At any exhibition of paintings, more particularly at some public
gallery or museum, one can hardly fail to reflect that an interest in
pictures is unmistakably widespread. People are there in
considerable numbers, and what is more striking, they seem to
represent every station and walk in life. It is evident that pictures, as
exhibited to the public, are not the cult of an initiated few; their
appeal is manifestly to no one class;
gallery or museum, one can hardly fail to reflect that an interest in
pictures is unmistakably widespread. People are there in
considerable numbers, and what is more striking, they seem to
represent every station and walk in life. It is evident that pictures, as
exhibited to the public, are not the cult of an initiated few; their
appeal is manifestly to no one class;
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