You have some really interesting characters in this story, and the beginnings of a good story line. There are a few things you should look into, however, before you add to this.
First, every use of "seen" should be "saw." That's just a hard and fast grammar rule that makes your narrative smoother, and makes it much easier to read. There are a number of other grammar and syntax errors that need to be fixed, but your spelling... mehr anzeigen
You have some really interesting characters in this story, and the beginnings of a good story line. There are a few things you should look into, however, before you add to this.
First, every use of "seen" should be "saw." That's just a hard and fast grammar rule that makes your narrative smoother, and makes it much easier to read. There are a number of other grammar and syntax errors that need to be fixed, but your spelling for the most part is excellent, and your sentence structure is sound.
Second - and please accept this as both constructive criticism and an attempt to help you improve the story - the beginning of this sounds like a rewrite of "Twilight." You simply have too many similarities, like the rainy area she's in, her being in a new school (if I had a dime for every story on this site that started with the main character being a new student and it being the first day of school, I could buy a house, lol), the fact that her vampire characters don't show up on sunny days, the way they hang out together and glare at everyone else...you can "borrow" some of the concepts Stephanie Meyers has developed, but should make just enough of a change so it's more original.
For instance, instead of having the vampires stay away from school on sunny days (seriously - in reality, if a family of students did that, DCF would be all over their parents), maybe you could say that it seemed that only on sunny days, the Von siblings were already at school before everyone else, and didn't go outside all day. You could explain that later, they told Ally that they got to the school before the sun came up, and stayed until dark, or maybe until after everyone had gone home, and then used their super-speed to get into their parents' car. Something like that, so it doesn't sound like you're just copying the whole thing from "Twilight."
Watch your tenses - you keep switching from present to past, and it gets confusing.
Finally (sorry this is so long, but I'd love to see you develop strong writing skills), I know you've heard of Show-And-Tell. We all had that in elementary school when I was growing up, and I'm pretty sure they still do that. Anyway, in writing, there's something called show-not-tell. So far your story is almost entirely "telling." It reads more like a summary or book report than an actual story. Here's how you can fix that:
TELLING: Maya walked through the woods and found her friend lying on the ground. Her friend's ankle was bleeding and she was crying.
SHOWING: Darkness was falling as Maya made her way through the trees, her feet crunching on dead leaves. A soft cry came to her ears and she ran toward it.
"Oh, no! What happened?" She crouched down beside her friend, whose cry had guided Maya there.
"Something bit me," said her friend through clenched teeth.
"Move your hand away." Maya pulled out the small flashlight at the end of her keychain and shined its tiny beam at her friend's ankle. "That's an awful lot of blood."
As you can see, the "showing" version is much longer, but it has to be. It's a matter of taking your idea and expanding it so the reader can become part of the story, and "see" what's going on through the eyes of the main character. That makes the story more exciting, gives it forward movement, and makes the reader want to find out what happens next.
Try expanding your narrative to include dialogue, visual tags (descriptions), action, and shorter, more concise sentences. That's when the reader will get a better idea of what's going on instead of reading an unending list of new character names every few sentences without any real details about their personalities, how they interact, etc.
Let me know if you have any questions. ')
Hi there, Alexis. I think Judy covered most of the pertinent things...and did it very well. I agree wholeheartedly with her regarding her comment that you have the basis for a fine story, and I'd like to add that if you are serious about making it sing, you must not give up. You... mehr anzeigen
Hi there, Alexis. I think Judy covered most of the pertinent things...and did it very well. I agree wholeheartedly with her regarding her comment that you have the basis for a fine story, and I'd like to add that if you are serious about making it sing, you must not give up. You have your starting point, now go forward by going back...
Two things in particular that hit me beyond tense agreement and grammar: I believe in these first pages you introduce too many characters, and you do so in a (telling) narrative that covers way too much time.
"Another week went by..." "After that I went home..." "The next day two new kids..." "Another two weeks went by..." All of this on a single page. Translated that means we, the readers, barely get to know any of the many characters. You've compressed time to the detriment of what we call plot flow. For instance. The end of page one. You introduce three characters; the Vonas (I'd cut out the phrase, "...on Wednesday and Thursday." We assume correctly that the trip covered Wednesday and Thursday because it was a two day trip, ending on Friday.) They stared at me..." and suddenly you're off, jumping forward months, saying that everything was fine (I'm not sure everything was). Two more brief paragraphs and you change scene again without having really shown us any action.
Try this. Go back to the beginning. Visualize yourself as Ally. For the short term, forget the Vonas. Like Judy says, expand your narrative. Slow WAY down. "We found a house..." What kind of house? Can you describe it the way Ally first saw it? The street it lay on, maybe? Something peculiar about, say, the way the front gate hung, or the cobblestoned walk was overgrown with weeds, or...? What is Ally thinking? Could her mother reassure her that despite the neighborhood and the ramshackle "new home", everything will be fine? She'll be in school soon...da da da. By doing things like this you begin to draw us in...paint a picture of Ally and her environment. Try to visualize your story like a film. Build story through scenes, and employ as many of the senses as you can as your narrate from Ally's point of view, but don't leave the scene until it has accomplished a task. You, and Ally, have plenty of time.
There are SO many rules governing plot movement, that in this short space it would be impossible to list all of them. The long and the short of it is, get us into scene, and then move us though it using dialogue exchanges, description ("...there was a peculiar smell about the street the moment I opened the door and stepped out onto it that day, like rotting leaves in late winter..."), interjections as asides that take us into Ally's head in THAT particular scene. Ie., Mom has reassured Ally about the town, or the house, or the neighborhood..."Oh right, Mom. Like I'm really supposed to believe THAT!" No beginning or ending quotes, of course, merely italicized.
Like Judy said, let us know if you have any questions.
thank you for your comments
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