how he comforted and helped the weak-hearted, how he kept up their drooping courage, how he shared his poor purse with this deponent, and how "in him this deponent found father and mother."

On his return to Spain he found his old regiment about to march for Portugal to support Philip's claim to the crown, and utterly penniless now, had no choice but to rejoin it. He was in the expeditions to the Azores in 1582 and the following year, and on the conclusion of the war returned to Spain in the autumn of 1583, bringing with him the manuscript of his pastoral romance, the "Galatea," and probably also, to judge by internal evidence, that of the first portion of "Persiles and Sigismunda." He also brought back with him, his biographers assert, an infant daughter, the offspring of an amour, as some of them with great circumstantiality inform us, with a Lisbon lady of noble birth, whose name, however, as well as that of the street she lived in, they omit to mention. The sole foundation for all this is that in 1605 there certainly was living in the family of Cervantes a Dona Isabel de Saavedra, who is described in an official document as his natural daughter, and then twenty years of age.

With his crippled left hand promotion in the army was hopeless, now that Don John was dead and he had no one to press his claims and services, and for a man drawing on to forty life in the ranks was a dismal prospect; he had already a certain reputation as a poet; he made up his mind, therefore, to cast his lot with literature, and for a first venture committed his "Galatea" to the press. It was published, as Salva y Mallen shows conclusively, at Alcala, his own birth-place, in 1585 and no doubt helped to make his name more widely known, but certainly did not do him much good in any other way.

While it was going through the press, he married Dona Catalina de Palacios Salazar y Vozmediano, a lady of Esquivias near Madrid, and apparently a friend of the family, who brought him a fortune which may possibly have served to keep the wolf from the door, but if so, that was all. The drama had by this time outgrown market-place stages and strolling companies, and with his old love for it he naturally turned to it for a congenial employment. In about three years he wrote twenty or thirty plays, which he tells us were performed without any throwing of cucumbers or other missiles, and ran their course without any hisses, outcries, or disturbance. In other words, his plays were not bad enough to be hissed off the stage, but not good enough to hold their own upon it. Only two of them have been preserved, but as they happen to be two of the seven or eight he mentions with complacency, we may assume they are favourable specimens, and no one who reads the "Numancia" and the "Trato de Argel" will feel any surprise that they failed as acting dramas. Whatever merits they may have, whatever occasional they may show, they are, as regards construction, incurably clumsy. How completely they failed is manifest from the fact that with all his sanguine temperament and indomitable perseverance he was unable to maintain the struggle to gain a livelihood as a dramatist for more than three years; nor was the rising popularity of Lope the cause, as is often said, notwithstanding his own words to the contrary. When Lope began to write for the stage is uncertain, but it was certainly after Cervantes went to Seville.

Among the "Nuevos Documentos" printed by Senor Asensio y Toledo is one dated 1592, and curiously characteristic of Cervantes. It is an agreement with one Rodrigo Osorio, a manager, who was to accept six comedies at fifty ducats (about 6l.) apiece, not to be paid in any case unless it appeared on representation that the said comedy was one of the best that had ever been represented in Spain. The test does not seem to have been ever applied; perhaps it was sufficiently apparent to Rodrigo Osorio that the comedies were not among the best that had ever been represented. Among the correspondence of Cervantes there might have been found, no doubt, more than one letter like that we see in the "Rake's Progress," "Sir, I have read your play, and it will not doo."

He was more successful in a literary contest at Saragossa in 1595 in honour of the canonisation of St. Jacinto, when his composition won the first prize, three silver spoons. The year before this he had been appointed a collector of revenues for the kingdom of Granada. In order to remit the money he had collected more conveniently to the treasury, he entrusted it to a merchant, who failed and absconded; and as the bankrupt's assets were insufficient to cover the whole, he was sent to prison at Seville in September 1597. The balance against him, however, was a small one, about 26l., and on giving security for it he was released at the end of the year.

It was as he journeyed from town to town collecting the king's taxes, that he noted down those bits of inn and wayside life and character that abound in the pages of "Don Quixote:" the Benedictine monks with spectacles and sunshades, mounted on their tall mules; the strollers in costume bound for the next village; the barber with his basin on his head, on his way to bleed a patient; the recruit with his breeches in his bundle, tramping along the road singing; the reapers gathered in the venta gateway listening to "Felixmarte of Hircania" read out to them; and those little Hogarthian touches that he so well knew how to bring in, the ox-tail hanging up with the landlord's comb stuck in it, the wine-skins at the bed-head, and those notable examples of hostelry art, Helen going off in high spirits on Paris's arm, and Dido on the tower dropping tears as big as walnuts. Nay, it may well be that on those journeys into remote regions he came across now and then a specimen of the pauper gentleman, with his lean hack and his greyhound and his books of chivalry, dreaming away his life in happy ignorance that the world had changed since his great-grandfather's old helmet was new. But it was in Seville that he found out his true vocation, though he himself would not by any means have admitted it to be so. It was there, in Triana, that he was first tempted to try his hand at drawing from life, and first brought his humour into play in the exquisite little sketch of "Rinconete y Cortadillo," the germ, in more ways than one, of "Don Quixote."

Where and when that was written, we cannot tell. After his imprisonment all trace of Cervantes in his official capacity disappears, from which it may be inferred that he was not reinstated. That he was still in Seville in November 1598 appears from a satirical sonnet of his on the elaborate catafalque erected to testify the grief of the city at the death of Philip II, but from this up to 1603 we have no clue to his movements. The words in the preface to the First Part of "Don Quixote" are generally held to be conclusive that he conceived the idea of the book, and wrote the beginning of it at least, in a prison, and that he may have done so is extremely likely.

There is a tradition that Cervantes read some portions of his work to a select audience at the Duke of Bejar's, which may have helped to make the book known; but the obvious conclusion is that the First Part of "Don Quixote" lay on his hands some time before he could find a publisher bold enough to undertake a venture of so novel a character; and so little faith in it had Francisco Robles of Madrid, to whom at last he sold it, that he did not care to incur the expense of securing the copyright for Aragon or Portugal, contenting himself with that for Castile. The printing was finished in December, and the book came out with the new year, 1605. It is often said that "Don Quixote" was at first received coldly. The facts show just the contrary. No sooner was it in the hands of the public than preparations were made to issue pirated editions at Lisbon and Valencia, and to bring out a second edition with the additional copyrights for Aragon and Portugal, which he secured in February.

No doubt it was received with something more than coldness by certain sections of the community. Men of wit, taste, and discrimination among the aristocracy gave it a hearty welcome, but the aristocracy in general were not likely to relish a book that turned their favourite reading into ridicule and laughed at so many of their favourite ideas. The dramatists who gathered round Lope as their leader regarded Cervantes as their common enemy, and it is plain that he was equally obnoxious to the other clique, the culto poets who had Gongora for their chief. Navarrete, who knew nothing of the letter above mentioned, tries hard to show that the relations between Cervantes and Lope were of a very friendly sort, as indeed they were until "Don Quixote" was written. Cervantes, indeed, to the last generously and manfully declared his admiration of Lope's powers, his unfailing invention, and his marvellous fertility; but in the preface of the First Part of "Don Quixote" and in the verses of "Urganda the Unknown," and one or two other places, there are, if we read between the lines, sly hits at Lope's vanities and affectations that argue no personal good-will; and Lope openly sneers at "Don Quixote" and Cervantes, and fourteen years after his death gives him only a few lines of cold commonplace in the "Laurel de Apolo," that seem all the colder for the eulogies of a host of nonentities whose names are found nowhere else.

In 1601 Valladolid was made the seat of the Court, and at the beginning of 1603 Cervantes had been summoned thither in connection with the balance due by him to the Treasury, which was still outstanding. He remained at Valladolid, apparently supporting himself by agencies and scrivener's work of some sort; probably drafting petitions and drawing up statements of claims to be presented to the Council, and the like. So, at least, we gather from the depositions taken on the occasion of the death of a gentleman, the victim of a street brawl, who had been carried into the house in which he lived. In these he himself is described as a man who wrote and transacted business, and it appears that his household then consisted of his wife, the natural daughter Isabel de Saavedra already mentioned, his sister Andrea, now a widow, her daughter Constanza, a mysterious Magdalena de Sotomayor calling herself his sister, for whom his biographers cannot account, and a servant-maid.

Meanwhile "Don Quixote" had been growing in favour, and its author's name was now known beyond the Pyrenees. In 1607 an edition was printed at Brussels. Robles, the Madrid publisher, found it necessary to meet the demand by a third edition, the seventh in all, in 1608. The popularity of the book in Italy was such that a Milan bookseller was led to bring out an edition in 1610; and another was called for in Brussels in 1611. It might naturally have been expected that, with such proofs before him that he had hit the taste of the public, Cervantes would have at once set about redeeming his rather vague promise of a second volume.

But, to all appearance, nothing was farther from his thoughts. He had still by him one or two short tales of the same vintage as those he had inserted in "Don Quixote" and instead of continuing the adventures of Don Quixote, he set to work to write more of these "Novelas Exemplares" as he afterwards called them, with a view to making a book of them.

The novels were published in the summer of 1613, with a dedication to the Conde de Lemos, the Maecenas of the day, and with one of those chatty confidential prefaces Cervantes was so fond of. In this, eight years and a half after the First Part of "Don Quixote" had appeared, we get the first hint of a forthcoming Second Part. "You shall see shortly," he says, "the further exploits of Don Quixote and humours of Sancho Panza." His idea of "shortly" was a somewhat elastic one, for, as we know by the date to Sancho's letter, he had barely one-half of the book completed that time twelvemonth.

But more than poems, or pastorals, or novels, it was his dramatic ambition that engrossed his thoughts. The same indomitable spirit that kept him from despair in the bagnios of Algiers, and prompted him to attempt the escape of himself and his comrades again and again, made him persevere in spite of failure and discouragement in his efforts to win the ear of the public as a dramatist. The temperament of Cervantes was essentially sanguine. The portrait he draws in the preface to the novels, with the aquiline features, chestnut hair, smooth untroubled forehead, and bright cheerful eyes, is the very portrait of a sanguine man. Nothing that the managers might say could persuade him that the merits of his plays would not be recognised at last if they were only given a fair chance. The old soldier of the Spanish Salamis was bent on being the Aeschylus of Spain. He was to found a great national drama, based on the true principles of art, that was to be the envy of all nations; he was to drive from the stage the silly, childish plays, the "mirrors of nonsense and models of folly" that were in vogue through the cupidity of the managers and shortsightedness of the authors; he was to correct and educate the public taste until it was ripe for tragedies on the model of the Greek drama--like the "Numancia" for instance--and comedies that would not only amuse but improve and instruct. All this he was to do, could he once get a hearing: there was the initial difficulty.

He shows plainly enough, too, that "Don Quixote" and the demolition of the chivalry romances was not the work that lay next his heart. He was, indeed, as he says himself in his preface, more a stepfather than a father to "Don Quixote." Never was great work so neglected by its author. That it was written carelessly, hastily, and by fits and starts, was not always his fault, but it seems clear he never read what he sent to the press. He knew how the printers had blundered, but he never took the trouble to correct them when the third edition was in progress, as a man who really cared for the child of his brain would have done. He appears to have regarded the book as little more than a mere libro de entretenimiento, an amusing book, a thing, as he says in the "Viaje," "to divert the melancholy moody heart at any time or season." No doubt he had an affection for his hero, and was very proud of Sancho Panza. It would have been strange indeed if he had not been proud of the most humorous creation in all fiction. He was proud, too, of the popularity and success of the book, and beyond measure delightful is the naivete with which he shows his pride in a dozen passages in the Second Part. But it was not the success he coveted. In all probability he would have given all the success of "Don Quixote," nay, would have seen every copy of "Don Quixote" burned in the Plaza Mayor, for one such success as Lope de Vega was enjoying on an average once a week.

And so he went on, dawdling over "Don Quixote," adding a chapter now and again, and putting it aside to turn to "Persiles and Sigismunda"--which, as we know, was to be the most entertaining book in the language, and the rival of "Theagenes and Chariclea"--or finishing off one of his darling comedies; and if Robles asked when "Don Quixote" would be ready, the answer no doubt was: En breve-shortly, there was time enough for that. At sixty-eight he was as full of life and hope and plans for the future as a boy of eighteen.

Nemesis was coming, however. He had got as far as Chapter LIX, which at his leisurely pace he could hardly have reached before October or November 1614, when there was put into his hand a small octave lately printed at Tarragona, and calling itself "Second Volume of the Ingenious Gentleman Don Quixote of La Mancha: by the Licentiate Alonso Fernandez de Avellaneda of Tordesillas." The last half of Chapter LIX and most of the following chapters of the Second Part give us some idea of the effect produced upon him, and his irritation was not likely to be lessened by the reflection that he had no one to blame but himself. Had Avellaneda, in fact, been content with merely bringing out a continuation to "Don Quixote," Cervantes would have had no reasonable grievance. His own intentions were expressed in the very vaguest language at the end of the book; nay, in his last words, "forse altro cantera con miglior plettro," he seems actually to invite some one else to continue the work, and he made no sign until eight years and a half had gone by; by which time Avellaneda's volume was no doubt written.

In fact Cervantes had no case, or a very bad one, as far as the mere continuation was concerned. But Avellaneda chose to write a preface to it, full of such coarse personal abuse as only an ill-conditioned man could pour out. He taunts Cervantes with being old, with having lost his hand, with having been in prison, with being poor, with being friendless, accuses him of envy of Lope's success, of petulance and querulousness, and so on; and it was in this that the sting lay. Avellaneda's reason for this personal attack is obvious enough. Whoever he may have been, it is clear that he was one of the dramatists of Lope's school, for he has the impudence to charge Cervantes with attacking him as well as Lope in his criticism on the drama. His identification has exercised the best critics and baffled all the ingenuity and research that has been brought to bear on it. Navarrete and Ticknor both incline to the belief that Cervantes knew who he was; but I must say I think the anger he shows suggests an invisible assailant; it is like the irritation of a man stung by a mosquito in the dark. Cervantes from certain solecisms of language pronounces him to be an Aragonese, and Pellicer, an Aragonese himself, supports this view and believes him, moreover, to have been an ecclesiastic, a Dominican probably.

Any merit Avellaneda has is reflected from Cervantes, and he is too dull to reflect much. "Dull and dirty" will always be, I imagine, the verdict of the vast majority of unprejudiced readers. He is, at best, a poor plagiarist; all he can do is to follow slavishly the lead given him by Cervantes; his only humour lies in making Don Quixote take inns for castles and fancy himself some legendary or historical personage, and Sancho mistake words, invert proverbs, and display his gluttony; all through he shows a proclivity to coarseness and dirt, and he has contrived to introduce two tales filthier than anything by the sixteenth century novellieri and without their sprightliness.

But whatever Avellaneda and his book may be, we must not forget the debt we owe them. But for them, there can be no doubt, "Don Quixote" would have come to us a mere torso instead of a complete work. Even if Cervantes had finished the volume he had in hand, most assuredly he would have left off with a promise of a Third Part, giving the further adventures of Don Quixote and humours of Sancho Panza as shepherds. It is plain that he had at one time an intention of dealing with the pastoral romances as he had dealt with the books of chivalry, and but for Avellaneda he would have tried to carry it out. But it is more likely that, with his plans, and projects, and hopefulness, the volume would have remained unfinished till his death, and that we should have never made the acquaintance of the Duke and Duchess, or gone with Sancho to Barataria.

From the moment the book came into his hands he seems to have been haunted by the fear that there might be more Avellanedas in the field, and putting everything else aside, he set himself to finish off his task and protect Don Quixote in the only way he could, by killing him. The conclusion is no doubt a hasty and in some places clumsy piece of work and the frequent repetition of the scolding administered to Avellaneda becomes in the end rather wearisome; but it is, at any rate, a conclusion and for that we must thank Avellaneda.

The new volume was ready for the press in February, but was not printed till the very end of 1615, and during the interval Cervantes put together the comedies and interludes he had written within the last few years, and, as he adds plaintively, found no demand for among the managers, and published them with a preface, worth the book it introduces tenfold, in which he gives an account of the early Spanish stage, and of his own attempts as a dramatist. It is needless to say they were put forward by Cervantes in all good faith and full confidence in their merits. The reader, however, was not to suppose they were his last word or final effort in the drama, for he had in hand a comedy called "Engano a los ojos," about which, if he mistook not, there would be no question.

Of this dramatic masterpiece the world has no opportunity of judging; his health had been failing for some time, and he died, apparently of dropsy, on the 23rd of April, 1616, the day on which England lost Shakespeare, nominally at least, for the English calendar had not yet been reformed. He died as he had lived, accepting his lot bravely and cheerfully.

Was it an unhappy life, that of Cervantes? His biographers all tell us that it was; but I must say I doubt it. It was a hard life, a life of poverty, of incessant struggle, of toil ill paid, of disappointment, but Cervantes carried within himself the antidote to all these evils. His was not one of those light natures that rise above adversity merely by virtue of their own buoyancy; it was in the fortitude of a high spirit that he was proof against it. It is impossible to conceive Cervantes giving way to despondency or prostrated by dejection. As for poverty, it was with him a thing to be laughed over, and the only sigh he ever allows to escape him is when he says, "Happy he to whom Heaven has given a piece of bread for which he is not bound to give thanks to any but Heaven itself." Add to all this his vital energy and mental activity, his restless invention and his sanguine temperament, and there will be reason enough to doubt whether his could have been a very unhappy life. He who could take Cervantes' distresses together with his apparatus for enduring them would not make so bad a bargain, perhaps, as far as happiness in life is concerned.

Of his burial-place nothing is known except that he was buried, in accordance with his will, in the neighbouring convent of Trinitarian nuns, of which it is supposed his daughter, Isabel de Saavedra, was an inmate, and that a few years afterwards the nuns removed to another convent, carrying their dead with them. But whether the remains of Cervantes were included in the removal or not no one knows, and the clue to their resting-place is now lost beyond all hope. This furnishes perhaps the least defensible of the items in the charge of neglect brought against his contemporaries. In some of the others there is a good deal of exaggeration. To listen to most of his biographers one would suppose that all Spain was in league not only against the man but against his memory, or at least that it was insensible to his merits, and left him to live in misery and die of want. To talk of his hard life and unworthy employments in Andalusia is absurd. What had he done to distinguish him from thousands of other struggling men earning a precarious livelihood? True, he was a gallant soldier, who had been wounded and had undergone captivity and suffering in his country's cause, but there were hundreds of others in the same case. He had written a mediocre specimen of an insipid class of romance, and some plays which manifestly did not comply with the primary condition of pleasing: were the playgoers to patronise plays that did not amuse them, because the author was to produce "Don Quixote" twenty years afterwards?

The scramble for copies which, as we have seen, followed immediately on the appearance of the book, does not look like general insensibility to its merits. No doubt it was received coldly by some, but if a man writes a book in ridicule of periwigs he must make his account with being coldly received by the periwig wearers and hated by the whole tribe of wigmakers. If Cervantes had the chivalry-romance readers, the sentimentalists, the dramatists, and the poets of the period all against him, it was because "Don Quixote" was what it was; and if the general public did not come forward to make him comfortable for the rest of his days, it is no more to be charged with neglect and ingratitude than the English-speaking public that did not pay off Scott's liabilities. It did the best it could; it read his book and liked it and bought it, and encouraged the bookseller to pay him well for others.

It has been also made a reproach to Spain that she has erected no monument to the man she is proudest of; no monument, that is to say, of him; for the bronze statue in the little garden of the Plaza de las Cortes, a fair work of art no doubt, and unexceptionable had it been set up to the local poet in the market-place of some provincial town, is not worthy of Cervantes or of Madrid. But what need has Cervantes of "such weak witness of his name;" or what could a monument do in his case except testify to the self-glorification of those who had put it up? Si monumentum quoeris, circumspice. The nearest bookseller's shop will show what bathos there would be in a monument to the author of "Don Quixote."

Nine editions of the First Part of "Don Quixote" had already appeared before Cervantes died, thirty thousand copies in all, according to his own estimate, and a tenth was printed at Barcelona the year after his death. So large a number naturally supplied the demand for some time, but by 1634 it appears to have been exhausted; and from that time down to the present day the stream of editions has continued to flow rapidly and regularly. The translations show still more clearly in what request the book has been from the very outset. In seven years from the completion of the work it had been translated into the four leading languages of Europe. Except the Bible, in fact, no book has been so widely diffused as "Don Quixote." The "Imitatio Christi" may have been translated into as many different languages, and perhaps "Robinson Crusoe" and the "Vicar of Wakefield" into nearly as many, but in multiplicity of translations and editions "Don Quixote" leaves them all far behind.

Still more remarkable is the character of this wide diffusion. "Don Quixote" has been thoroughly naturalised among people whose ideas about knight-errantry, if they had any at all, were of the vaguest, who had never seen or heard of a book of chivalry, who could not possibly feel the humour of the burlesque or sympathise with the author's purpose. Another curious fact is that this, the most cosmopolitan book in the world, is one of the most intensely national. "Manon Lescaut" is not more thoroughly French, "Tom Jones" not more English, "Rob Roy" not more Scotch, than "Don Quixote" is Spanish, in character, in ideas, in sentiment, in local colour, in everything. What, then, is the secret of this unparalleled popularity, increasing year by year for well-nigh three centuries? One explanation, no doubt, is that of all the books in the world, "Don Quixote" is the most catholic. There is something in it for every sort of reader, young or old, sage or simple, high or low. As Cervantes himself says with a touch of pride, "It is thumbed and read and got by heart by people of all sorts; the children turn its leaves, the young people read it, the grown men understand it, the old folk praise it."

But it would be idle to deny that the ingredient which, more than its humour, or its wisdom, or the fertility of invention or knowledge of human nature it displays, has insured its success with the multitude, is the vein of farce that runs through it. It was the attack upon the sheep, the battle with the wine-skins, Mambrino's helmet, the balsam of Fierabras, Don Quixote knocked over by the sails of the windmill, Sancho tossed in the blanket, the mishaps and misadventures of master and man, that were originally the great attraction, and perhaps are so still to some extent with the majority of readers. It is plain that "Don Quixote" was generally regarded at first, and indeed in Spain for a long time, as little more than a queer droll book, full of laughable incidents and absurd situations, very amusing, but not entitled to much consideration or care. All the editions printed in Spain from 1637 to 1771, when the famous printer Ibarra took it up, were mere trade editions, badly and carelessly printed on vile paper and got up in the style of chap-books intended only for popular use, with, in most instances, uncouth illustrations and clap-trap additions by the publisher.

To England belongs the credit of having been the first country to recognise the right of "Don Quixote" to better treatment than this. The London edition of 1738, commonly called Lord Carteret's from having been suggested by him, was not a mere edition de luxe. It produced "Don Quixote" in becoming form as regards paper and type, and embellished with plates which, if not particularly happy as illustrations, were at least well intentioned and well executed, but it also aimed at correctness of text, a matter to which nobody except the editors of the Valencia and Brussels editions had given even a passing thought; and for a first attempt it was fairly successful, for though some of its emendations are inadmissible, a good many of them have been adopted by all subsequent editors.

The zeal of publishers, editors, and annotators brought about a remarkable change of sentiment with regard to "Don Quixote." A vast number of its admirers began to grow ashamed of laughing over it. It became almost a crime to treat it as a humorous book. The humour was not entirely denied, but, according to the new view, it was rated as an altogether secondary quality, a mere accessory, nothing more than the stalking-horse under the presentation of which Cervantes shot his philosophy or his satire, or whatever it was he meant to shoot; for on this point opinions varied. All were agreed, however, that the object he aimed at was not the books of chivalry. He said emphatically in the preface to the First Part and in the last sentence of the Second, that he had no other object in view than to discredit these books, and this, to advanced criticism, made it clear that his object must have been something else.

One theory was that the book was a kind of allegory, setting forth the eternal struggle between the ideal and the real, between the spirit of poetry and the spirit of prose; and perhaps German philosophy never evolved a more ungainly or unlikely camel out of the depths of its inner consciousness. Something of the antagonism, no doubt, is to be found in "Don Quixote," because it is to be found everywhere in life, and Cervantes drew from life. It is difficult to imagine a community in which the never-ceasing game of cross-purposes between Sancho Panza and Don Quixote would not be recognized as true to nature. In the stone age, among the lake dwellers, among the cave men, there were Don Quixotes and Sancho Panzas; there must have been the troglodyte who never could see the facts before his eyes, and the troglodyte who could see nothing else. But to suppose Cervantes deliberately setting himself to expound any such idea in two stout quarto volumes is to suppose something not only very unlike the age in which he lived, but altogether unlike Cervantes himself, who would have been the first to laugh at an attempt of the sort made by anyone else.

The extraordinary influence of the romances of chivalry in his day is quite enough to account for the genesis of the book. Some idea of the prodigious development of this branch of literature in the sixteenth century may be obtained from the scrutiny of Chapter VII, if the reader bears in mind that only a portion of the romances belonging to by far the largest group are enumerated. As to its effect upon the nation, there is abundant evidence. From the time when the Amadises and Palmerins began to grow popular down to the very end of the century, there is a steady stream of invective, from men whose character and position lend weight to their words, against the romances of chivalry and the infatuation of their readers. Ridicule was the only besom to sweep away that dust.

That this was the task Cervantes set himself, and that he had ample provocation to urge him to it, will be sufficiently clear to those who look into the evidence; as it will be also that it was not chivalry itself that he attacked and swept away. Of all the absurdities that, thanks to poetry, will be repeated to the end of time, there is no greater one than saying that "Cervantes smiled Spain's chivalry away." In the first place there was no chivalry for him to smile away. Spain's chivalry had been dead for more than a century. Its work was done when Granada fell, and as chivalry was essentially republican in its nature, it could not live under the rule that Ferdinand substituted for the free institutions of mediaeval Spain. What he did smile away was not chivalry but a degrading mockery of it.

The true nature of the "right arm" and the "bright array," before which, according to the poet, "the world gave ground," and which Cervantes' single laugh demolished, may be gathered from the words of one of his own countrymen, Don Felix Pacheco, as reported by Captain George Carleton, in his "Military Memoirs from 1672 to 1713." "Before the appearance in the world of that labour of Cervantes," he said, "it was next to an impossibility for a man to walk the streets with any delight or without danger. There were seen so many cavaliers prancing and curvetting before the windows of their mistresses, that a stranger would have imagined the whole nation to have been nothing less than a race of knight-errants. But after the world became a little acquainted with that notable history, the man that was seen in that once celebrated drapery was pointed at as a Don Quixote, and found himself the jest of high and low. And I verily believe that to this, and this only, we owe that dampness and poverty of spirit which has run through all our councils for a century past, so little agreeable to those nobler actions of our famous ancestors."

To call "Don Quixote" a sad book, preaching a pessimist view of life, argues a total misconception of its drift. It would be so if its moral were that, in this world, true enthusiasm naturally leads to ridicule and discomfiture. But it preaches nothing of the sort; its moral, so far as it can be said to have one, is that the spurious enthusiasm that is born of vanity and self-conceit, that is made an end in itself, not a means to an end, that acts on mere impulse, regardless of circumstances and consequences, is mischievous to its owner, and a very considerable nuisance to the community at large. To those who cannot distinguish between the one kind and the other, no doubt "Don Quixote" is a sad book; no doubt to some minds it is very sad that a man who had just uttered so beautiful a sentiment as that "it is a hard case to make slaves of those whom God and Nature made free," should be ungratefully pelted by the scoundrels his crazy philanthropy had let loose on society; but to others of a more judicial cast it will be a matter of regret that reckless self-sufficient enthusiasm is not oftener requited in some such way for all the mischief it does in the world.

A very slight examination of the structure of "Don Quixote" will suffice to show that Cervantes had no deep design or elaborate plan in his mind when he began the book. When he wrote those lines in which "with a few strokes of a great master he sets before us the pauper gentleman," he had no idea of the goal to which his imagination was leading him. There can be little doubt that all he contemplated was a short tale to range with those he had already written, a tale setting forth the ludicrous results that might be expected to follow the attempt of a crazy gentleman to act the part of a knight-errant in modern life.

It is plain, for one thing, that Sancho Panza did not enter into the original scheme, for had Cervantes thought of him he certainly would not have omitted him in his hero's outfit, which he obviously meant to be complete. Him we owe to the landlord's chance remark in Chapter III that knights seldom travelled without squires. To try to think of a Don Quixote without Sancho Panza is like trying to think of a one-bladed pair of scissors.

The story was written at first, like the others, without any division and without the intervention of Cide Hamete Benengeli; and it seems not unlikely that Cervantes had some intention of bringing Dulcinea, or Aldonza Lorenzo, on the scene in person. It was probably the ransacking of the Don's library and the discussion on the books of chivalry that first suggested it to him that his idea was capable of development. What, if instead of a mere string of farcical misadventures, he were to make his tale a burlesque of one of these books, caricaturing their style, incidents, and spirit?

In pursuance of this change of plan, he hastily and somewhat clumsily divided what he had written into chapters on the model of "Amadis," invented the fable of a mysterious Arabic manuscript, and set up Cide Hamete Benengeli in imitation of the almost invariable practice of the chivalry-romance authors, who were fond of tracing their books to some recondite source. In working out the new ideas, he soon found the value of Sancho Panza. Indeed, the keynote, not only to Sancho's part, but to the whole book, is struck in the first words Sancho utters when he announces his intention of taking his ass with him. "About the ass," we are told, "Don Quixote hesitated a little, trying whether he could call to mind any knight-errant taking with him an esquire mounted on ass-back; but no instance occurred to his memory." We can see the whole scene at a glance, the stolid unconsciousness of Sancho and the perplexity of his master, upon whose perception the incongruity has just forced itself. This is Sancho's mission throughout the book; he is an unconscious Mephistopheles, always unwittingly making mockery of his master's aspirations, always exposing the fallacy of his ideas by some unintentional ad absurdum, always bringing him back to the world of fact and commonplace by force of sheer stolidity.

By the time Cervantes had got his volume of novels off his hands, and summoned up resolution enough to set about the Second Part in earnest, the case was very much altered. Don Quixote and Sancho Panza had not merely found favour, but had already become, what they have never since ceased to be, veritable entities to the popular imagination. There was no occasion for him now to interpolate extraneous matter; nay, his readers told him plainly that what they wanted of him was more Don Quixote and more Sancho Panza, and not novels, tales, or digressions. To himself, too, his creations had become realities, and he had become proud of them, especially of Sancho. He began the Second Part, therefore, under very different conditions, and the difference makes itself manifest at once. Even in translation the style will be seen to be far easier, more flowing, more natural, and more like that of a man sure of himself and of his audience. Don Quixote and Sancho undergo a change also. In the First Part, Don Quixote has no character or individuality whatever. He is nothing more than a crazy representative of the sentiments of the chivalry romances. In all that he says and does he is simply repeating the lesson he has learned from his books; and therefore, it is absurd to speak of him in the gushing strain of the sentimental critics when they dilate upon his nobleness, disinterestedness, dauntless courage, and so forth. It was the business of a knight-errant to right wrongs, redress injuries, and succour the distressed, and this, as a matter of course, he makes his business when he takes up the part; a knight-errant was bound to be intrepid, and so he feels bound to cast fear aside. Of all Byron's melodious nonsense about Don Quixote, the most nonsensical statement is that "'t is his virtue makes him mad!" The exact opposite is the truth; it is his madness makes him virtuous.

In the Second Part, Cervantes repeatedly reminds the reader, as if it was a point upon which he was anxious there should be no mistake, that his hero's madness is strictly confined to delusions on the subject of chivalry, and that on every other subject he is discreto, one, in fact, whose faculty of discernment is in perfect order. The advantage of this is that he is enabled to make use of Don Quixote as a mouthpiece for his own reflections, and so, without seeming to digress, allow himself the relief of digression when he requires it, as freely as in a commonplace book.

It is true the amount of individuality bestowed upon Don Quixote is not very great. There are some natural touches of character about him, such as his mixture of irascibility and placability, and his curious affection for Sancho together with his impatience of the squire's loquacity and impertinence; but in the main, apart from his craze, he is little more than a thoughtful, cultured gentleman, with instinctive good taste and a great deal of shrewdness and originality of mind.

As to Sancho, it is plain, from the concluding words of the preface to the First Part, that he was a favourite with his creator even before he had been taken into favour by the public. An inferior genius, taking him in hand a second time, would very likely have tried to improve him by making him more comical, clever, amiable, or virtuous. But Cervantes was too true an artist to spoil his work in this way. Sancho, when he reappears, is the old Sancho with the old familiar features; but with a difference; they have been brought out more distinctly, but at the same time with a careful avoidance of anything like caricature; the outline has been filled in where filling in was necessary, and, vivified by a few touches of a master's hand, Sancho stands before us as he might in a character portrait by Velazquez. He is a much more important and prominent figure in the Second Part than in the First; indeed, it is his matchless mendacity about Dulcinea that to a great extent supplies the action of the story.

His development in this respect is as remarkable as in any other. In the First Part he displays a great natural gift of lying. His lies are not of the highly imaginative sort that liars in fiction commonly indulge in; like Falstaff's, they resemble the father that begets them; they are simple, homely, plump lies; plain working lies, in short. But in the service of such a master as Don Quixote he develops rapidly, as we see when he comes to palm off the three country wenches as Dulcinea and her ladies in waiting. It is worth noticing how, flushed by his success in this instance, he is tempted afterwards to try a flight beyond his powers in his account of the journey on Clavileno.

In the Second Part it is the spirit rather than the incidents of the chivalry romances that is the subject of the burlesque. Enchantments of the sort travestied in those of Dulcinea and the Trifaldi and the cave of Montesinos play a leading part in the later and inferior romances, and another distinguishing feature is caricatured in Don Quixote's blind adoration of Dulcinea. In the romances of chivalry love is either a mere animalism or a fantastic idolatry. Only a coarse-minded man would care to make merry with the former, but to one of Cervantes' humour the latter was naturally an attractive subject for ridicule. Like everything else in these romances, it is a gross exaggeration of the real sentiment of chivalry, but its peculiar extravagance is probably due to the influence of those masters of hyperbole, the Provencal poets. When a troubadour professed his readiness to obey his lady in all things, he made it incumbent upon the next comer, if he wished to avoid the imputation of tameness and commonplace, to declare himself the slave of her will, which the next was compelled to cap by some still stronger declaration; and so expressions of devotion went on rising one above the other like biddings at an auction, and a conventional language of gallantry and theory of love came into being that in time permeated the literature of Southern Europe, and bore fruit, in one direction in the transcendental worship of Beatrice and Laura, and in another in the grotesque idolatry which found exponents in writers like Feliciano de Silva. This is what Cervantes deals with in Don Quixote's passion for Dulcinea, and in no instance has he carried out the burlesque more happily. By keeping Dulcinea in the background, and making her a vague shadowy being of whose very existence we are left in doubt, he invests Don Quixote's worship of her virtues and charms with an additional extravagance, and gives still more point to the caricature of the sentiment and language of the romances.

One of the great merits of "Don Quixote," and one of the qualities that have secured its acceptance by all classes of readers and made it the most cosmopolitan of books, is its simplicity. There are, of course, points obvious enough to a Spanish seventeenth century audience which do not immediately strike a reader now-a-days, and Cervantes often takes it for granted that an allusion will be generally understood which is only intelligible to a few. For example, on many of his readers in Spain, and most of his readers out of it, the significance of his choice of a country for his hero is completely lost. It would be going too far to say that no one can thoroughly comprehend "Don Quixote" without having seen La Mancha, but undoubtedly even a glimpse of La Mancha will give an insight into the meaning of Cervantes such as no commentator can give. Of all the regions of Spain it is the last that would suggest the idea of romance. Of all the dull central plateau of the Peninsula it is the dullest tract. There is something impressive about the grim solitudes of Estremadura; and if the plains of Leon and Old Castile are bald and dreary, they are studded with old cities renowned in history and rich in relics of the past. But there is no redeeming feature in the Manchegan landscape; it has all the sameness of the desert without its dignity; the few towns and villages that break its monotony are mean and commonplace, there is nothing venerable about them, they have not even the picturesqueness of poverty; indeed, Don Quixote's own village, Argamasilla, has a sort of oppressive respectability in the prim regularity of its streets and houses; everything is ignoble; the very windmills are the ugliest and shabbiest of the windmill kind.

To anyone who knew the country well, the mere style and title of "Don Quixote of La Mancha" gave the key to the author's meaning at once. La Mancha as the knight's country and scene of his chivalries is of a piece with the pasteboard helmet, the farm-labourer on ass-back for a squire, knighthood conferred by a rascally ventero, convicts taken for victims of oppression, and the rest of the incongruities between Don Quixote's world and the world he lived in, between things as he saw them and things as they were.

It is strange that this element of incongruity, underlying the whole humour and purpose of the book, should have been so little heeded by the majority of those who have undertaken to interpret "Don Quixote." It has been completely overlooked, for example, by the illustrators. To be sure, the great majority of the artists who illustrated "Don Quixote" knew nothing whatever of Spain. To them a venta conveyed no idea but the abstract one of a roadside inn, and they could not therefore do full justice to the humour of Don Quixote's misconception in taking it for a castle, or perceive the remoteness of all its realities from his ideal. But even when better informed they seem to have no apprehension of the full force of the discrepancy. Take, for instance, Gustave Dore's drawing of Don Quixote watching his armour in the inn-yard. Whether or not the Venta de Quesada on the Seville road is, as tradition maintains, the inn described in "Don Quixote," beyond all question it was just such an inn-yard as the one behind it that Cervantes had in his mind's eye, and it was on just such a rude stone trough as that beside the primitive draw-well in the corner that he meant Don Quixote to deposit his armour. Gustave Dore makes it an elaborate fountain such as no arriero ever watered his mules at in the corral of any venta in Spain, and thereby entirely misses the point aimed at by Cervantes. It is the mean, prosaic, commonplace character of all the surroundings and circumstances that gives a significance to Don Quixote's vigil and the ceremony that follows.

Cervantes' humour is for the most part of that broader and simpler sort, the strength of which lies in the perception of the incongruous. It is the incongruity of Sancho in all his ways, words, and works, with the ideas and aims of his master, quite as much as the wonderful vitality and truth to nature of the character, that makes him the most humorous creation in the whole range of fiction. That unsmiling gravity of which Cervantes was the first great master, "Cervantes' serious air," which sits naturally on Swift alone, perhaps, of later humourists, is essential to this kind of humour, and here again Cervantes has suffered at the hands of his interpreters. Nothing, unless indeed the coarse buffoonery of Phillips, could be more out of place in an attempt to represent Cervantes, than a flippant, would-be facetious style, like that of Motteux's version for example, or the sprightly, jaunty air, French translators sometimes adopt. It is the grave matter-of-factness of the narrative, and the apparent unconsciousness of the author that he is saying anything ludicrous, anything but the merest commonplace, that give its peculiar flavour to the humour of Cervantes. His, in fact, is the exact opposite of the humour of Sterne and the self-conscious humourists. Even when Uncle Toby is at his best, you are always aware of "the man Sterne" behind him, watching you over his shoulder to see what effect he is producing. Cervantes always leaves you alone with Don Quixote and Sancho. He and Swift and the great humourists always keep themselves out of sight, or, more properly speaking, never think about themselves at all, unlike our latter-day school of humourists, who seem to have revived the old horse-collar method, and try to raise a laugh by some grotesque assumption of ignorance, imbecility, or bad taste.

It is true that to do full justice to Spanish humour in any other language is well-nigh an impossibility. There is a natural gravity and a sonorous stateliness about Spanish, be it ever so colloquial, that make an absurdity doubly absurd, and give plausibility to the most preposterous statement. This is what makes Sancho Panza's drollery the despair of the conscientious translator. Sancho's curt comments can never fall flat, but they lose half their flavour when transferred from their native Castilian into any other medium. But if foreigners have failed to do justice to the humour of Cervantes, they are no worse than his own countrymen. Indeed, were it not for the Spanish peasant's relish of "Don Quixote," one might be tempted to think that the great humourist was not looked upon as a humourist at all in his own country.

The craze of Don Quixote seems, in some instances, to have communicated itself to his critics, making them see things that are not in the book and run full tilt at phantoms that have no existence save in their own imaginations. Like a good many critics now-a-days, they forget that screams are not criticism, and that it is only vulgar tastes that are influenced by strings of superlatives, three-piled hyperboles, and pompous epithets. But what strikes one as particularly strange is that while they deal in extravagant eulogies, and ascribe all manner of imaginary ideas and qualities to Cervantes, they show no perception of the quality that ninety-nine out of a hundred of his readers would rate highest in him, and hold to be the one that raises him above all rivalry.

To speak of "Don Quixote" as if it were merely a humorous book would be a manifest misdescription. Cervantes at times makes it a kind of commonplace book for occasional essays and criticisms, or for the observations and reflections and gathered wisdom of a long and stirring life. It is a mine of shrewd observation on mankind and human nature. Among modern novels there may be, here and there, more elaborate studies of character, but there is no book richer in individualised character. What Coleridge said of Shakespeare in minimis is true of Cervantes; he never, even for the most temporary purpose, puts forward a lay figure. There is life and individuality in all his characters, however little they may have to do, or however short a time they may be before the reader. Samson Carrasco, the curate, Teresa Panza, Altisidora, even the two students met on the road to the cave of Montesinos, all live and move and have their being; and it is characteristic of the broad humanity of Cervantes that there is not a hateful one among them all. Even poor Maritornes, with her deplorable morals, has a kind heart of her own and "some faint and distant resemblance to a Christian about her;" and as for Sancho, though on dissection we fail to find a lovable trait in him, unless it be a sort of dog-like affection for his master, who is there that in his heart does not love him?

But it is, after all, the humour of "Don Quixote" that distinguishes it from all other books of the romance kind. It is this that makes it, as one of the most judicial-minded of modern critics calls it, "the best novel in the world beyond all comparison." It is its varied humour, ranging from broad farce to comedy as subtle as Shakespeare's or Moliere's that has naturalised it in every country where there are readers, and made it a classic in every language that has a literature.

SOME COMMENDATORY VERSES

URGANDA THE UNKNOWN

To the book of Don Quixote of la Mancha

If to be welcomed by the good,

O Book! thou make thy steady aim, No empty chatterer will dare

To question or dispute thy claim. But if perchance thou hast a mind

To win of idiots approbation, Lost labour will be thy reward,

Though they'll pretend appreciation.

They say a goodly shade he finds

Who shelters 'neath a goodly tree; And such a one thy kindly star

In Bejar bath provided thee: A royal tree whose spreading boughs

A show of princely fruit display; A tree that bears a noble Duke,

The Alexander of his day.

Of a Manchegan gentleman

Thy purpose is to tell the story, Relating how he lost his wits

O'er idle tales of love and glory, Of "ladies, arms, and cavaliers:"

A new Orlando Furioso- Innamorato, rather--who

Won Dulcinea del Toboso.

Put no vain emblems on thy shield;

All figures--that is bragging play. A modest dedication make,

And give no scoffer room to say, "What! Alvaro de Luna here?

Or is it Hannibal again? Or does King Francis at Madrid

Once more of destiny complain?"

Since Heaven it hath not pleased on thee

Deep erudition to bestow, Or black Latino's gift of tongues,

No Latin let thy pages show. Ape not philosophy or wit,

Lest one who cannot comprehend, Make a wry face at thee and ask,

"Why offer flowers to me, my friend?"

Be not a meddler; no affair

Of thine the life thy neighbours lead: Be prudent; oft the random jest

Recoils upon the jester's head. Thy constant labour let it be

To earn thyself an honest name, For fooleries preserved in print

Are perpetuity of shame.

A further counsel bear in mind:

If that thy roof be made of glass, It shows small wit to pick up stones

To pelt the people as they pass. Win the attention of the wise,

And give the thinker food for thought; Whoso indites frivolities,

Will but by simpletons be sought.

AMADIS OF GAUL To Don Quixote of la Mancha

SONNET

Thou that didst imitate that life of mine

When I in lonely sadness on the great

Rock Pena Pobre sat disconsolate, In self-imposed penance there to pine; Thou, whose sole beverage was the bitter brine

Of thine own tears, and who withouten plate

Of silver, copper, tin, in lowly state Off the bare earth and on earth's fruits didst dine; Live thou, of thine eternal glory sure.

So long as on the round of the fourth sphere

The bright Apollo shall his coursers steer, In thy renown thou shalt remain secure, Thy country's name in story shall endure,

And thy sage author stand without a peer.

DON BELIANIS OF GREECE To Don Quixote of la Mancha

SONNET

In slashing, hewing, cleaving, word and deed,

I was the foremost knight of chivalry,

Stout, bold, expert, as e'er the world did see; Thousands from the oppressor's wrong I freed; Great were my feats, eternal fame their meed;

In love I proved my truth and loyalty;

The hugest giant was a dwarf for me; Ever to knighthood's laws gave I good heed. My mastery the Fickle Goddess owned,

And even Chance, submitting to control,

Grasped by the forelock, yielded to my will. Yet--though above yon horned moon enthroned

My fortune seems to sit--great Quixote, still

Envy of thy achievements fills my soul.

THE LADY OF ORIANA To Dulcinea del Toboso

SONNET

Oh, fairest Dulcinea, could it be!

It were a pleasant fancy to suppose so--

Could Miraflores change to El Toboso, And London's town to that which shelters thee! Oh, could mine but acquire that livery

Of countless charms thy mind and body show so!

Or him, now famous grown--thou mad'st him grow so-- Thy knight, in some dread combat could I see! Oh, could I be released from Amadis

By exercise of such coy chastity As led thee gentle Quixote to dismiss!

Then would my heavy sorrow turn to joy;

None would I envy, all would envy me,

And happiness be mine without alloy.

GANDALIN, SQUIRE OF AMADIS OF GAUL, To Sancho Panza, squire of Don Quixote

SONNET

All hail, illustrious man! Fortune, when she

Bound thee apprentice to the esquire trade,

Her care and tenderness of thee displayed, Shaping thy course from misadventure free. No longer now doth proud knight-errantry

Regard with scorn the sickle and the spade;

Of towering arrogance less count is made Than of plain esquire-like simplicity. I envy thee thy Dapple, and thy name,

And those alforjas thou wast wont to stuff With comforts that thy providence proclaim.

Excellent Sancho! hail to thee again!

To thee alone the Ovid of our Spain

Does homage with the rustic kiss and cuff.

FROM EL DONOSO, THE MOTLEY POET,

On Sancho Panza and Rocinante

ON SANCHO

I am the esquire Sancho Pan-- Who served Don Quixote of La Man--; But from his service I retreat-, Resolved to pass my life discreet-; For Villadiego, called the Si--, Maintained that only in reti-- Was found the secret of well-be--, According to the "Celesti--:" A book divine, except for sin-- By speech too plain, in my opin--

ON ROCINANTE

I am that Rocinante fa--, Great-grandson of great Babie--, Who, all for being lean and bon--, Had one Don Quixote for an own--; But if I matched him well in weak--, I never took short commons meek--, But kept myself in corn by steal--, A trick I learned from Lazaril--, When with a piece of straw so neat-- The blind man of his wine he cheat--.

ORLANDO FURIOSO To Don Quixote of La Mancha

SONNET

If thou art not a Peer, peer thou hast none;

Among a thousand Peers thou art a peer;

Nor is there room for one when thou art near, Unvanquished victor, great unconquered one! Orlando, by Angelica undone,

Am I; o'er distant seas condemned to steer,

And to Fame's altars as an offering bear Valour respected by Oblivion. I cannot be thy rival, for thy fame

And prowess rise above all rivalry,

Albeit both bereft of wits we go. But, though the Scythian or the Moor to tame

Was not thy lot, still thou dost rival me:

Love binds us in a fellowship of woe.

THE KNIGHT OF PHOEBUS

To Don Quixote of La Mancha

My sword was not to be compared with thine

Phoebus of Spain, marvel of courtesy, Nor with thy famous arm this hand of mine

That smote from east to west as lightnings fly.

I scorned all empire, and that monarchy The rosy east held out did I resign

For one glance of Claridiana's eye, The bright Aurora for whose love I pine. A miracle of constancy my love;

And banished by her ruthless cruelty,

This arm had might the rage of Hell to tame. But, Gothic Quixote, happier thou dost prove,

For thou dost live in Dulcinea's name,

And famous, honoured, wise, she lives in thee.

FROM SOLISDAN To Don Quixote of La Mancha

SONNET

Your fantasies, Sir Quixote, it is true,

That crazy brain of yours have quite upset,

But aught of base or mean hath never yet Been charged by any in reproach to you. Your deeds are open proof in all men's view;

For you went forth injustice to abate,

And for your pains sore drubbings did you get From many a rascally and ruffian crew. If the fair Dulcinea, your heart's queen,

Be unrelenting in her cruelty,

If still your woe be powerless to move her,

In such hard case your comfort let it be That Sancho was a sorry go-between:

A booby he, hard-hearted she, and you no lover.

DIALOGUE Between Babieca and Rocinante

SONNET

B. "How comes it, Rocinante, you're so lean?" R. "I'm underfed, with overwork I'm worn." B. "But what becomes of all the hay and corn?" R. "My master gives me none; he's much too mean." B. "Come, come, you show ill-breeding, sir, I ween; 'T is like an ass your master thus to scorn." R. He is an ass, will die an ass, an ass was born; Why, he's in love; what's what's plainer to be seen?" B. "To be in love is folly?"--R. "No great sense." B. "You're metaphysical."--R. "From want of food." B. "Rail at the squire, then."--R. "Why, what's the good?

I might indeed complain of him, I grant ye, But, squire or master, where's the difference?

They're both as sorry hacks as Rocinante."

THE AUTHOR'S PREFACE

Idle reader: thou mayest believe me without any oath that I would this book, as it is the child of my brain, were the fairest, gayest, and cleverest that could be imagined. But I could not counteract Nature's law that everything shall beget its like; and what, then, could this sterile, illtilled wit of mine beget but the story of a dry, shrivelled, whimsical offspring, full of thoughts of all sorts and such as never came into any other imagination--just what might be begotten in a prison, where every misery is lodged and every doleful sound makes its dwelling? Tranquillity, a cheerful retreat, pleasant fields, bright skies, murmuring brooks, peace of mind, these are the things that go far to make even the most barren muses fertile, and bring into the world births that fill it with wonder and delight. Sometimes when a father has an ugly, loutish son, the love he bears him so blindfolds his eyes that he does not see his defects, or, rather, takes them for gifts and charms of mind and body, and talks of them to his friends as wit and grace. I, however--for though I pass for the father, I am but the stepfather to "Don Quixote"--have no desire to go with the current of custom, or to implore thee, dearest reader, almost with tears in my eyes, as others do, to pardon or excuse the defects thou wilt perceive in this child of mine. Thou art neither its kinsman nor its friend, thy soul is thine own and thy will as free as any man's, whate'er he be, thou art in thine own house and master of it as much as the king of his taxes and thou knowest the common saying, "Under my cloak I kill the king;" all which exempts and frees thee from every consideration and obligation, and thou canst say what thou wilt of the story without fear of being abused for any ill or rewarded for any good thou mayest say of it.

My wish would be simply to present it to thee plain and unadorned, without any embellishment of preface or uncountable muster of customary sonnets, epigrams, and eulogies, such as are commonly put at the beginning of books. For I can tell thee, though composing it cost me some labour, I found none greater than the making of this Preface thou art now reading. Many times did I take up my pen to write it, and many did I lay it down again, not knowing what to write. One of these times, as I was pondering with the paper before me, a pen in my ear, my elbow on the desk, and my cheek in my hand, thinking of what I should say, there came in unexpectedly a certain lively, clever friend of mine, who, seeing me so deep in thought, asked the reason; to which I, making no mystery of it, answered that I was thinking of the Preface I had to make for the story of "Don Quixote," which so troubled me that I had a mind not to make any at all, nor even publish the achievements of so noble a knight.

"For, how could you expect me not to feel uneasy about what that ancient lawgiver they call the Public will say when it sees me, after slumbering so many years in the silence of oblivion, coming out now with all my years upon my back, and with a book as dry as a rush, devoid of invention, meagre in style, poor in thoughts, wholly wanting in learning and wisdom, without quotations in the margin or annotations at the end, after the fashion of other books I see, which, though all fables and profanity, are so full of maxims from Aristotle, and Plato, and the whole herd of philosophers, that they fill the readers with amazement and convince them that the authors are men of learning, erudition, and eloquence. And then, when they quote the Holy Scriptures!--anyone would say they are St. Thomases or other doctors of the Church, observing as they do a decorum so ingenious that in one sentence they describe a distracted lover and in the next deliver a devout little sermon that it is a pleasure and a treat to hear and read. Of all this there will be nothing in my book, for I have nothing to quote in the margin or to note at the end, and still less do I know what authors I follow in it, to place them at the beginning, as all do, under the letters A, B, C, beginning with Aristotle and ending with Xenophon, or Zoilus, or Zeuxis, though one was a slanderer and the other a painter. Also my book must do without sonnets at the beginning, at least sonnets whose authors are dukes, marquises, counts, bishops, ladies, or famous poets. Though if I were to ask two or three obliging friends, I know they would give me them, and such as the productions of those that have the highest reputation in our Spain could not equal.

"In short, my friend," I continued, "I am determined that Senor Don Quixote shall remain buried in the archives of his own La Mancha until Heaven provide some one to garnish him with all those things he stands in need of; because I find myself, through my shallowness and want of learning, unequal to supplying them, and because I am by nature shy and careless about hunting for authors to say what I myself can say without them. Hence the cogitation and abstraction you found me in, and reason enough, what you have heard from me."

Hearing this, my friend, giving himself a slap on the forehead and breaking into a hearty laugh, exclaimed, "Before God, Brother, now am I disabused of an error in which I have been living all this long time I have known you, all through which I have taken you to be shrewd and sensible in all you do; but now I see you are as far from that as the heaven is from the earth. It is possible that things of so little moment and so easy to set right can occupy and perplex a ripe wit like yours, fit to break through and crush far greater obstacles? By my faith, this comes, not of any want of ability, but of too much indolence and too little knowledge of life. Do you want to know if I am telling the truth? Well, then, attend to me, and you will see how, in the opening and shutting of an eye, I sweep away all your difficulties, and supply all those deficiencies which you say check and discourage you from bringing before the world the story of your famous Don Quixote, the light and mirror of all knight-errantry."

"Say on," said I, listening to his talk; "how do you propose to make up for my diffidence, and reduce to order this chaos of perplexity I am in?"

To which he made answer, "Your first difficulty about the sonnets, epigrams, or complimentary verses which you want for the beginning, and which ought to be by persons of importance and rank, can be removed if you yourself take a little trouble to make them; you can afterwards baptise them, and put any name you like to them, fathering them on Prester John of the Indies or the Emperor of Trebizond, who, to my knowledge, were said to have been famous poets: and even if they were not, and any pedants or bachelors should attack you and question the fact, never care two maravedis for that, for even if they prove a lie against you they cannot cut off the hand you wrote it with.

"As to references in the margin to the books and authors from whom you take the aphorisms and sayings you put into your story, it is only contriving to fit in nicely any sentences or scraps of Latin you may happen to have by heart, or at any rate that will not give you much trouble to look up; so as, when you speak of freedom and captivity, to insert

Non bene pro toto libertas venditur auro;

and then refer in the margin to Horace, or whoever said it; or, if you allude to the power of death, to come in with--

Pallida mors Aequo pulsat pede pauperum tabernas, Regumque turres.

"If it be friendship and the love God bids us bear to our enemy, go at once to the Holy Scriptures, which you can do with a very small amount of research, and quote no less than the words of God himself: Ego autem dico vobis: diligite inimicos vestros. If you speak of evil thoughts, turn to the Gospel: De corde exeunt cogitationes malae. If of the fickleness of friends, there is Cato, who will give you his distich:

Donec eris felix multos numerabis amicos, Tempora si fuerint nubila, solus eris.

"With these and such like bits of Latin they will take you for a grammarian at all events, and that now-a-days is no small honour and profit.

"With regard to adding annotations at the end of the book, you may safely do it in this way. If you mention any giant in your book contrive that it shall be the giant Goliath, and with this alone, which will cost you almost nothing, you have a grand note, for you can put--The giant Golias or Goliath was a Philistine whom the shepherd David slew by a mighty stone-cast in the Terebinth valley, as is related in the Book of Kings--in the chapter where you find it written.

"Next, to prove yourself a man of erudition in polite literature and cosmography, manage that the river Tagus shall be named in your story, and there you are at once with another famous annotation, setting forth--The river Tagus was so called after a King of Spain: it has its source in such and such a place and falls into the ocean, kissing the walls of the famous city of Lisbon, and it is a common belief that it has golden sands, etc. If you should have anything to do with robbers, I will give you the story of Cacus, for I have it by heart; if with loose women, there is the Bishop of Mondonedo, who will give you the loan of Lamia, Laida, and Flora, any reference to whom will bring you great credit; if with hard-hearted ones, Ovid will furnish you with Medea; if with witches or enchantresses, Homer has Calypso, and Virgil Circe; if with valiant captains, Julius Caesar himself will lend you himself in his own 'Commentaries,' and Plutarch will give you a thousand Alexanders. If you should deal with love, with two ounces you may know of Tuscan you can go to Leon the Hebrew, who will supply you to your heart's content; or if you should not care to go to foreign countries you have at home Fonseca's 'Of the Love of God,' in which is condensed all that you or the most imaginative mind can want on the subject. In short, all you have to do is to manage to quote these names, or refer to these stories I have mentioned, and leave it to me to insert the annotations and quotations, and I swear by all that's good to fill your margins and use up four sheets at the end of the book.

"Now let us come to those references to authors which other books have, and you want for yours. The remedy for this is very simple: You have only to look out for some book that quotes them all, from A to Z as you say yourself, and then insert the very same alphabet in your book, and though the imposition may be plain to see, because you have so little need to borrow from them, that is no matter; there will probably be some simple enough to believe that you have made use of them all in this plain, artless story of yours. At any rate, if it answers no other purpose, this long catalogue of authors will serve to give a surprising look of authority to your book. Besides, no one will trouble himself to verify whether you have followed them or whether you have not, being no way concerned in it; especially as, if I mistake not, this book of yours has no need of any one of those things you say it wants, for it is, from beginning to end, an attack upon the books of chivalry, of which Aristotle never dreamt, nor St. Basil said a word, nor Cicero had any knowledge; nor do the niceties of truth nor the observations of astrology come within the range of its fanciful vagaries; nor have geometrical measurements or refutations of the arguments used in rhetoric anything to do with it; nor does it mean to preach to anybody, mixing up things human and divine, a sort of motley in which no Christian understanding should dress itself. It has only to avail itself of truth to nature in its composition, and the more perfect the imitation the better the work will be. And as this piece of yours aims at nothing more than to destroy the authority and influence which books of chivalry have in the world and with the public, there is no need for you to go a-begging for aphorisms from philosophers, precepts from Holy Scripture, fables from poets, speeches from orators, or miracles from saints; but merely to take care that your style and diction run musically, pleasantly, and plainly, with clear, proper, and well-placed words, setting forth your purpose to the best of your power, and putting your ideas intelligibly, without confusion or obscurity. Strive, too, that in reading your story the melancholy may be moved to laughter, and the merry made merrier still; that the simple shall not be wearied, that the judicious shall admire the invention, that the grave shall not despise it, nor the wise fail to praise it. Finally, keep your aim fixed on the destruction of that ill-founded edifice of the books of chivalry, hated by some and praised by many more; for if you succeed in this you will have achieved no small success."

In profound silence I listened to what my friend said, and his observations made such an impression on me that, without attempting to question them, I admitted their soundness, and out of them I determined to make this Preface; wherein, gentle reader, thou wilt perceive my friend's good sense, my good fortune in finding such an adviser in such a time of need, and what thou hast gained in receiving, without addition or alteration, the story of the famous Don Quixote of La Mancha, who is held by all the inhabitants of the district of the Campo de Montiel to have been the chastest lover and the bravest knight that has for many years been seen in that neighbourhood. I have no desire to magnify the service I render thee in making thee acquainted with so renowned and honoured a knight, but I do desire thy thanks for the acquaintance thou wilt make with the famous Sancho Panza, his squire, in whom, to my thinking, I have given thee condensed all the squirely drolleries that are scattered through the swarm of the vain books of chivalry. And so--may God give thee health, and not forget me. Vale.

DEDICATION OF VOLUME I

TO THE DUKE OF BEJAR, MARQUIS OF GIBRALEON, COUNT OF BENALCAZAR AND BANARES, VICECOUNT OF THE PUEBLA DE ALCOCER, MASTER OF THE TOWNS OF CAPILLA, CURIEL AND BURGUILLOS

In belief of the good reception and honours that Your Excellency bestows on all sort of books, as prince so inclined to favor good arts, chiefly those who by their nobleness do not submit to the service and bribery of the vulgar, I have determined bringing to light The Ingenious Gentleman Don Quixote of la Mancha, in shelter of Your Excellency's glamorous name, to whom, with the obeisance I owe to such grandeur, I pray to receive it agreeably under his protection, so that in this shadow, though deprived of that precious ornament of elegance and erudition that clothe the works composed in the houses of those who know, it dares appear with assurance in the judgment of some who, trespassing the bounds of their own ignorance, use to condemn with more rigour and less justice the writings of others. It is my earnest hope that Your Excellency's good counsel in regard to my honourable purpose, will not disdain the littleness of so humble a service.

Miguel de Cervantes

VOLUME I. CHAPTER I.

WHICH TREATS OF THE CHARACTER AND PURSUITS OF THE FAMOUS GENTLEMAN DON QUIXOTE OF LA MANCHA

In a village of La Mancha, the name of which I have no desire to call to mind, there lived not long since one of those gentlemen that keep a lance in the lance-rack, an old buckler, a lean hack, and a greyhound for coursing. An olla of rather more beef than mutton, a salad on most nights, scraps on Saturdays, lentils on Fridays, and a pigeon or so extra on Sundays, made away with three-quarters of his income. The rest of it went in a doublet of fine cloth and velvet breeches and shoes to match for holidays, while on week-days he made a brave figure in his best homespun. He had in his house a housekeeper past forty, a niece under twenty, and a lad for the field and market-place, who used to saddle the hack as well as handle the bill-hook. The age of this gentleman of ours was bordering on fifty; he was of a hardy habit, spare, gaunt-featured, a very early riser and a great sportsman. They will have it his surname was Quixada or Quesada (for here there is some difference of opinion among the authors who write on the subject), although from reasonable conjectures it seems plain that he was called Quexana. This, however, is of but little importance to our tale; it will be enough not to stray a hair's breadth from the truth in the telling of it.

You must know, then, that the above-named gentleman whenever he was at leisure (which was mostly all the year round) gave himself up to reading books of chivalry with such ardour and avidity that he almost entirely neglected the pursuit of his field-sports, and even the management of his property; and to such a pitch did his eagerness and infatuation go that he sold many an acre of tillageland to buy books of chivalry to read, and brought home as many of them as he could get. But of all there were none he liked so well as those of the famous Feliciano de Silva's composition, for their lucidity of style and complicated conceits were as pearls in his sight, particularly when in his reading he came upon courtships and cartels, where he often found passages like "the reason of the unreason with which my reason is afflicted so weakens my reason that with reason I murmur at your beauty;" or again, "the high heavens, that of your divinity divinely fortify you with the stars, render you deserving of the desert your greatness deserves." Over conceits of this sort the poor gentleman lost his wits, and used to lie awake striving to understand them and worm the meaning out of them; what Aristotle himself could not have made out or extracted had he come to life again for that special purpose. He was not at all easy about the wounds which Don Belianis gave and took, because it seemed to him that, great as were the surgeons who had cured him, he must have had his face and body covered all over with seams and scars. He commended, however, the author's way of ending his book with the promise of that interminable adventure, and many a time was he tempted to take up his pen and finish it properly as is there proposed, which no doubt he would have done, and made a successful piece of work of it too, had not greater and more absorbing thoughts prevented him.

Many an argument did he have with the curate of his village (a learned man, and a graduate of Siguenza) as to which had been the better knight, Palmerin of England or Amadis of Gaul. Master Nicholas, the village barber, however, used to say that neither of them came up to the Knight of Phoebus, and that if there was any that could compare with him it was Don Galaor, the brother of Amadis of Gaul, because he had a spirit that was equal to every occasion, and was no finikin knight, nor lachrymose like his brother, while in the matter of valour he was not a whit behind him. In short, he became so absorbed in his books that he spent his nights from sunset to sunrise, and his days from dawn to dark, poring over them; and what with little sleep and much reading his brains got so dry that he lost his wits. His fancy grew full of what he used to read about in his books, enchantments, quarrels, battles, challenges, wounds, wooings, loves, agonies, and all sorts of impossible nonsense; and it so possessed his mind that the whole fabric of invention and fancy he read of was true, that to him no history in the world had more reality in it. He used to say the Cid Ruy Diaz was a very good knight, but that he was not to be compared with the Knight of the Burning Sword who with one back-stroke cut in half two fierce and monstrous giants. He thought more of Bernardo del Carpio because at Roncesvalles he slew Roland in spite of enchantments, availing himself of the artifice of Hercules when he strangled Antaeus the son of Terra in his arms. He approved highly of the giant Morgante, because, although of the giant breed which is always arrogant and ill-conditioned, he alone was affable and well-bred. But above all he admired Reinaldos of Montalban, especially when he saw him sallying forth from his castle and robbing everyone he met, and when beyond the seas he stole that image of Mahomet which, as his history says, was entirely of gold. To have a bout of kicking at that traitor of a Ganelon he would have given his housekeeper, and his niece into the bargain.

In short, his wits being quite gone, he hit upon the strangest notion that ever madman in this world hit upon, and that was that he fancied it was right and requisite, as well for the support of his own honour as for the service of his country, that he should make a knight-errant of himself, roaming the world over in full armour and on horseback in quest of adventures, and putting in practice himself all that he had read of as being the usual practices of knights-errant; righting every kind of wrong, and exposing himself to peril and danger from which, in the issue, he was to reap eternal renown and fame. Already the poor man saw himself crowned by the might of his arm Emperor of Trebizond at least; and so, led away by the intense enjoyment he found in these pleasant fancies, he set himself forthwith to put his scheme into execution.

The first thing he did was to clean up some armour that had belonged to his great-grandfather, and had been for ages lying forgotten in a corner eaten with rust and covered with mildew. He scoured and polished it as best he could, but he perceived one great defect in it, that it had no closed helmet, nothing but a simple morion. This deficiency, however, his ingenuity supplied, for he contrived a kind of half-helmet of pasteboard which, fitted on to the morion, looked like a whole one. It is true that, in order to see if it was strong and fit to stand a cut, he drew his sword and gave it a couple of slashes, the first of which undid in an instant what had taken him a week to do. The ease with which he had knocked it to pieces disconcerted him somewhat, and to guard against that danger he set to work again, fixing bars of iron on the inside until he was satisfied with its strength; and then, not caring to try any more experiments with it, he passed it and adopted it as a helmet of the most perfect construction.

He next proceeded to inspect his hack, which, with more quartos than a real and more blemishes than the steed of Gonela, that "tantum pellis et ossa fuit," surpassed in his eyes the Bucephalus of Alexander or the Babieca of the Cid. Four days were spent in thinking what name to give him, because (as he said to himself) it was not right that a horse belonging to a knight so famous, and one with such merits of his own, should be without some distinctive name, and he strove to adapt it so as to indicate what he had been before belonging to a knight-errant, and what he then was; for it was only reasonable that, his master taking a new character, he should take a new name, and that it should be a distinguished and full-sounding one, befitting the new order and calling he was about to follow. And so, after having composed, struck out, rejected, added to, unmade, and remade a multitude of names out of his memory and fancy, he decided upon calling him Rocinante, a name, to his thinking, lofty, sonorous, and significant of his condition as a hack before he became what he now was, the first and foremost of all the hacks in the world.

Having got a name for his horse so much to his taste, he was anxious to get one for himself, and he was eight days more pondering over this point, till at last he made up his mind to call himself "Don Quixote," whence, as has been already said, the authors of this veracious history have inferred that his name must have been beyond a doubt Quixada, and not Quesada as others would have it. Recollecting, however, that the valiant Amadis was not content to call himself curtly Amadis and nothing more, but added the name of his kingdom and country to make it famous, and called himself Amadis of Gaul, he, like a good knight, resolved to add on the name of his, and to style himself Don Quixote of La Mancha, whereby, he considered, he described accurately his origin and country, and did honour to it in taking his surname from it.

So then, his armour being furbished, his morion turned into a helmet, his hack christened, and he himself confirmed, he came to the conclusion that nothing more was needed now but to look out for a lady to be in love with; for a knight-errant without love was like a tree without leaves or fruit, or a body without a soul. As he said to himself, "If, for my sins, or by my good fortune, I come across some giant hereabouts, a common occurrence with knights-errant, and overthrow him in one onslaught, or cleave him asunder to the waist, or, in short, vanquish and subdue him, will it not be well to have some one I may send him to as a present, that he may come in and fall on his knees before my sweet lady, and in a humble, submissive voice say, 'I am the giant Caraculiambro, lord of the island of Malindrania, vanquished in single combat by the never sufficiently extolled knight Don Quixote of La Mancha, who has commanded me to present myself before your Grace, that your Highness dispose of me at your pleasure'?" Oh, how our good gentleman enjoyed the delivery of this speech, especially when he had thought of some one to call his Lady! There was, so the story goes, in a village near his own a very good-looking farm-girl with whom he had been at one time in love, though, so far as is known, she never knew it nor gave a thought to the matter. Her name was Aldonza Lorenzo, and upon her he thought fit to confer the title of Lady of his Thoughts; and after some search for a name which should not be out of harmony with her own, and should suggest and indicate that of a princess and great lady, he decided upon calling her Dulcinea del Toboso--she being of El Toboso--a name, to his mind, musical, uncommon, and significant, like all those he had already bestowed upon himself and the things belonging to him.

CHAPTER II.

WHICH TREATS OF THE FIRST SALLY THE INGENIOUS DON QUIXOTE MADE FROM HOME

These preliminaries settled, he did not care to put off any longer the execution of his design, urged on to it by the thought of all the world was losing by his delay, seeing what wrongs he intended to right, grievances to redress, injustices to repair, abuses to remove, and duties to discharge. So, without giving notice of his intention to anyone, and without anybody seeing him, one morning before the dawning of the day (which was one of the hottest of the month of July) he donned his suit of armour, mounted Rocinante with his patched-up helmet on, braced his buckler, took his lance, and by the back door of the yard sallied forth upon the plain in the highest contentment and satisfaction at seeing with what ease he had made a beginning with his grand purpose. But scarcely did he find himself upon the open plain, when a terrible thought struck him, one all but enough to make him abandon the enterprise at the very outset. It occurred to him that he had not been dubbed a knight, and that according to the law of chivalry he neither could nor ought to bear arms against any knight; and that even if he had been, still he ought, as a novice knight, to wear white armour, without a device upon the shield until by his prowess he had earned one. These reflections made him waver in his purpose, but his craze being stronger than any reasoning, he made up his mind to have himself dubbed a knight by the first one he came across, following the example of others in the same case, as he had read in the books that brought him to this pass. As for white armour, he resolved, on the first opportunity, to scour his until it was whiter than an ermine; and so comforting himself he pursued his way, taking that which his horse chose, for in this he believed lay the essence of adventures.

Thus setting out, our new-fledged adventurer paced along, talking to himself and saying, "Who knows but that in time to come, when the veracious history of my famous deeds is made known, the sage who writes it, when he has to set forth my first sally in the early morning, will do it after this fashion? 'Scarce had the rubicund Apollo spread o'er the face of the broad spacious earth the golden threads of his bright hair, scarce had the little birds of painted plumage attuned their notes to hail with dulcet and mellifluous harmony the coming of the rosy Dawn, that, deserting the soft couch of her jealous spouse, was appearing to mortals at the gates and balconies of the Manchegan horizon, when the renowned knight Don Quixote of La Mancha, quitting the lazy down, mounted his celebrated steed Rocinante and began to traverse the ancient and famous Campo de Montiel;'" which in fact he was actually traversing. "Happy the age, happy the time," he continued, "in which shall be made known my deeds of fame, worthy to be moulded in brass, carved in marble, limned in pictures, for a memorial for ever. And thou, O sage magician, whoever thou art, to whom it shall fall to be the chronicler of this wondrous history, forget not, I entreat thee, my good Rocinante, the constant companion of my ways and wanderings." Presently he broke out again, as if he were love-stricken in earnest, "O Princess Dulcinea, lady of this captive heart, a grievous wrong hast thou done me to drive me forth with scorn, and with inexorable obduracy banish me from the presence of thy beauty. O lady, deign to hold in remembrance this heart, thy vassal, that thus in anguish pines for love of thee."

So he went on stringing together these and other absurdities, all in the style of those his books had taught him, imitating their language as well as he could; and all the while he rode so slowly and the sun mounted so rapidly and with such fervour that it was enough to melt his brains if he had any. Nearly all day he travelled without anything remarkable happening to him, at which he was in despair, for he was anxious to encounter some one at once upon whom to try the might of his strong arm.

Writers there are who say the first adventure he met with was that of Puerto Lapice; others say it was that of the windmills; but what I have ascertained on this point, and what I have found written in the annals of La Mancha, is that he was on the road all day, and towards nightfall his hack and he found themselves dead tired and hungry, when, looking all around to see if he could discover any castle or shepherd's shanty where he might refresh himself and relieve his sore wants, he perceived not far out of his road an inn, which was as welcome as a star guiding him to the portals, if not the palaces, of his redemption; and quickening his pace he reached it just as night was setting in. At the door were standing two young women, girls of the district as they call them, on their way to Seville with some carriers who had chanced to halt that night at the inn; and as, happen what might to our adventurer, everything he saw or imaged seemed to him to be and to happen after the fashion of what he read of, the moment he saw the inn he pictured it to himself as a castle with its four turrets and pinnacles of shining silver, not forgetting the drawbridge and moat and all the belongings usually ascribed to castles of the sort. To this inn, which to him seemed a castle, he advanced, and at a short distance from it he checked Rocinante, hoping that some dwarf would show himself upon the battlements, and by sound of trumpet give notice that a knight was approaching the castle. But seeing that they were slow about it, and that Rocinante was in a hurry to reach the stable, he made for the inn door, and perceived the two gay damsels who were standing there, and who seemed to him to be two fair maidens or lovely ladies taking their ease at the castle gate.

At this moment it so happened that a swineherd who was going through the stubbles collecting a drove of pigs (for, without any apology, that is what they are called) gave a blast of his horn to bring them together, and forthwith it seemed to Don Quixote to be what he was expecting, the signal of some dwarf announcing his arrival; and so with prodigious satisfaction he rode up to the inn and to the ladies, who, seeing a man of this sort approaching in full armour and with lance and buckler, were turning in dismay into the inn, when Don Quixote, guessing their fear by their flight, raising his pasteboard visor, disclosed his dry dusty visage, and with courteous bearing and gentle voice addressed them, "Your ladyships need not fly or fear any rudeness, for that it belongs not to the order of knighthood which I profess to offer to anyone, much less to highborn maidens as your appearance proclaims you to be." The girls were looking at him and straining their eyes to make out the features which the clumsy visor obscured, but when they heard themselves called maidens, a thing so much out of their line, they could not restrain their laughter, which made Don Quixote wax indignant, and say, "Modesty becomes the fair, and moreover laughter that has little cause is great silliness; this, however, I say not to pain or anger you, for my desire is none other than to serve you."

The incomprehensible language and the unpromising looks of our cavalier only increased the ladies' laughter, and that increased his irritation, and matters might have gone farther if at that moment the landlord had not come out, who, being a very fat man, was a very peaceful one. He, seeing this grotesque figure clad in armour that did not match any more than his saddle, bridle, lance, buckler, or corselet, was not at all indisposed to join the damsels in their manifestations of amusement; but, in truth, standing in awe of such a complicated armament, he thought it best to speak him fairly, so he said, "Senor Caballero, if your worship wants lodging, bating the bed (for there is not one in the inn) there is plenty of everything else here." Don Quixote, observing the respectful bearing of the Alcaide of the fortress (for so innkeeper and inn seemed in his eyes), made answer, "Sir Castellan, for me anything will suffice, for

'My armour is my only wear, My only rest the fray.'"

The host fancied he called him Castellan because he took him for a "worthy of Castile," though he was in fact an Andalusian, and one from the strand of San Lucar, as crafty a thief as Cacus and as full of tricks as a student or a page. "In that case," said he,

"'Your bed is on the flinty rock, Your sleep to watch alway;'

and if so, you may dismount and safely reckon upon any quantity of sleeplessness under this roof for a twelvemonth, not to say for a single night." So saying, he advanced to hold the stirrup for Don Quixote, who got down with great difficulty and exertion (for he had not broken his fast all day), and then charged the host to take great care of his horse, as he was the best bit of flesh that ever ate bread in this world. The landlord eyed him over but did not find him as good as Don Quixote said, nor even half as good; and putting him up in the stable, he returned to see what might be wanted by his guest, whom the damsels, who had by this time made their peace with him, were now relieving of his armour. They had taken off his breastplate and backpiece, but they neither knew nor saw how to open his gorget or remove his make-shift helmet, for he had fastened it with green ribbons, which, as there was no untying the knots, required to be cut. This, however, he would not by any means consent to, so he remained all the evening with his helmet on, the drollest and oddest figure that can be imagined; and while they were removing his armour, taking the baggages who were about it for ladies of high degree belonging to the castle, he said to them with great sprightliness:

"Oh, never, surely, was there knight So served by hand of dame, As served was he, Don Quixote hight, When from his town he came; With maidens waiting on himself, Princesses on his hack--

or Rocinante, for that, ladies mine, is my horse's name, and Don Quixote of La Mancha is my own; for though I had no intention of declaring myself until my achievements in your service and honour had made me known, the necessity of adapting that old ballad of Lancelot to the present occasion has given you the knowledge of my name altogether prematurely. A time, however, will come for your ladyships to command and me to obey, and then the might of my arm will show my desire to serve you."

The girls, who were not used to hearing rhetoric of this sort, had nothing to say in reply; they only asked him if he wanted anything to eat. "I would gladly eat a bit of something," said Don Quixote, "for I feel it would come very seasonably." The day happened to be a Friday, and in the whole inn there was nothing but some pieces of the fish they call in Castile "abadejo," in Andalusia "bacallao," and in some places "curadillo," and in others "troutlet;" so they asked him if he thought he could eat troutlet, for there was no other fish to give him. "If there be troutlets enough," said Don Quixote, "they will be the same thing as a trout; for it is all one to me whether I am given eight reals in small change or a piece of eight; moreover, it may be that these troutlets are like veal, which is better than beef, or kid, which is better than goat. But whatever it be let it come quickly, for the burden and pressure of arms cannot be borne without support to the inside." They laid a table for him at the door of the inn for the sake of the air, and the host brought him a portion of ill-soaked and worse cooked stockfish, and a piece of bread as black and mouldy as his own armour; but a laughable sight it was to see him eating, for having his helmet on and the beaver up, he could not with his own hands put anything into his mouth unless some one else placed it there, and this service one of the ladies rendered him. But to give him anything to drink was impossible, or would have been so had not the landlord bored a reed, and putting one end in his mouth poured the wine into him through the other; all which he bore with patience rather than sever the ribbons of his helmet.

While this was going on there came up to the inn a sowgelder, who, as he approached, sounded his reed pipe four or five times, and thereby completely convinced Don Quixote that he was in some famous castle, and that they were regaling him with music, and that the stockfish was trout, the bread the whitest, the wenches ladies, and the landlord the castellan of the castle; and consequently he held that his enterprise and sally had been to some purpose. But still it distressed him to think he had not been dubbed a knight, for it was plain to him he could not lawfully engage in any adventure without receiving the order of knighthood.

CHAPTER III.

WHEREIN IS RELATED THE DROLL WAY IN WHICH DON QUIXOTE HAD HIMSELF DUBBED A KNIGHT

Harassed by this reflection, he made haste with his scanty pothouse supper, and having finished it called the landlord, and shutting himself into the stable with him, fell on his knees before him, saying, "From this spot I rise not, valiant knight, until your courtesy grants me the boon I seek, one that will redound to your praise and the benefit of the human race." The landlord, seeing his guest at his feet and hearing a speech of this kind, stood staring at him in bewilderment, not knowing what to do or say, and entreating him to rise, but all to no purpose until he had agreed to grant the boon demanded of him. "I looked for no less, my lord, from your High Magnificence," replied Don Quixote, "and I have to tell you that the boon I have asked and your liberality has granted is that you shall dub me knight to-morrow morning, and that to-night I shall watch my arms in the chapel of this your castle; thus tomorrow, as I have said, will be accomplished what I so much desire, enabling me lawfully to roam through all the four quarters of the world seeking adventures on behalf of those in distress, as is the duty of chivalry and of knights-errant like myself, whose ambition is directed to such deeds."

The landlord, who, as has been mentioned, was something of a wag, and had already some suspicion of his guest's want of wits, was quite convinced of it on hearing talk of this kind from him, and to make sport for the night he determined to fall in with his humour. So he told him he was quite right in pursuing the object he had in view, and that such a motive was natural and becoming in cavaliers as distinguished as he seemed and his gallant bearing showed him to be; and that he himself in his younger days had followed the same honourable calling, roaming in quest of adventures in various parts of the world, among others the Curing-grounds of Malaga, the Isles of Riaran, the Precinct of Seville, the Little Market of Segovia, the Olivera of Valencia, the Rondilla of Granada, the Strand of San Lucar, the Colt of Cordova, the Taverns of Toledo, and divers other quarters, where he had proved the nimbleness of his feet and the lightness of his fingers, doing many wrongs, cheating many widows, ruining maids and swindling minors, and, in short, bringing himself under the notice of almost every tribunal and court of justice in Spain; until at last he had retired to this castle of his, where he was living upon his property and upon that of others; and where he received all knights-errant of whatever rank or condition they might be, all for the great love he bore them and that they might share their substance with him in return for his benevolence. He told him, moreover, that in this castle of his there was no chapel in which he could watch his armour, as it had been pulled down in order to be rebuilt, but that in a case of necessity it might, he knew, be watched anywhere, and he might watch it that night in a courtyard of the castle, and in the morning, God willing, the requisite ceremonies might be performed so as to have him dubbed a knight, and so thoroughly dubbed that nobody could be more so. He asked if he had any money with him, to which Don Quixote replied that he had not a farthing, as in the histories of knights-errant he had never read of any of them carrying any. On this point the landlord told him he was mistaken; for, though not recorded in the histories, because in the author's opinion there was no need to mention anything so obvious and necessary as money and clean shirts, it was not to be supposed therefore that they did not carry them, and he might regard it as certain and established that all knights-errant (about whom there were so many full and unimpeachable books) carried well-furnished purses in case of emergency, and likewise carried shirts and a little box of ointment to cure the wounds they received. For in those plains and deserts where they engaged in combat and came out wounded, it was not always that there was some one to cure them, unless indeed they had for a friend some sage magician to succour them at once by fetching through the air upon a cloud some damsel or dwarf with a vial of water of such virtue that by tasting one drop of it they were cured of their hurts and wounds in an instant and left as sound as if they had not received any damage whatever. But in case this should not occur, the knights of old took care to see that their squires were provided with money and other requisites, such as lint and ointments for healing purposes; and when it happened that knights had no squires (which was rarely and seldom the case) they themselves carried everything in cunning saddle-bags that were hardly seen on the horse's croup, as if it were something else of more importance, because, unless for some such reason, carrying saddle-bags was not very favourably regarded among knights-errant. He therefore advised him (and, as his godson so soon to be, he might even command him) never from that time forth to travel without money and the usual requirements, and he would find the advantage of them when he least expected it.

Don Quixote promised to follow his advice scrupulously, and it was arranged forthwith that he should watch his armour in a large yard at one side of the inn; so, collecting it all together, Don Quixote placed it on a trough that stood by the side of a well, and bracing his buckler on his arm he grasped his lance and began with a stately air to march up and down in front of the trough, and as he began his march night began to fall.

The landlord told all the people who were in the inn about the craze of his guest, the watching of the armour, and the dubbing ceremony he contemplated. Full of wonder at so strange a form of madness, they flocked to see it from a distance, and observed with what composure he sometimes paced up and down, or sometimes, leaning on his lance, gazed on his armour without taking his eyes off it for ever so long; and as the night closed in with a light from the moon so brilliant that it might vie with his that lent it, everything the novice knight did was plainly seen by all.

Meanwhile one of the carriers who were in the inn thought fit to water his team, and it was necessary to remove Don Quixote's armour as it lay on the trough; but he seeing the other approach hailed him in a loud voice, "O thou, whoever thou art, rash knight that comest to lay hands on the armour of the most valorous errant that ever girt on sword, have a care what thou dost; touch it not unless thou wouldst lay down thy life as the penalty of thy rashness." The carrier gave no heed to these words (and he would have done better to heed them if he had been heedful of his health), but seizing it by the straps flung the armour some distance from him. Seeing this, Don Quixote raised his eyes to heaven, and fixing his thoughts, apparently, upon his lady Dulcinea, exclaimed, "Aid me, lady mine, in this the first encounter that presents itself to this breast which thou holdest in subjection; let not thy favour and protection fail me in this first jeopardy;" and, with these words and others to the same purpose, dropping his buckler he lifted his lance with both hands and with it smote such a blow on the carrier's head that he stretched him on the ground, so stunned that had he followed it up with a second there would have been no need of a surgeon to cure him. This done, he picked up his armour and returned to his beat with the same serenity as before.

Shortly after this, another, not knowing what had happened (for the carrier still lay senseless), came with the same object of giving water to his mules, and was proceeding to remove the armour in order to clear the trough, when Don Quixote, without uttering a word or imploring aid from anyone, once more dropped his buckler and once more lifted his lance, and without actually breaking the second carrier's head into pieces, made more than three of it, for he laid it open in four. At the noise all the people of the inn ran to the spot, and among them the landlord. Seeing this, Don Quixote braced his buckler on his arm, and with his hand on his sword exclaimed, "O Lady of Beauty, strength and support of my faint heart, it is time for thee to turn the eyes of thy greatness on this thy captive knight on the brink of so mighty an adventure." By this he felt himself so inspired that he would not have flinched if all the carriers in the world had assailed him. The comrades of the wounded perceiving the plight they were in began from a distance to shower stones on Don Quixote, who screened himself as best he could with his buckler, not daring to quit the trough and leave his armour unprotected. The landlord shouted to them to leave him alone, for he had already told them that he was mad, and as a madman he would not be accountable even if he killed them all. Still louder shouted Don Quixote, calling them knaves and traitors, and the lord of the castle, who allowed knights-errant to be treated in this fashion, a villain and a low-born knight whom, had he received the order of knighthood, he would call to account for his treachery. "But of you," he cried, "base and vile rabble, I make no account; fling, strike, come on, do all ye can against me, ye shall see what the reward of your folly and insolence will be." This he uttered with so much spirit and boldness that he filled his assailants with a terrible fear, and as much for this reason as at the persuasion of the landlord they left off stoning him, and he allowed them to carry off the wounded, and with the same calmness and composure as before resumed the watch over his armour.

But these freaks of his guest were not much to the liking of the landlord, so he determined to cut matters short and confer upon him at once the unlucky order of knighthood before any further misadventure could occur; so, going up to him, he apologised for the rudeness which, without his knowledge, had been offered to him by these low people, who, however, had been well punished for their audacity. As he had already told him, he said, there was no chapel in the castle, nor was it needed for what remained to be done, for, as he understood the ceremonial of the order, the whole point of being dubbed a knight lay in the accolade and in the slap on the shoulder, and that could be administered in the middle of a field; and that he had now done all that was needful as to watching the armour, for all requirements were satisfied by a watch of two hours only, while he had been more than four about it. Don Quixote believed it all, and told him he stood there ready to obey him, and to make an end of it with as much despatch as possible; for, if he were again attacked, and felt himself to be dubbed knight, he would not, he thought, leave a soul alive in the castle, except such as out of respect he might spare at his bidding.

Thus warned and menaced, the castellan forthwith brought out a book in which he used to enter the straw and barley he served out to the carriers, and, with a lad carrying a candle-end, and the two damsels already mentioned, he returned to where Don Quixote stood, and bade him kneel down. Then, reading from his account-book as if he were repeating some devout prayer, in the middle of his delivery he raised his hand and gave him a sturdy blow on the neck, and then, with his own sword, a smart slap on the shoulder, all the while muttering between his teeth as if he was saying his prayers. Having done this, he directed one of the ladies to gird on his sword, which she did with great self-possession and gravity, and not a little was required to prevent a burst of laughter at each stage of the ceremony; but what they had already seen of the novice knight's prowess kept their laughter within bounds. On girding him with the sword the worthy lady said to him, "May God make your worship a very fortunate knight, and grant you success in battle." Don Quixote asked her name in order that he might from that time forward know to whom he was beholden for the favour he had received, as he meant to confer upon her some portion of the honour he acquired by the might of his arm. She answered with great humility that she was called La Tolosa, and that she was the daughter of a cobbler of Toledo who lived in the stalls of Sanchobienaya, and that wherever she might be she would serve and esteem him as her lord. Don Quixote said in reply that she would do him a favour if thenceforward she assumed the "Don" and called herself Dona Tolosa. She promised she would, and then the other buckled on his spur, and with her followed almost the same conversation as with the lady of the sword. He asked her name, and she said it was La Molinera, and that she was the daughter of a respectable miller of Antequera; and of her likewise Don Quixote requested that she would adopt the "Don" and call herself Dona Molinera, making offers to her further services and favours.

Having thus, with hot haste and speed, brought to a conclusion these never-till-now-seen ceremonies, Don Quixote was on thorns until he saw himself on horseback sallying forth in quest of adventures; and saddling Rocinante at once he mounted, and embracing his host, as he returned thanks for his kindness in knighting him, he addressed him in language so extraordinary that it is impossible to convey an idea of it or report it. The landlord, to get him out of the inn, replied with no less rhetoric though with shorter words, and without calling upon him to pay the reckoning let him go with a Godspeed.

CHAPTER IV.

OF WHAT HAPPENED TO OUR KNIGHT WHEN HE LEFT THE INN

Day was dawning when Don Quixote quitted the inn, so happy, so gay, so exhilarated at finding himself now dubbed a knight, that his joy was like to burst his horse-girths. However, recalling the advice of his host as to the requisites he ought to carry with him, especially that referring to money and shirts, he determined to go home and provide himself with all, and also with a squire, for he reckoned upon securing a farm-labourer, a neighbour of his, a poor man with a family, but very well qualified for the office of squire to a knight. With this object he turned his horse's head towards his village, and Rocinante, thus reminded of his old quarters, stepped out so briskly that he hardly seemed to tread the earth.

He had not gone far, when out of a thicket on his right there seemed to come feeble cries as of some one in distress, and the instant he heard them he exclaimed, "Thanks be to heaven for the favour it accords me, that it so soon offers me an opportunity of fulfilling the obligation I have undertaken, and gathering the fruit of my ambition. These cries, no doubt, come from some man or woman in want of help, and needing my aid and protection;" and wheeling, he turned Rocinante in the direction whence the cries seemed to proceed. He had gone but a few paces into the wood, when he saw a mare tied to an oak, and tied to another, and stripped from the waist upwards, a youth of about fifteen years of age, from whom the cries came. Nor were they without cause, for a lusty farmer was flogging him with a belt and following up every blow with scoldings and commands, repeating, "Your mouth shut and your eyes open!" while the youth made answer, "I won't do it again, master mine; by God's passion I won't do it again, and I'll take more care of the flock another time."

Seeing what was going on, Don Quixote said in an angry voice, "Discourteous knight, it ill becomes you to assail one who cannot defend himself; mount your steed and take your lance" (for there was a lance leaning against the oak to which the mare was tied), "and I will make you know that you are behaving as a coward." The farmer, seeing before him this figure in full armour brandishing a lance over his head, gave himself up for dead, and made answer meekly, "Sir Knight, this youth that I am chastising is my servant, employed by me to watch a flock of sheep that I have hard by, and he is so careless that I lose one every day, and when I punish him for his carelessness and knavery he says I do it out of niggardliness, to escape paying him the wages I owe him, and before God, and on my soul, he lies."

"Lies before me, base clown!" said Don Quixote. "By the sun that shines on us I have a mind to run you through with this lance. Pay him at once without another word; if not, by the God that rules us I will make an end of you, and annihilate you on the spot; release him instantly."

The farmer hung his head, and without a word untied his servant, of whom Don Quixote asked how much his master owed him.

He replied, nine months at seven reals a month. Don Quixote added it up, found that it came to sixty-three reals, and told the farmer to pay it down immediately, if he did not want to die for it.

The trembling clown replied that as he lived and by the oath he had sworn (though he had not sworn any) it was not so much; for there were to be taken into account and deducted three pairs of shoes he had given him, and a real for two blood-lettings when he was sick.

"All that is very well," said Don Quixote; "but let the shoes and the blood-lettings stand as a setoff against the blows you have given him without any cause; for if he spoiled the leather of the shoes you paid for, you have damaged that of his body, and if the barber took blood from him when he was sick, you have drawn it when he was sound; so on that score he owes you nothing."

"The difficulty is, Sir Knight, that I have no money here; let Andres come home with me, and I will pay him all, real by real."

"I go with him!" said the youth. "Nay, God forbid! No, senor, not for the world; for once alone with me, he would ray me like a Saint Bartholomew."

"He will do nothing of the kind," said Don Quixote; "I have only to command, and he will obey me; and as he has sworn to me by the order of knighthood which he has received, I leave him free, and I guarantee the payment."

"Consider what you are saying, senor," said the youth; "this master of mine is not a knight, nor has he received any order of knighthood; for he is Juan Haldudo the Rich, of Quintanar."

"That matters little," replied Don Quixote; "there may be Haldudos knights; moreover, everyone is the son of his works."

"That is true," said Andres; "but this master of mine--of what works is he the son, when he refuses me the wages of my sweat and labour?"

"I do not refuse, brother Andres," said the farmer, "be good enough to come along with me, and I swear by all the orders of knighthood there are in the world to pay you as I have agreed, real by real, and perfumed."

"For the perfumery I excuse you," said Don Quixote; "give it to him in reals, and I shall be satisfied; and see that you do as you have sworn; if not, by the same oath I swear to come back and hunt you out and punish you; and I shall find you though you should lie closer than a lizard. And if you desire to know who it is lays this command upon you, that you be more firmly bound to obey it, know that I am the valorous Don Quixote of La Mancha, the undoer of wrongs and injustices; and so, God be with you, and keep in mind what you have promised and sworn under those penalties that have been already declared to you."

So saying, he gave Rocinante the spur and was soon out of reach. The farmer followed him with his eyes, and when he saw that he had cleared the wood and was no longer in sight, he turned to his boy Andres, and said, "Come here, my son, I want to pay you what I owe you, as that undoer of wrongs has commanded me."

"My oath on it," said Andres, "your worship will be well advised to obey the command of that good knight--may he live a thousand years--for, as he is a valiant and just judge, by Roque, if you do not pay me, he will come back and do as he said."

"My oath on it, too," said the farmer; "but as I have a strong affection for you, I want to add to the debt in order to add to the payment;" and seizing him by the arm, he tied him up again, and gave him such a flogging that he left him for dead.

"Now, Master Andres," said the farmer, "call on the undoer of wrongs; you will find he won't undo that, though I am not sure that I have quite done with you, for I have a good mind to flay you alive." But at last he untied him, and gave him leave to go look for his judge in order to put the sentence pronounced into execution.

Andres went off rather down in the mouth, swearing he would go to look for the valiant Don Quixote of La Mancha and tell him exactly what had happened, and that all would have to be repaid him sevenfold; but for all that, he went off weeping, while his master stood laughing.

Thus did the valiant Don Quixote right that wrong, and, thoroughly satisfied with what had taken place, as he considered he had made a very happy and noble beginning with his knighthood, he took the road towards his village in perfect self-content, saying in a low voice, "Well mayest thou this day call thyself fortunate above all on earth, O Dulcinea del Toboso, fairest of the fair! since it has fallen to thy lot to hold subject and submissive to thy full will and pleasure a knight so renowned as is and will be Don Quixote of La Mancha, who, as all the world knows, yesterday received the order of knighthood, and hath to-day righted the greatest wrong and grievance that ever injustice conceived and cruelty perpetrated: who hath to-day plucked the rod from the hand of yonder ruthless oppressor so wantonly lashing that tender child."

He now came to a road branching in four directions, and immediately he was reminded of those cross-roads where knights-errant used to stop to consider which road they should take. In imitation of them he halted for a while, and after having deeply considered it, he gave Rocinante his head, submitting his own will to that of his hack, who followed out his first intention, which was to make straight for his own stable. After he had gone about two miles Don Quixote perceived a large party of people, who, as afterwards appeared, were some Toledo traders, on their way to buy silk at Murcia. There were six of them coming along under their sunshades, with four servants mounted, and three muleteers on foot. Scarcely had Don Quixote descried them when the fancy possessed him that this must be some new adventure; and to help him to imitate as far as he could those passages he had read of in his books, here seemed to come one made on purpose, which he resolved to attempt. So with a lofty bearing and determination he fixed himself firmly in his stirrups, got his lance ready, brought his buckler before his breast, and planting himself in the middle of the road, stood waiting the approach of these knights-errant, for such he now considered and held them to be; and when they had come near enough to see and hear, he exclaimed with a haughty gesture, "All the world stand, unless all the world confess that in all the world there is no maiden fairer than the Empress of La Mancha, the peerless Dulcinea del Toboso."

The traders halted at the sound of this language and the sight of the strange figure that uttered it, and from both figure and language at once guessed the craze of their owner; they wished, however, to learn quietly what was the object of this confession that was demanded of them, and one of them, who was rather fond of a joke and was very sharp-witted, said to him, "Sir Knight, we do not know who this good lady is that you speak of; show her to us, for, if she be of such beauty as you suggest, with all our hearts and without any pressure we will confess the truth that is on your part required of us."

"If I were to show her to you," replied Don Quixote, "what merit would you have in confessing a truth so manifest? The essential point is that without seeing her you must believe, confess, affirm, swear, and defend it; else ye have to do with me in battle, ill-conditioned, arrogant rabble that ye are; and come ye on, one by one as the order of knighthood requires, or all together as is the custom and vile usage of your breed, here do I bide and await you relying on the justice of the cause I maintain."

"Sir Knight," replied the trader, "I entreat your worship in the name of this present company of princes, that, to save us from charging our consciences with the confession of a thing we have never seen or heard of, and one moreover so much to the prejudice of the Empresses and Queens of the Alcarria and Estremadura, your worship will be pleased to show us some portrait of this lady, though it be no bigger than a grain of wheat; for by the thread one gets at the ball, and in this way we shall be satisfied and easy, and you will be content and pleased; nay, I believe we are already so far agreed with you that even though her portrait should show her blind of one eye, and distilling vermilion and sulphur from the other, we would nevertheless, to gratify your worship, say all in her favour that you desire."

"She distils nothing of the kind, vile rabble," said Don Quixote, burning with rage, "nothing of the kind, I say, only ambergris and civet in cotton; nor is she one-eyed or humpbacked, but straighter than a Guadarrama spindle: but ye must pay for the blasphemy ye have uttered against beauty like that of my lady."

And so saying, he charged with levelled lance against the one who had spoken, with such fury and fierceness that, if luck had not contrived that Rocinante should stumble midway and come down, it would have gone hard with the rash trader. Down went Rocinante, and over went his master, rolling along the ground for some distance; and when he tried to rise he was unable, so encumbered was he with lance, buckler, spurs, helmet, and the weight of his old armour; and all the while he was struggling to get up he kept saying, "Fly not, cowards and caitiffs! stay, for not by my fault, but my horse's, am I stretched here."

One of the muleteers in attendance, who could not have had much good nature in him, hearing the poor prostrate man blustering in this style, was unable to refrain from giving him an answer on his ribs; and coming up to him he seized his lance, and having broken it in pieces, with one of them he began so to belabour our Don Quixote that, notwithstanding and in spite of his armour, he milled him like a measure of wheat. His masters called out not to lay on so hard and to leave him alone, but the muleteers blood was up, and he did not care to drop the game until he had vented the rest of his wrath, and gathering up the remaining fragments of the lance he finished with a discharge upon the unhappy victim, who all through the storm of sticks that rained on him never ceased threatening heaven, and earth, and the brigands, for such they seemed to him. At last the muleteer was tired, and the traders continued their journey, taking with them matter for talk about the poor fellow who had been cudgelled. He when he found himself alone made another effort to rise; but if he was unable when whole and sound, how was he to rise after having been thrashed and well-nigh knocked to pieces? And yet he esteemed himself fortunate, as it seemed to him that this was a regular knight-errant's mishap, and entirely, he considered, the fault of his horse. However, battered in body as he was, to rise was beyond his power.

CHAPTER V.

IN WHICH THE NARRATIVE OF OUR KNIGHT'S MISHAP IS CONTINUED

Finding, then, that, in fact he could not move, he thought himself of having recourse to his usual remedy, which was to think of some passage in his books, and his craze brought to his mind that about Baldwin and the Marquis of Mantua, when Carloto left him wounded on the mountain side, a story known by heart by the children, not forgotten by the young men, and lauded and even believed by the old folk; and for all that not a whit truer than the miracles of Mahomet. This seemed to him to fit exactly the case in which he found himself, so, making a show of severe suffering, he began to roll on the ground and with feeble breath repeat the very words which the wounded knight of the wood is said to have uttered:

Where art thou, lady mine, that thou My sorrow dost not rue? Thou canst not know it, lady mine, Or else thou art untrue.

And so he went on with the ballad as far as the lines:

O noble Marquis of Mantua, My Uncle and liege lord!

As chance would have it, when he had got to this line there happened to come by a peasant from his own village, a neighbour of his, who had been with a load of wheat to the mill, and he, seeing the man stretched there, came up to him and asked him who he was and what was the matter with him that he complained so dolefully.

Don Quixote was firmly persuaded that this was the Marquis of Mantua, his uncle, so the only answer he made was to go on with his ballad, in which he told the tale of his misfortune, and of the loves of the Emperor's son and his wife all exactly as the ballad sings it.

The peasant stood amazed at hearing such nonsense, and relieving him of the visor, already battered to pieces by blows, he wiped his face, which was covered with dust, and as soon as he had done so he recognised him and said, "Senor Quixada" (for so he appears to have been called when he was in his senses and had not yet changed from a quiet country gentleman into a knight-errant), "who has brought your worship to this pass?" But to all questions the other only went on with his ballad.

Seeing this, the good man removed as well as he could his breastplate and backpiece to see if he had any wound, but he could perceive no blood nor any mark whatever. He then contrived to raise him from the ground, and with no little difficulty hoisted him upon his ass, which seemed to him to be the easiest mount for him; and collecting the arms, even to the splinters of the lance, he tied them on Rocinante, and leading him by the bridle and the ass by the halter he took the road for the village, very sad to hear what absurd stuff Don Quixote was talking.

Nor was Don Quixote less so, for what with blows and bruises he could not sit upright on the ass, and from time to time he sent up sighs to heaven, so that once more he drove the peasant to ask what ailed him. And it could have been only the devil himself that put into his head tales to match his own adventures, for now, forgetting Baldwin, he bethought himself of the Moor Abindarraez, when the Alcaide of Antequera, Rodrigo de Narvaez, took him prisoner and carried him away to his castle; so that when the peasant again asked him how he was and what ailed him, he gave him for reply the same words and phrases that the captive Abindarraez gave to Rodrigo de Narvaez, just as he had read the story in the "Diana" of Jorge de Montemayor where it is written, applying it to his own case so aptly that the peasant went along cursing his fate that he had to listen to such a lot of nonsense; from which, however, he came to the conclusion that his neighbour was mad, and so made all haste to reach the village to escape the wearisomeness of this harangue of Don Quixote's; who, at the end of it, said, "Senor Don Rodrigo de Narvaez, your worship must know that this fair Xarifa I have mentioned is now the lovely Dulcinea del Toboso, for whom I have done, am doing, and will do the most famous deeds of chivalry that in this world have been seen, are to be seen, or ever shall be seen."

To this the peasant answered, "Senor--sinner that I am!--cannot your worship see that I am not Don Rodrigo de Narvaez nor the Marquis of Mantua, but Pedro Alonso your neighbour, and that your worship is neither Baldwin nor Abindarraez, but the worthy gentleman Senor Quixada?"

"I know who I am," replied Don Quixote, "and I know that I may be not only those I have named, but all the Twelve Peers of France and even all the Nine Worthies, since my achievements surpass all that they have done all together and each of them on his own account."

With this talk and more of the same kind they reached the village just as night was beginning to fall, but the peasant waited until it was a little later that the belaboured gentleman might not be seen riding in such a miserable trim. When it was what seemed to him the proper time he entered the village and went to Don Quixote's house, which he found all in confusion, and there were the curate and the village barber, who were great friends of Don Quixote, and his housekeeper was saying to them in a loud voice, "What does your worship think can have befallen my master, Senor Licentiate Pero Perez?" for so the curate was called; "it is three days now since anything has been seen of him, or the hack, or the buckler, lance, or armour. Miserable me! I am certain of it, and it is as true as that I was born to die, that these accursed books of chivalry he has, and has got into the way of reading so constantly, have upset his reason; for now I remember having often heard him saying to himself that he would turn knight-errant and go all over the world in quest of adventures. To the devil and Barabbas with such books, that have brought to ruin in this way the finest understanding there was in all La Mancha!"

The niece said the same, and, more: "You must know, Master Nicholas"--for that was the name of the barber--"it was often my uncle's way to stay two days and nights together poring over these unholy books of misventures, after which he would fling the book away and snatch up his sword and fall to slashing the walls; and when he was tired out he would say he had killed four giants like four towers; and the sweat that flowed from him when he was weary he said was the blood of the wounds he had received in battle; and then he would drink a great jug of cold water and become calm and quiet, saying that this water was a most precious potion which the sage Esquife, a great magician and friend of his, had brought him. But I take all the blame upon myself for never having told your worships of my uncle's vagaries, that you might put a stop to them before things had come to this pass, and burn all these accursed books--for he has a great number--that richly deserve to be burned like heretics."

"So say I too," said the curate, "and by my faith to-morrow shall not pass without public judgment upon them, and may they be condemned to the flames lest they lead those that read to behave as my good friend seems to have behaved."

All this the peasant heard, and from it he understood at last what was the matter with his neighbour, so he began calling aloud, "Open, your worships, to Senor Baldwin and to Senor the Marquis of Mantua, who comes badly wounded, and to Senor Abindarraez, the Moor, whom the valiant Rodrigo de Narvaez, the Alcaide of Antequera, brings captive."

At these words they all hurried out, and when they recognised their friend, master, and uncle, who had not yet dismounted from the ass because he could not, they ran to embrace him.

"Hold!" said he, "for I am badly wounded through my horse's fault; carry me to bed, and if possible send for the wise Urganda to cure and see to my wounds."

"See there! plague on it!" cried the housekeeper at this: "did not my heart tell the truth as to which foot my master went lame of? To bed with your worship at once, and we will contrive to cure you here without fetching that Hurgada. A curse I say once more, and a hundred times more, on those books of chivalry that have brought your worship to such a pass."

They carried him to bed at once, and after searching for his wounds could find none, but he said they were all bruises from having had a severe fall with his horse Rocinante when in combat with ten giants, the biggest and the boldest to be found on earth.

"So, so!" said the curate, "are there giants in the dance? By the sign of the Cross I will burn them to-morrow before the day over."

They put a host of questions to Don Quixote, but his only answer to all was--give him something to eat, and leave him to sleep, for that was what he needed most. They did so, and the curate questioned the peasant at great length as to how he had found Don Quixote. He told him, and the nonsense he had talked when found and on the way home, all which made the licentiate the more eager to do what he did the next day, which was to summon his friend the barber, Master Nicholas, and go with him to Don Quixote's house.

CHAPTER VI.

OF THE DIVERTING AND IMPORTANT SCRUTINY WHICH THE CURATE AND THE BARBER MADE IN THE LIBRARY OF OUR INGENIOUS GENTLEMAN

He was still sleeping; so the curate asked the niece for the keys of the room where the books, the authors of all the mischief, were, and right willingly she gave them. They all went in, the housekeeper with them, and found more than a hundred volumes of big books very well bound, and some other small ones. The moment the housekeeper saw them she turned about and ran out of the room, and came back immediately with a saucer of holy water and a sprinkler, saying, "Here, your worship, senor licentiate, sprinkle this room; don't leave any magician of the many there are in these books to bewitch us in revenge for our design of banishing them from the world."

The simplicity of the housekeeper made the licentiate laugh, and he directed the barber to give him the books one by one to see what they were about, as there might be some to be found among them that did not deserve the penalty of fire.

"No," said the niece, "there is no reason for showing mercy to any of them; they have every one of them done mischief; better fling them out of the window into the court and make a pile of them and set fire to them; or else carry them into the yard, and there a bonfire can be made without the smoke giving any annoyance." The housekeeper said the same, so eager were they both for the slaughter of those innocents, but the curate would not agree to it without first reading at any rate the titles.

The first that Master Nicholas put into his hand was "The four books of Amadis of Gaul." "This seems a mysterious thing," said the curate, "for, as I have heard say, this was the first book of chivalry printed in Spain, and from this all the others derive their birth and origin; so it seems to me that we ought inexorably to condemn it to the flames as the founder of so vile a sect."

"Nay, sir," said the barber, "I too, have heard say that this is the best of all the books of this kind that have been written, and so, as something singular in its line, it ought to be pardoned."

"True," said the curate; "and for that reason let its life be spared for the present. Let us see that other which is next to it."

"It is," said the barber, "the 'Sergas de Esplandian,' the lawful son of Amadis of Gaul."

"Then verily," said the curate, "the merit of the father must not be put down to the account of the son. Take it, mistress housekeeper; open the window and fling it into the yard and lay the foundation of the pile for the bonfire we are to make."

The housekeeper obeyed with great satisfaction, and the worthy "Esplandian" went flying into the yard to await with all patience the fire that was in store for him.

"Proceed," said the curate.

"This that comes next," said the barber, "is 'Amadis of Greece,' and, indeed, I believe all those on this side are of the same Amadis lineage."

"Then to the yard with the whole of them," said the curate; "for to have the burning of Queen Pintiquiniestra, and the shepherd Darinel and his eclogues, and the bedevilled and involved discourses of his author, I would burn with them the father who begot me if he were going about in the guise of a knight-errant."

"I am of the same mind," said the barber.

"And so am I," added the niece.

"In that case," said the housekeeper, "here, into the yard with them!"

They were handed to her, and as there were many of them, she spared herself the staircase, and flung them down out of the window.

"Who is that tub there?" said the curate.

"This," said the barber, "is 'Don Olivante de Laura.'"

"The author of that book," said the curate, "was the same that wrote 'The Garden of Flowers,' and truly there is no deciding which of the two books is the more truthful, or, to put it better, the less lying; all I can say is, send this one into the yard for a swaggering fool."

"This that follows is 'Florismarte of Hircania,'" said the barber.

"Senor Florismarte here?" said the curate; "then by my faith he must take up his quarters in the yard, in spite of his marvellous birth and visionary adventures, for the stiffness and dryness of his style deserve nothing else; into the yard with him and the other, mistress housekeeper."

"With all my heart, senor," said she, and executed the order with great delight.

"This," said the barber, "is The Knight Platir.'"

"An old book that," said the curate, "but I find no reason for clemency in it; send it after the others without appeal;" which was done.

Another book was opened, and they saw it was entitled, "The Knight of the Cross."

"For the sake of the holy name this book has," said the curate, "its ignorance might be excused; but then, they say, 'behind the cross there's the devil; to the fire with it."

Taking down another book, the barber said, "This is 'The Mirror of Chivalry.'"

"I know his worship," said the curate; "that is where Senor Reinaldos of Montalvan figures with his friends and comrades, greater thieves than Cacus, and the Twelve Peers of France with the veracious historian Turpin; however, I am not for condemning them to more than perpetual banishment, because, at any rate, they have some share in the invention of the famous Matteo Boiardo, whence too the Christian poet Ludovico Ariosto wove his web, to whom, if I find him here, and speaking any language but his own, I shall show no respect whatever; but if he speaks his own tongue I will put him upon my head."

"Well, I have him in Italian," said the barber, "but I do not understand him."

"Nor would it be well that you should understand him," said the curate, "and on that score we might have excused the Captain if he had not brought him into Spain and turned him into Castilian. He robbed him of a great deal of his natural force, and so do all those who try to turn books written in verse into another language, for, with all the pains they take and all the cleverness they show, they never can reach the level of the originals as they were first produced. In short, I say that this book, and all that may be found treating of those French affairs, should be thrown into or deposited in some dry well, until after more consideration it is settled what is to be done with them; excepting always one 'Bernardo del Carpio' that is going about, and another called 'Roncesvalles;' for these, if they come into my hands, shall pass at once into those of the housekeeper, and from hers into the fire without any reprieve."

To all this the barber gave his assent, and looked upon it as right and proper, being persuaded that the curate was so staunch to the Faith and loyal to the Truth that he would not for the world say anything opposed to them. Opening another book he saw it was "Palmerin de Oliva," and beside it was another called "Palmerin of England," seeing which the licentiate said, "Let the Olive be made firewood of at once and burned until no ashes even are left; and let that Palm of England be kept and preserved as a thing that stands alone, and let such another case be made for it as that which Alexander found among the spoils of Darius and set aside for the safe keeping of the works of the poet Homer. This book, gossip, is of authority for two reasons, first because it is very good, and secondly because it is said to have been written by a wise and witty king of Portugal. All the adventures at the Castle of Miraguarda are excellent and of admirable contrivance, and the language is polished and clear, studying and observing the style befitting the speaker with propriety and judgment. So then, provided it seems good to you, Master Nicholas, I say let this and 'Amadis of Gaul' be remitted the penalty of fire, and as for all the rest, let them perish without further question or query."

"Nay, gossip," said the barber, "for this that I have here is the famous 'Don Belianis.'"

"Well," said the curate, "that and the second, third, and fourth parts all stand in need of a little rhubarb to purge their excess of bile, and they must be cleared of all that stuff about the Castle of Fame and other greater affectations, to which end let them be allowed the over-seas term, and, according as they mend, so shall mercy or justice be meted out to them; and in the mean time, gossip, do you keep them in your house and let no one read them."

"With all my heart," said the barber; and not caring to tire himself with reading more books of chivalry, he told the housekeeper to take all the big ones and throw them into the yard. It was not said to one dull or deaf, but to one who enjoyed burning them more than weaving the broadest and finest web that could be; and seizing about eight at a time, she flung them out of the window.

In carrying so many together she let one fall at the feet of the barber, who took it up, curious to know whose it was, and found it said, "History of the Famous Knight, Tirante el Blanco."

"God bless me!" said the curate with a shout, "'Tirante el Blanco' here! Hand it over, gossip, for in it I reckon I have found a treasury of enjoyment and a mine of recreation. Here is Don Kyrieleison of Montalvan, a valiant knight, and his brother Thomas of Montalvan, and the knight Fonseca, with the battle the bold Tirante fought with the mastiff, and the witticisms of the damsel Placerdemivida, and the loves and wiles of the widow Reposada, and the empress in love with the squire Hipolito--in truth, gossip, by right of its style it is the best book in the world. Here knights eat and sleep, and die in their beds, and make their wills before dying, and a great deal more of which there is nothing in all the other books. Nevertheless, I say he who wrote it, for deliberately composing such fooleries, deserves to be sent to the galleys for life. Take it home with you and read it, and you will see that what I have said is true."

"As you will," said the barber; "but what are we to do with these little books that are left?"

"These must be, not chivalry, but poetry," said the curate; and opening one he saw it was the "Diana" of Jorge de Montemayor, and, supposing all the others to be of the same sort, "these," he said, "do not deserve to be burned like the others, for they neither do nor can do the mischief the books of chivalry have done, being books of entertainment that can hurt no one."

"Ah, senor!" said the niece, "your worship had better order these to be burned as well as the others; for it would be no wonder if, after being cured of his chivalry disorder, my uncle, by reading these, took a fancy to turn shepherd and range the woods and fields singing and piping; or, what would be still worse, to turn poet, which they say is an incurable and infectious malady."

"The damsel is right," said the curate, "and it will be well to put this stumbling-block and temptation out of our friend's way. To begin, then, with the 'Diana' of Montemayor. I am of opinion it should not be burned, but that it should be cleared of all that about the sage Felicia and the magic water, and of almost all the longer pieces of verse: let it keep, and welcome, its prose and the honour of being the first of books of the kind."

"This that comes next," said the barber, "is the 'Diana,' entitled the 'Second Part, by the Salamancan,' and this other has the same title, and its author is Gil Polo."

"As for that of the Salamancan," replied the curate, "let it go to swell the number of the condemned in the yard, and let Gil Polo's be preserved as if it came from Apollo himself: but get on, gossip, and make haste, for it is growing late."

"This book," said the barber, opening another, "is the ten books of the 'Fortune of Love,' written by Antonio de Lofraso, a Sardinian poet."

"By the orders I have received," said the curate, "since Apollo has been Apollo, and the Muses have been Muses, and poets have been poets, so droll and absurd a book as this has never been written, and in its way it is the best and the most singular of all of this species that have as yet appeared, and he who has not read it may be sure he has never read what is delightful. Give it here, gossip, for I make more account of having found it than if they had given me a cassock of Florence stuff."

He put it aside with extreme satisfaction, and the barber went on, "These that come next are 'The Shepherd of Iberia,' 'Nymphs of Henares,' and 'The Enlightenment of Jealousy.'"

"Then all we have to do," said the curate, "is to hand them over to the secular arm of the housekeeper, and ask me not why, or we shall never have done."

"This next is the 'Pastor de Filida.'"

"No Pastor that," said the curate, "but a highly polished courtier; let it be preserved as a precious jewel."

"This large one here," said the barber, "is called 'The Treasury of various Poems.'"

"If there were not so many of them," said the curate, "they would be more relished: this book must be weeded and cleansed of certain vulgarities which it has with its excellences; let it be preserved because the author is a friend of mine, and out of respect for other more heroic and loftier works that he has written."

"This," continued the barber, "is the 'Cancionero' of Lopez de Maldonado."

"The author of that book, too," said the curate, "is a great friend of mine, and his verses from his own mouth are the admiration of all who hear them, for such is the sweetness of his voice that he enchants when he chants them: it gives rather too much of its eclogues, but what is good was never yet plentiful: let it be kept with those that have been set apart. But what book is that next it?"

"The 'Galatea' of Miguel de Cervantes," said the barber.

"That Cervantes has been for many years a great friend of mine, and to my knowledge he has had more experience in reverses than in verses. His book has some good invention in it, it presents us with something but brings nothing to a conclusion: we must wait for the Second Part it promises: perhaps with amendment it may succeed in winning the full measure of grace that is now denied it; and in the mean time do you, senor gossip, keep it shut up in your own quarters."

"Very good," said the barber; "and here come three together, the 'Araucana' of Don Alonso de Ercilla, the 'Austriada' of Juan Rufo, Justice of Cordova, and the 'Montserrate' of Christobal de Virues, the Valencian poet."

"These three books," said the curate, "are the best that have been written in Castilian in heroic verse, and they may compare with the most famous of Italy; let them be preserved as the richest treasures of poetry that Spain possesses."

The curate was tired and would not look into any more books, and so he decided that, "contents uncertified," all the rest should be burned; but just then the barber held open one, called "The Tears of Angelica."

"I should have shed tears myself," said the curate when he heard the title, "had I ordered that book to be burned, for its author was one of the famous poets of the world, not to say of Spain, and was very happy in the translation of some of Ovid's fables."

CHAPTER VII.

OF THE SECOND SALLY OF OUR WORTHY KNIGHT DON QUIXOTE OF LA MANCHA

At this instant Don Quixote began shouting out, "Here, here, valiant knights! here is need for you to put forth the might of your strong arms, for they of the Court are gaining the mastery in the tourney!" Called away by this noise and outcry, they proceeded no farther with the scrutiny of the remaining books, and so it is thought that "The Carolea," "The Lion of Spain," and "The Deeds of the Emperor," written by Don Luis de Avila, went to the fire unseen and unheard; for no doubt they were among those that remained, and perhaps if the curate had seen them they would not have undergone so severe a sentence.

When they reached Don Quixote he was already out of bed, and was still shouting and raving, and slashing and cutting all round, as wide awake as if he had never slept.

They closed with him and by force got him back to bed, and when he had become a little calm, addressing the curate, he said to him, "Of a truth, Senor Archbishop Turpin, it is a great disgrace for us who call ourselves the Twelve Peers, so carelessly to allow the knights of the Court to gain the victory in this tourney, we the adventurers having carried off the honour on the three former days."

"Hush, gossip," said the curate; "please God, the luck may turn, and what is lost to-day may be won to-morrow; for the present let your worship have a care of your health, for it seems to me that you are over-fatigued, if not badly wounded."

"Wounded no," said Don Quixote, "but bruised and battered no doubt, for that bastard Don Roland has cudgelled me with the trunk of an oak tree, and all for envy, because he sees that I alone rival him in his achievements. But I should not call myself Reinaldos of Montalvan did he not pay me for it in spite of all his enchantments as soon as I rise from this bed. For the present let them bring me something to eat, for that, I feel, is what will be more to my purpose, and leave it to me to avenge myself."

They did as he wished; they gave him something to eat, and once more he fell asleep, leaving them marvelling at his madness.

That night the housekeeper burned to ashes all the books that were in the yard and in the whole house; and some must have been consumed that deserved preservation in everlasting archives, but their fate and the laziness of the examiner did not permit it, and so in them was verified the proverb that the innocent suffer for the guilty.

One of the remedies which the curate and the barber immediately applied to their friend's disorder was to wall up and plaster the room where the books were, so that when he got up he should not find them (possibly the cause being removed the effect might cease), and they might say that a magician had carried them off, room and all; and this was done with all despatch. Two days later Don Quixote got up, and the first thing he did was to go and look at his books, and not finding the room where he had left it, he wandered from side to side looking for it. He came to the place where the door used to be, and tried it with his hands, and turned and twisted his eyes in every direction without saying a word; but after a good while he asked his housekeeper whereabouts was the room that held his books.

The housekeeper, who had been already well instructed in what she was to answer, said, "What room or what nothing is it that your worship is looking for? There are neither room nor books in this house now, for the devil himself has carried all away."

"It was not the devil," said the niece, "but a magician who came on a cloud one night after the day your worship left this, and dismounting from a serpent that he rode he entered the room, and what he did there I know not, but after a little while he made off, flying through the roof, and left the house full of smoke; and when we went to see what he had done we saw neither book nor room: but we remember very well, the housekeeper and I, that on leaving, the old villain said in a loud voice that, for a private grudge he owed the owner of the books and the room, he had done mischief in that house that would be discovered by-and-by: he said too that his name was the Sage Munaton."

"He must have said Friston," said Don Quixote.

"I don't know whether he called himself Friston or Friton," said the housekeeper, "I only know that his name ended with 'ton.'"

"So it does," said Don Quixote, "and he is a sage magician, a great enemy of mine, who has a spite against me because he knows by his arts and lore that in process of time I am to engage in single combat with a knight whom he befriends and that I am to conquer, and he will be unable to prevent it; and for this reason he endeavours to do me all the ill turns that he can; but I promise him it will be hard for him to oppose or avoid what is decreed by Heaven."

"Who doubts that?" said the niece; "but, uncle, who mixes you up in these quarrels? Would it not be better to remain at peace in your own house instead of roaming the world looking for better bread than ever came of wheat, never reflecting that many go for wool and come back shorn?"

"Oh, niece of mine," replied Don Quixote, "how much astray art thou in thy reckoning: ere they shear me I shall have plucked away and stripped off the beards of all who dare to touch only the tip of a hair of mine."

The two were unwilling to make any further answer, as they saw that his anger was kindling.

In short, then, he remained at home fifteen days very quietly without showing any signs of a desire to take up with his former delusions, and during this time he held lively discussions with his two gossips, the curate and the barber, on the point he maintained, that knights-errant were what the world stood most in need of, and that in him was to be accomplished the revival of knight-errantry. The curate sometimes contradicted him, sometimes agreed with him, for if he had not observed this precaution he would have been unable to bring him to reason.

Meanwhile Don Quixote worked upon a farm labourer, a neighbour of his, an honest man (if indeed that title can be given to him who is poor), but with very little wit in his pate. In a word, he so talked him over, and with such persuasions and promises, that the poor clown made up his mind to sally forth with him and serve him as esquire. Don Quixote, among other things, told him he ought to be ready to go with him gladly, because any moment an adventure might occur that might win an island in the twinkling of an eye and leave him governor of it. On these and the like promises Sancho Panza (for so the labourer was called) left wife and children, and engaged himself as esquire to his neighbour.

Don Quixote next set about getting some money; and selling one thing and pawning another, and making a bad bargain in every case, he got together a fair sum. He provided himself with a buckler, which he begged as a loan from a friend, and, restoring his battered helmet as best he could, he warned his squire Sancho of the day and hour he meant to set out, that he might provide himself with what he thought most needful. Above all, he charged him to take alforjas with him. The other said he would, and that he meant to take also a very good ass he had, as he was not much given to going on foot. About the ass, Don Quixote hesitated a little, trying whether he could call to mind any knight-errant taking with him an esquire mounted on ass-back, but no instance occurred to his memory. For all that, however, he determined to take him, intending to furnish him with a more honourable mount when a chance of it presented itself, by appropriating the horse of the first discourteous knight he encountered. Himself he provided with shirts and such other things as he could, according to the advice the host had given him; all which being done, without taking leave, Sancho Panza of his wife and children, or Don Quixote of his housekeeper and niece, they sallied forth unseen by anybody from the village one night, and made such good way in the course of it that by daylight they held themselves safe from discovery, even should search be made for them.

Sancho rode on his ass like a patriarch, with his alforjas and bota, and longing to see himself soon governor of the island his master had promised him. Don Quixote decided upon taking the same route and road he had taken on his first journey, that over the Campo de Montiel, which he travelled with less discomfort than on the last occasion, for, as it was early morning and the rays of the sun fell on them obliquely, the heat did not distress them.

And now said Sancho Panza to his master, "Your worship will take care, Senor Knight-errant, not to forget about the island you have promised me, for be it ever so big I'll be equal to governing it."

To which Don Quixote replied, "Thou must know, friend Sancho Panza, that it was a practice very much in vogue with the knights-errant of old to make their squires governors of the islands or kingdoms they won, and I am determined that there shall be no failure on my part in so liberal a custom; on the contrary, I mean to improve upon it, for they sometimes, and perhaps most frequently, waited until their squires were old, and then when they had had enough of service and hard days and worse nights, they gave them some title or other, of count, or at the most marquis, of some valley or province more or less; but if thou livest and I live, it may well be that before six days are over, I may have won some kingdom that has others dependent upon it, which will be just the thing to enable thee to be crowned king of one of them. Nor needst thou count this wonderful, for things and chances fall to the lot of such knights in ways so unexampled and unexpected that I might easily give thee even more than I promise thee."

"In that case," said Sancho Panza, "if I should become a king by one of those miracles your worship speaks of, even Juana Gutierrez, my old woman, would come to be queen and my children infantes."

"Well, who doubts it?" said Don Quixote.

"I doubt it," replied Sancho Panza, "because for my part I am persuaded that though God should shower down kingdoms upon earth, not one of them would fit the head of Mari Gutierrez. Let me tell you, senor, she is not worth two maravedis for a queen; countess will fit her better, and that only with God's help."

"Leave it to God, Sancho," returned Don Quixote, "for he will give her what suits her best; but do not undervalue thyself so much as to come to be content with anything less than being governor of a province."

"I will not, senor," answered Sancho, "specially as I have a man of such quality for a master in your worship, who will know how to give me all that will be suitable for me and that I can bear."

CHAPTER VIII.

OF THE GOOD FORTUNE WHICH THE VALIANT DON QUIXOTE HAD IN THE TERRIBLE AND UNDREAMT-OF ADVENTURE OF THE WINDMILLS, WITH OTHER OCCURRENCES WORTHY TO BE FITLY RECORDED

At this point they came in sight of thirty forty windmills that there are on plain, and as soon as Don Quixote saw them he said to his squire, "Fortune is arranging matters for us better than we could have shaped our desires ourselves, for look there, friend Sancho Panza, where thirty or more monstrous giants present themselves, all of whom I mean to engage in battle and slay, and with whose spoils we shall begin to make our fortunes; for this is righteous warfare, and it is God's good service to sweep so evil a breed from off the face of the earth."

"What giants?" said Sancho Panza.

"Those thou seest there," answered his master, "with the long arms, and some have them nearly two leagues long."

"Look, your worship," said Sancho; "what we see there are not giants but windmills, and what seem to be their arms are the sails that turned by the wind make the millstone go."

"It is easy to see," replied Don Quixote, "that thou art not used to this business of adventures; those are giants; and if thou art afraid, away with thee out of this and betake thyself to prayer while I engage them in fierce and unequal combat."

So saying, he gave the spur to his steed Rocinante, heedless of the cries his squire Sancho sent after him, warning him that most certainly they were windmills and not giants he was going to attack. He, however, was so positive they were giants that he neither heard the cries of Sancho, nor perceived, near as he was, what they were, but made at them shouting, "Fly not, cowards and vile beings, for a single knight attacks you."

A slight breeze at this moment sprang up, and the great sails began to move, seeing which Don Quixote exclaimed, "Though ye flourish more arms than the giant Briareus, ye have to reckon with me."

So saying, and commending himself with all his heart to his lady Dulcinea, imploring her to support him in such a peril, with lance in rest and covered by his buckler, he charged at Rocinante's fullest gallop and fell upon the first mill that stood in front of him; but as he drove his lance-point into the sail the wind whirled it round with such force that it shivered the lance to pieces, sweeping with it horse and rider, who went rolling over on the plain, in a sorry condition. Sancho hastened to his assistance as fast as his ass could go, and when he came up found him unable to move, with such a shock had Rocinante fallen with him.

"God bless me!" said Sancho, "did I not tell your worship to mind what you were about, for they were only windmills? and no one could have made any mistake about it but one who had something of the same kind in his head."

"Hush, friend Sancho," replied Don Quixote, "the fortunes of war more than any other are liable to frequent fluctuations; and moreover I think, and it is the truth, that that same sage Friston who carried off my study and books, has turned these giants into mills in order to rob me of the glory of vanquishing them, such is the enmity he bears me; but in the end his wicked arts will avail but little against my good sword."

"God order it as he may," said Sancho Panza, and helping him to rise got him up again on Rocinante, whose shoulder was half out; and then, discussing the late adventure, they followed the road to Puerto Lapice, for there, said Don Quixote, they could not fail to find adventures in abundance and variety, as it was a great thoroughfare. For all that, he was much grieved at the loss of his lance, and saying so to his squire, he added, "I remember having read how a Spanish knight, Diego Perez de Vargas by name, having broken his sword in battle, tore from an oak a ponderous bough or branch, and with it did such things that day, and pounded so many Moors, that he got the surname of Machuca, and he and his descendants from that day forth were called Vargas y Machuca. I mention this because from the first oak I see I mean to rend such another branch, large and stout like that, with which I am determined and resolved to do such deeds that thou mayest deem thyself very fortunate in being found worthy to come and see them, and be an eyewitness of things that will with difficulty be believed."

"Be that as God will," said Sancho, "I believe it all as your worship says it; but straighten yourself a little, for you seem all on one side, may be from the shaking of the fall."

"That is the truth," said Don Quixote, "and if I make no complaint of the pain it is because knights-errant are not permitted to complain of any wound, even though their bowels be coming out through it."

"If so," said Sancho, "I have nothing to say; but God knows I would rather your worship complained when anything ailed you. For my part, I confess I must complain however small the ache may be; unless this rule about not complaining extends to the squires of knights-errant also."

Don Quixote could not help laughing at his squire's simplicity, and he assured him he might complain whenever and however he chose, just as he liked, for, so far, he had never read of anything to the contrary in the order of knighthood.

Sancho bade him remember it was dinner-time, to which his master answered that he wanted nothing himself just then, but that he might eat when he had a mind. With this permission Sancho settled himself as comfortably as he could on his beast, and taking out of the alforjas what he had stowed away in them, he jogged along behind his master munching deliberately, and from time to time taking a pull at the bota with a relish that the thirstiest tapster in Malaga might have envied; and while he went on in this way, gulping down draught after draught, he never gave a thought to any of the promises his master had made him, nor did he rate it as hardship but rather as recreation going in quest of adventures, however dangerous they might be. Finally they passed the night among some trees, from one of which Don Quixote plucked a dry branch to serve him after a fashion as a lance, and fixed on it the head he had removed from the broken one. All that night Don Quixote lay awake thinking of his lady Dulcinea, in order to conform to what he had read in his books, how many a night in the forests and deserts knights used to lie sleepless supported by the memory of their mistresses. Not so did Sancho Panza spend it, for having his stomach full of something stronger than chicory water he made but one sleep of it, and, if his master had not called him, neither the rays of the sun beating on his face nor all the cheery notes of the birds welcoming the approach of day would have had power to waken him. On getting up he tried the bota and found it somewhat less full than the night before, which grieved his heart because they did not seem to be on the way to remedy the deficiency readily. Don Quixote did not care to break his fast, for, as has been already said, he confined himself to savoury recollections for nourishment.

They returned to the road they had set out with, leading to Puerto Lapice, and at three in the afternoon they came in sight of it. "Here, brother Sancho Panza," said Don Quixote when he saw it, "we may plunge our hands up to the elbows in what they call adventures; but observe, even shouldst thou see me in the greatest danger in the world, thou must not put a hand to thy sword in my defence, unless indeed thou perceivest that those who assail me are rabble or base folk; for in that case thou mayest very properly aid me; but if they be knights it is on no account permitted or allowed thee by the laws of knighthood to help me until thou hast been dubbed a knight."

"Most certainly, senor," replied Sancho, "your worship shall be fully obeyed in this matter; all the more as of myself I am peaceful and no friend to mixing in strife and quarrels: it is true that as regards the defence of my own person I shall not give much heed to those laws, for laws human and divine allow each one to defend himself against any assailant whatever."

"That I grant," said Don Quixote, "but in this matter of aiding me against knights thou must put a restraint upon thy natural impetuosity."

"I will do so, I promise you," answered Sancho, "and will keep this precept as carefully as Sunday."

While they were thus talking there appeared on the road two friars of the order of St. Benedict, mounted on two dromedaries, for not less tall were the two mules they rode on. They wore travelling spectacles and carried sunshades; and behind them came a coach attended by four or five persons on horseback and two muleteers on foot. In the coach there was, as afterwards appeared, a Biscay lady on her way to Seville, where her husband was about to take passage for the Indies with an appointment of high honour. The friars, though going the same road, were not in her company; but the moment Don Quixote perceived them he said to his squire, "Either I am mistaken, or this is going to be the most famous adventure that has ever been seen, for those black bodies we see there must be, and doubtless are, magicians who are carrying off some stolen princess in that coach, and with all my might I must undo this wrong."

"This will be worse than the windmills," said Sancho. "Look, senor; those are friars of St. Benedict, and the coach plainly belongs to some travellers: I tell you to mind well what you are about and don't let the devil mislead you."

"I have told thee already, Sancho," replied Don Quixote, "that on the subject of adventures thou knowest little. What I say is the truth, as thou shalt see presently."

So saying, he advanced and posted himself in the middle of the road along which the friars were coming, and as soon as he thought they had come near enough to hear what he said, he cried aloud, "Devilish and unnatural beings, release instantly the highborn princesses whom you are carrying off by force in this coach, else prepare to meet a speedy death as the just punishment of your evil deeds."

The friars drew rein and stood wondering at the appearance of Don Quixote as well as at his words, to which they replied, "Senor Caballero, we are not devilish or unnatural, but two brothers of St. Benedict following our road, nor do we know whether or not there are any captive princesses coming in this coach."

"No soft words with me, for I know you, lying rabble," said Don Quixote, and without waiting for a reply he spurred Rocinante and with levelled lance charged the first friar with such fury and determination, that, if the friar had not flung himself off the mule, he would have brought him to the ground against his will, and sore wounded, if not killed outright. The second brother, seeing how his comrade was treated, drove his heels into his castle of a mule and made off across the country faster than the wind.

Sancho Panza, when he saw the friar on the ground, dismounting briskly from his ass, rushed towards him and began to strip off his gown. At that instant the friars muleteers came up and asked what he was stripping him for. Sancho answered them that this fell to him lawfully as spoil of the battle which his lord Don Quixote had won. The muleteers, who had no idea of a joke and did not understand all this about battles and spoils, seeing that Don Quixote was some distance off talking to the travellers in the coach, fell upon Sancho, knocked him down, and leaving hardly a hair in his beard, belaboured him with kicks and left him stretched breathless and senseless on the ground; and without any more delay helped the friar to mount, who, trembling, terrified, and pale, as soon as he found himself in the saddle, spurred after his companion, who was standing at a distance looking on, watching the result of the onslaught; then, not caring to wait for the end of the affair just begun, they pursued their journey making more crosses than if they had the devil after them.

Don Quixote was, as has been said, speaking to the lady in the coach: "Your beauty, lady mine," said he, "may now dispose of your person as may be most in accordance with your pleasure, for the pride of your ravishers lies prostrate on the ground through this strong arm of mine; and lest you should be pining to know the name of your deliverer, know that I am called Don Quixote of La Mancha, knight-errant and adventurer, and captive to the peerless and beautiful lady Dulcinea del Toboso: and in return for the service you have received of me I ask no more than that you should return to El Toboso, and on my behalf present yourself before that lady and tell her what I have done to set you free."

One of the squires in attendance upon the coach, a Biscayan, was listening to all Don Quixote was saying, and, perceiving that he would not allow the coach to go on, but was saying it must return at once to El Toboso, he made at him, and seizing his lance addressed him in bad Castilian and worse Biscayan after his fashion, "Begone, caballero, and ill go with thee; by the God that made me, unless thou quittest coach, slayest thee as art here a Biscayan."

Don Quixote understood him quite well, and answered him very quietly, "If thou wert a knight, as thou art none, I should have already chastised thy folly and rashness, miserable creature." To which the Biscayan returned, "I no gentleman!--I swear to God thou liest as I am Christian: if thou droppest lance and drawest sword, soon shalt thou see thou art carrying water to the cat: Biscayan on land, hidalgo at sea, hidalgo at the devil, and look, if thou sayest otherwise thou liest."

"'"You will see presently," said Agrajes,'" replied Don Quixote; and throwing his lance on the ground he drew his sword, braced his buckler on his arm, and attacked the Biscayan, bent upon taking his life.

The Biscayan, when he saw him coming on, though he wished to dismount from his mule, in which, being one of those sorry ones let out for hire, he had no confidence, had no choice but to draw his sword; it was lucky for him, however, that he was near the coach, from which he was able to snatch a cushion that served him for a shield; and they went at one another as if they had been two mortal enemies. The others strove to make peace between them, but could not, for the Biscayan declared in his disjointed phrase that if they did not let him finish his battle he would kill his mistress and everyone that strove to prevent him. The lady in the coach, amazed and terrified at what she saw, ordered the coachman to draw aside a little, and set herself to watch this severe struggle, in the course of which the Biscayan smote Don Quixote a mighty stroke on the shoulder over the top of his buckler, which, given to one without armour, would have cleft him to the waist. Don Quixote, feeling the weight of this prodigious blow, cried aloud, saying, "O lady of my soul, Dulcinea, flower of beauty, come to the aid of this your knight, who, in fulfilling his obligations to your beauty, finds himself in this extreme peril." To say this, to lift his sword, to shelter himself well behind his buckler, and to assail the Biscayan was the work of an instant, determined as he was to venture all upon a single blow. The Biscayan, seeing him come on in this way, was convinced of his courage by his spirited bearing, and resolved to follow his example, so he waited for him keeping well under cover of his cushion, being unable to execute any sort of manoeuvre with his mule, which, dead tired and never meant for this kind of game, could not stir a step.

On, then, as aforesaid, came Don Quixote against the wary Biscayan, with uplifted sword and a firm intention of splitting him in half, while on his side the Biscayan waited for him sword in hand, and under the protection of his cushion; and all present stood trembling, waiting in suspense the result of blows such as threatened to fall, and the lady in the coach and the rest of her following were making a thousand vows and offerings to all the images and shrines of Spain, that God might deliver her squire and all of them from this great peril in which they found themselves. But it spoils all, that at this point and crisis the author of the history leaves this battle impending, giving as excuse that he could find nothing more written about these achievements of Don Quixote than what has been already set forth. It is true the second author of this work was unwilling to believe that a history so curious could have been allowed to fall under the sentence of oblivion, or that the wits of La Mancha could have been so undiscerning as not to preserve in their archives or registries some documents referring to this famous knight; and this being his persuasion, he did not despair of finding the conclusion of this pleasant history, which, heaven favouring him, he did find in a way that shall be related in the Second Part.

CHAPTER IX.

IN WHICH IS CONCLUDED AND FINISHED THE TERRIFIC BATTLE BETWEEN THE GALLANT BISCAYAN AND THE VALIANT MANCHEGAN

In the First Part of this history we left the valiant Biscayan and the renowned Don Quixote with drawn swords uplifted, ready to deliver two such furious slashing blows that if they had fallen full and fair they would at least have split and cleft them asunder from top to toe and laid them open like a pomegranate; and at this so critical point the delightful history came to a stop and stood cut short without any intimation from the author where what was missing was to be found.

This distressed me greatly, because the pleasure derived from having read such a small portion turned to vexation at the thought of the poor chance that presented itself of finding the large part that, so it seemed to me, was missing of such an interesting tale. It appeared to me to be a thing impossible and contrary to all precedent that so good a knight should have been without some sage to undertake the task of writing his marvellous achievements; a thing that was never wanting to any of those knights-errant who, they say, went after adventures; for every one of them had one or two sages as if made on purpose, who not only recorded their deeds but described their most trifling thoughts and follies, however secret they might be; and such a good knight could not have been so unfortunate as not to have what Platir and others like him had in abundance. And so I could not bring myself to believe that such a gallant tale had been left maimed and mutilated, and I laid the blame on Time, the devourer and destroyer of all things, that had either concealed or consumed it.

On the other hand, it struck me that, inasmuch as among his books there had been found such modern ones as "The Enlightenment of Jealousy" and the "Nymphs and Shepherds of Henares," his story must likewise be modern, and that though it might not be written, it might exist in the memory of the people of his village and of those in the neighbourhood. This reflection kept me perplexed and longing to know really and truly the whole life and wondrous deeds of our famous Spaniard, Don Quixote of La Mancha, light and mirror of Manchegan chivalry, and the first that in our age and in these so evil days devoted himself to the labour and exercise of the arms of knight-errantry, righting wrongs, succouring widows, and protecting damsels of that sort that used to ride about, whip in hand, on their palfreys, with all their virginity about them, from mountain to mountain and valley to valley--for, if it were not for some ruffian, or boor with a hood and hatchet, or monstrous giant, that forced them, there were in days of yore damsels that at the end of eighty years, in all which time they had never slept a day under a roof, went to their graves as much maids as the mothers that bore them. I say, then, that in these and other respects our gallant Don Quixote is worthy of everlasting and notable praise, nor should it be withheld even from me for the labour and pains spent in searching for the conclusion of this delightful history; though I know well that if Heaven, chance and good fortune had not helped me, the world would have remained deprived of an entertainment and pleasure that for a couple of hours or so may well occupy him who shall read it attentively. The discovery of it occurred in this way.

One day, as I was in the Alcana of Toledo, a boy came up to sell some pamphlets and old papers to a silk mercer, and, as I am fond of reading even the very scraps of paper in the streets, led by this natural bent of mine I took up one of the pamphlets the boy had for sale, and saw that it was in characters which I recognised as Arabic, and as I was unable to read them though I could recognise them, I looked about to see if there were any Spanish-speaking Morisco at hand to read them for me; nor was there any great difficulty in finding such an interpreter, for even had I sought one for an older and better language I should have found him. In short, chance provided me with one, who when I told him what I wanted and put the book into his hands, opened it in the middle and after reading a little in it began to laugh. I asked him what he was laughing at, and he replied that it was at something the book had written in the margin by way of a note. I bade him tell it to me; and he still laughing said, "In the margin, as I told you, this is written: 'This Dulcinea del Toboso so often mentioned in this history, had, they say, the best hand of any woman in all La Mancha for salting pigs.'"

When I heard Dulcinea del Toboso named, I was struck with surprise and amazement, for it occurred to me at once that these pamphlets contained the history of Don Quixote. With this idea I pressed him to read the beginning, and doing so, turning the Arabic offhand into Castilian, he told me it meant, "History of Don Quixote of La Mancha, written by Cide Hamete Benengeli, an Arab historian." It required great caution to hide the joy I felt when the title of the book reached my ears, and snatching it from the silk mercer, I bought all the papers and pamphlets from the boy for half a real; and if he had had his wits about him and had known how eager I was for them, he might have safely calculated on making more than six reals by the bargain. I withdrew at once with the Morisco into the cloister of the cathedral, and begged him to turn all these pamphlets that related to Don Quixote into the Castilian tongue, without omitting or adding anything to them, offering him whatever payment he pleased. He was satisfied with two arrobas of raisins and two bushels of wheat, and promised to translate them faithfully and with all despatch; but to make the matter easier, and not to let such a precious find out of my hands, I took him to my house, where in little more than a month and a half he translated the whole just as it is set down here.

In the first pamphlet the battle between Don Quixote and the Biscayan was drawn to the very life, they planted in the same attitude as the history describes, their swords raised, and the one protected by his buckler, the other by his cushion, and the Biscayan's mule so true to nature that it could be seen to be a hired one a bowshot off. The Biscayan had an inscription under his feet which said, "Don Sancho de Azpeitia," which no doubt must have been his name; and at the feet of Rocinante was another that said, "Don Quixote." Rocinante was marvellously portrayed, so long and thin, so lank and lean, with so much backbone and so far gone in consumption, that he showed plainly with what judgment and propriety the name of Rocinante had been bestowed upon him. Near him was Sancho Panza holding the halter of his ass, at whose feet was another label that said, "Sancho Zancas," and according to the picture, he must have had a big belly, a short body, and long shanks, for which reason, no doubt, the names of Panza and Zancas were given him, for by these two surnames the history several times calls him. Some other trifling particulars might be mentioned, but they are all of slight importance and have nothing to do with the true relation of the history; and no history can be bad so long as it is true.

If against the present one any objection be raised on the score of its truth, it can only be that its author was an Arab, as lying is a very common propensity with those of that nation; though, as they are such enemies of ours, it is conceivable that there were omissions rather than additions made in the course of it. And this is my own opinion; for, where he could and should give freedom to his pen in praise of so worthy a knight, he seems to me deliberately to pass it over in silence; which is ill done and worse contrived, for it is the business and duty of historians to be exact, truthful, and wholly free from passion, and neither interest nor fear, hatred nor love, should make them swerve from the path of truth, whose mother is history, rival of time, storehouse of deeds, witness for the past, example and counsel for the present, and warning for the future. In this I know will be found all that can be desired in the pleasantest, and if it be wanting in any good quality, I maintain it is the fault of its hound of an author and not the fault of the subject. To be brief, its Second Part, according to the translation, began in this way:

With trenchant swords upraised and poised on high, it seemed as though the two valiant and wrathful combatants stood threatening heaven, and earth, and hell, with such resolution and determination did they bear themselves. The fiery Biscayan was the first to strike a blow, which was delivered with such force and fury that had not the sword turned in its course, that single stroke would have sufficed to put an end to the bitter struggle and to all the adventures of our knight; but that good fortune which reserved him for greater things, turned aside the sword of his adversary, so that although it smote him upon the left shoulder, it did him no more harm than to strip all that side of its armour, carrying away a great part of his helmet with half of his ear, all which with fearful ruin fell to the ground, leaving him in a sorry plight.

Good God! Who is there that could properly describe the rage that filled the heart of our Manchegan when he saw himself dealt with in this fashion? All that can be said is, it was such that he again raised himself in his stirrups, and, grasping his sword more firmly with both hands, he came down on the Biscayan with such fury, smiting him full over the cushion and over the head, that--even so good a shield proving useless--as if a mountain had fallen on him, he began to bleed from nose, mouth, and ears, reeling as if about to fall backwards from his mule, as no doubt he would have done had he not flung his arms about its neck; at the same time, however, he slipped his feet out of the stirrups and then unclasped his arms, and the mule, taking fright at the terrible blow, made off across the plain, and with a few plunges flung its master to the ground. Don Quixote stood looking on very calmly, and, when he saw him fall, leaped from his horse and with great briskness ran to him, and, presenting the point of his sword to his eyes, bade him surrender, or he would cut his head off. The Biscayan was so bewildered that he was unable to answer a word, and it would have gone hard with him, so blind was Don Quixote, had not the ladies in the coach, who had hitherto been watching the combat in great terror, hastened to where he stood and implored him with earnest entreaties to grant them the great grace and favour of sparing their squire's life; to which Don Quixote replied with much gravity and dignity, "In truth, fair ladies, I am well content to do what ye ask of me; but it must be on one condition and understanding, which is that this knight promise me to go to the village of El Toboso, and on my behalf present himself before the peerless lady Dulcinea, that she deal with him as shall be most pleasing to her."

The terrified and disconsolate ladies, without discussing Don Quixote's demand or asking who Dulcinea might be, promised that their squire should do all that had been commanded.

"Then, on the faith of that promise," said Don Quixote, "I shall do him no further harm, though he well deserves it of me."

CHAPTER X.

OF THE PLEASANT DISCOURSE THAT PASSED BETWEEN DON QUIXOTE AND HIS SQUIRE SANCHO PANZA

Now by this time Sancho had risen, rather the worse for the handling of the friars' muleteers, and stood watching the battle of his master, Don Quixote, and praying to God in his heart that it might be his will to grant him the victory, and that he might thereby win some island to make him governor of, as he had promised. Seeing, therefore, that the struggle was now over, and that his master was returning to mount Rocinante, he approached to hold the stirrup for him, and, before he could mount, he went on his knees before him, and taking his hand, kissed it saying, "May it please your worship, Senor Don Quixote, to give me the government of that island which has been won in this hard fight, for be it ever so big I feel myself in sufficient force to be able to govern it as much and as well as anyone in the world who has ever governed islands."

To which Don Quixote replied, "Thou must take notice, brother Sancho, that this adventure and those like it are not adventures of islands, but of cross-roads, in which nothing is got except a broken head or an ear the less: have patience, for adventures will present themselves from which I may make you, not only a governor, but something more."

Sancho gave him many thanks, and again kissing his hand and the skirt of his hauberk, helped him to mount Rocinante, and mounting his ass himself, proceeded to follow his master, who at a brisk pace, without taking leave, or saying anything further to the ladies belonging to the coach, turned into a wood that was hard by. Sancho followed him at his ass's best trot, but Rocinante stepped out so that, seeing himself left behind, he was forced to call to his master to wait for him. Don Quixote did so, reining in Rocinante until his weary squire came up, who on reaching him said, "It seems to me, senor, it would be prudent in us to go and take refuge in some church, for, seeing how mauled he with whom you fought has been left, it will be no wonder if they give information of the affair to the Holy Brotherhood and arrest us, and, faith, if they do, before we come out of gaol we shall have to sweat for it."

"Peace," said Don Quixote; "where hast thou ever seen or heard that a knight-errant has been arraigned before a court of justice, however many homicides he may have committed?"

"I know nothing about omecils," answered Sancho, "nor in my life have had anything to do with one; I only know that the Holy Brotherhood looks after those who fight in the fields, and in that other matter I do not meddle."

"Then thou needst have no uneasiness, my friend," said Don Quixote, "for I will deliver thee out of the hands of the Chaldeans, much more out of those of the Brotherhood. But tell me, as thou livest, hast thou seen a more valiant knight than I in all the known world; hast thou read in history of any who has or had higher mettle in attack, more spirit in maintaining it, more dexterity in wounding or skill in overthrowing?"

"The truth is," answered Sancho, "that I have never read any history, for I can neither read nor write, but what I will venture to bet is that a more daring master than your worship I have never served in all the days of my life, and God grant that this daring be not paid for where I have said; what I beg of your worship is to dress your wound, for a great deal of blood flows from that ear, and I have here some lint and a little white ointment in the alforjas."

"All that might

Impressum

Verlag: BookRix GmbH & Co. KG

Tag der Veröffentlichung: 10.06.2014
ISBN: 978-3-7368-1949-8

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